Foundation and Earth

As the Comporellians approached, Trevize noted with a distinct sense of indignation that they were armed. Nor did they try to conceal the fact. Quite the contrary. Each had a blaster in a holster attached to the outer garment

One of the Comporellians, having stepped up to confront Trevize, said gruffly, "Your pardon, Councilman," and then pulled his coat open with rough movement. He had inserted questing hands which moved quickly up and down Trevize's sides, back, chest, and thighs. The coat was shaken and felt. Trevize was too overcome by confused astonishment to realize he had been rapidly and efficiently searched till it was over.

Pelorat, his chin drawn down and his mouth in a twisted grimace, was undergoing a similar indignity at the hands of a second Comporellian.

The third was approaching Bliss, who did not wait to be touched. She, at least, knew what to expect, somehow, for she whipped off her coat and, for a moment, stood there in her light clothing, exposed to the whistle of the wind.

She said, freezingly enough to match the temperature, "You can see I'm not armed."

And indeed anyone could. The Comporellian shook the coat, as though by its weight he could tell if it contained a weapon-perhaps he could-and retreated.

Bliss put on her coat again, huddling into it, and for a moment Trevize admired her gesture. He knew how she felt about the cold, but she had not allowed a tremor or shiver to escape her as she had stood there in thin blouse and slacks. (Then he wondered if, in the emergency, she might not have drawn warmth from the rest of Gaia.)

One of the Comporellians gestured, and the three Outworlders followed him. The other two Comporellians fell behind. The one or two pedestrians who were on the street did not bother to watch what was happening. Either they were too accustomed to the sight or, more likely, had their minds occupied with getting to some indoor destination as soon as possible.

Trevize saw now that it was a moving ramp up which the Comporellians had ascended. They were descending now, all six of them, and passed through a lock arrangement almost as complicated as that on a spaceship-to keep heat inside, no doubt, rather than air.

And then, at once, they were inside a huge building.

Chapter 5 Struggle for the Ship

17.

TREVIZE'S first impression was that he was on the set of a hyperdrama-specifically, that of a historical romance of Imperial days. There was a particular set, with few variations (perhaps only one existed and was used by every hyperdrama producer, for all he knew), that represented the great worldgirdling planet-city of Trantor in its prime.

There were the large spaces, the busy scurry of pedestrians, the small vehicles speeding along the lanes reserved for them.

Trevize looked up, almost expecting to see air-taxis climbing into dim vaulted recesses, but that at least was absent. In fact, as his initial astonishment subsided, it was clear that the building was far smaller than one would expect on Trantor. It was only a building and not part of a complex that stretched unbroken for thousands of miles in every direction.

The colors were different, too. On the hyperdramas, Trantor was always depicted as impossibly garish in coloring and the clothing was, if taken literally, thoroughly impractical and unserviceable. However, all those colors and frills were meant to serve a symbolic purpose for they indicated the decadence (a view that was obligatory, these days) of the Empire, and of Trantor particularly.

If that were so, however, Comporellon was the very reverse of decadent, for the color scheme that Pelorat had remarked upon at the spaceport was here borne out.

The walls were in shades of gray, the ceilings white, the clothing of the population in black, gray, and white. Occasionally, there was an all-black costume; even more occasionally, an all-gray; never an all-white that Trevize could see. The pattern was always different, however, as though people, deprived of color, still managed, irrepressibly, to find ways of asserting individuality.

Faces tended to be expressionless or, if not that, then grim. Women wore their hair short; men longer, but pulled backward into short queues. No one looked at anyone else as he or she passed. Everyone seemed to breathe a purposefulness, as though there was definite business on each mind and room for nothing else. Men and women dressed alike, with only length of hair and the slight bulge of breast and width of hip marking the difference.

The three were guided into an elevator that went down five levels. There they emerged and were moved on to a door on which there appeared in small and unobtrusive lettering, white on gray, "Mitza Lizalor, MinTrans."

The Comporellian in the lead touched the lettering, which, after a moment, glowed in response. The door opened and they walked in.