The doctor hadn’t mentioned a valise-carrying girl. ‘I’ll lose my job. I’ll not be able to find work, not at my age!’
‘Fuck your age!’ railed Herr Kohler, jamming the muzzle of his pistol into him.
‘Menetrel … The doctor, he has telephoned in great urgency to … Ah
‘Angry was he?’ breathed Kohler.
‘Furious.’
‘And demanding that we return the file and stop everything immediately?’ he asked.
‘Most certainly.’
‘
Herr Kohler snatched the key from among a scattering of others and headed for the stairs, bypassing the bronze birdcage of a dubious lift. Out of the shadows, a life-sized Cupid and Psyche adorned the first landing, a copy of the Louvre’s shy and lovely
A copy of Paju’s
‘Room 3-17 must be at the far end of the gallery, Louis.’
How haunting the sculptures were, but could she remember their locations? wondered Ines. Could she find her way in the dark if necessary?
‘Menetrel will call out the troops, Louis. If not the Garde Mobile and Henri-Claude Ferbrave, then the local Milice!’
The formation of France’s newest militia had been announced by Petain not long ago right here in Vichy but already they were old acquaintances. ‘Stay close, mademoiselle. It seems that we’ve ruffled more than the feathers of a few stuffed birds.’
Caught in a large cheval mirror, the sculptress appeared pale and shaken at the sight of the room, which was, of course, nothing like the wives and Madame Petain had indicated.
Instead of a bed that squeaked when used and stank of stale piss, one could see at a glance, St-Cyr told himself, that this canopied masterpiece was simply unmade, its sheets, blankets and spread thrown back but of excellent quality, if of that other time and a touch worn.
There was no second-hand water pitcher, but an unblemished Sevres jug; a copper bath that gleamed even in the faded electric light; a large, handsome marble sink with gilded bronze and porcelain taps, the hot and the cold; even the luxury of a bar of soap that could be left lying around; and plenty of towels, most certainly not thin, for one could hardly have worn them out.
Cold ashes lay in the grate, ample charcoal and wood indicating that a welcome fire could always be lit. The regulation notice as to safe and unsafe sex had, of course, had to be posted just inside the door, he noted, but here violets, dried long ago, had been woven round it, probably by Mademoiselle Marie-Jacqueline.
The carpet was an Aubusson. The armoires, desk and chairs were Marjorelle and nothing to be sneezed at, even if not neo-baroque but most certainly of the turn of the century.
‘Louis, I’d best check the street.’
‘You won’t see anything,’ yelped Ines. ‘They’ll not let you.’
‘It’s what I’ll hear that counts.’
Herr Kohler left them, left the door wide open. Again Ines took in the bed, again she told herself Celine couldn’t have had time to make it, for that had been the rule. After each visit, each of them had tidied up.
Tuesday … last Tuesday afternoon, she said, 2 February, lying naked there in the arms of Honore de Fleury. Celine whose laughter had been so gentle and yet full of warmth and excitement. Celine whose smile had always been so encompassing.
‘There’s … there’s a ballet shoe under that chair, Inspector,’ she heard herself saying. ‘A practice slipper.’
And we are alone at last, mademoiselle, but you haven’t yet decided if you should tell me all you know. ‘It’s the other shoe that puzzles me,’ said St-Cyr. ‘Don’t ballet teachers who have to rush off early in the morning throw their things into a bag of some sort? Her handbag hasn’t turned up, yet her ID has.’
‘The bag, it … it was of a soft brown suede, a rucksack I bought her before the Defeat.’
‘Before the death of her husband?’
And attempted suicide? ‘Yes. Well before that. She was so happy, so full of life. Annette had just been born. On my way to see them at the Hopital Cochin, I came across it in the window of a second-hand shop on the rue Mouffetard and knew she’d have the baby to carry and everything else, so would need something easy to handle.’
‘You were still living at the home of your aunt and uncle then?’
‘They … they had passed away. I …’
‘Had you the studio then, the job at the Musee Grevin?’