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‘Yes. You see, he sounds to me just the sort of person who would do a murder. I mean, he was the slow dithering one the others laughed at, and underneath, perhaps, he resented that. Then my father married the girl he wanted to marry. And my father was successful and rich. And he did make all those poisons! Perhaps he really made them because he liked the idea of being able to kill someone one day. He had to call attention to the stuff being taken, so as to divert suspicion from himself. But he himself was far the most likely person to have taken it. He might, even, have liked getting Caroline hanged – because she turned him down long ago. I think, you know, it’s rather fishy what he says in his account of it all – how people do things that aren’t characteristic of them. Supposing he meant himself when he wrote that?’

Hercule Poirot said:

‘You are at least right in this – not to take what has been written down as necessarily a true narrative. What has been written may have been written deliberately to mislead.’

‘Oh, I know. I’ve kept that in mind.’

‘Any other ideas?’

Carla said slowly:

‘I wondered – before I’d read this – about Miss Williams. She lost her job, you see, when Angela went to school. And if Amyas had died suddenly, Angela probably wouldn’t have gone after all. I mean if it passed off as a natural death – which it easily might have done, I suppose, if Meredith hadn’t missed the coniine. I read up coniine, and it hasn’t got any distinctive post-mortem appearances. It might have been thought to be sunstroke. I know that just losing a job doesn’t sound a very adequate motive for murder. But murders have been committed again and again for what seem ridiculously inadequate motives. Tiny sums of money sometimes. And a middle-aged, perhaps rather incompetent governess might have got the wind up and just seen no future ahead of her.

‘As I say, that’s what I thought before I read this. But Miss Williams doesn’t sound like that at all. She doesn’t sound in the least incompetent-’

‘Not at all. She is still a very efficient and intelligent woman.’

‘I know. One can see that. And she sounds absolutely trustworthy too. That’s what has upset me really. Oh,you know – you understand. You don’t mind, of course. All along you’ve made it clear it was the truth you wanted. I suppose now we’ve got the truth! Miss Williams is quite right. One must accept truth. It’s no good basing your life on a lie because it’s what you want to believe. All right then – I can take it! My mother wasn’t innocent! She wrote me that letter because she was weak and unhappy and wanted to spare me. I don’t judge her. Perhaps I should feel like that too. I don’t know what prison does to you. And I don’t blame her either – if she felt so desperately about my father, I suppose she couldn’t help herself. But I don’t blame my father altogether either. I understand – just a little – how he felt. So alive – and so full of wanting everything… He couldn’t help it – he was made that way. And he was a great painter. I think that excuses a lot.’

She turned her flushed excited face to Hecule Poirot with her chin raised defiantly.

Hercule Poirot said:

‘So – you are satisfied?’

‘Satisfied?’ said Carla Lemarchant. Her voice broke on the word.

Poirot leant forward and patted her paternally on the shoulder.

‘Listen,’ he said. ‘You give up the fight at the moment when it is most worth fighting. At the moment when I, Hercule Poirot, have a very good idea of what really happened.’

Carla stared at him. She said:

‘Miss Williams loved my mother. She saw her – with her own eyes – faking that suicide evidence. If you believe what she says-’

Hercule Poirot got up. He said:

‘Mademoiselle, because Cecilia Williams says she saw your mother faking Amyas Crale’s fingerprints on the beer bottle – on the beerbottle, mind – that is the only thing I need to tell me definitely, once for all, that your mother did not kill your father.’

He nodded his head several times and went out of the room, leaving Carla staring after him.



Chapter 2. Poirot Asks Five Questions

‘Well, M. Poirot?’

Philip Blake’s tone was impatient.

Poirot said:

‘I have to thank you for your admirable and lucid account of the Crale tragedy.’

Philip Blake looked rather self-conscious.

‘Very kind of you,’ he murmured. ‘Really surprising how much I remembered when I got down to it.’

Poirot said:

‘It was an admirably clear narrative, but there were certain omissions, were there not?’

‘Omissions?’ Philip Blake frowned.

Hercule Poirot said:

‘Your narrative, shall we say, was not entirely frank.’ His tone hardened. ‘I have been informed, Mr Blake, that on at least one night during the summer, Mrs Crale was seen coming out of your room at a somewhat compromising hour.’

There was a silence broken only by Philip Blake’s heavy breathing. He said at last: ‘Who told you that?’

Hercule Poirot shook his head.

‘It is no matter who told me. That I know, that is the point.’

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Английская писательница Марджори Эллингем и ее герой частный детектив Алберт Кэмпион доселе не были широко известны русскому читателю. Мистер Кэмпион сильно отличается от своих американских коллег, например Майкла Шейна из романов Б. Холлидея. Молодой детектив умён и благороден, как настоящий английский джентльмен, в то же время ему свойственны лукавство и способность в любой среде — будь то аристократическая гостиная или бандитский притон — чувствовать себя уверенно и свободно.Книги Марджори Эллингем не относятся к детективам, называемым «крутыми». Расследования и преступления описаны в стиле романов о доброй старой Англии, что является их несомненным достоинством.

Галина Владимировна Горячева , Марджери Аллингем , Марджори Эллингем

Детективы / Классический детектив / Современные любовные романы / Прочее / Классические детективы / Классическая литература