Frenchman's Creek

He hears the homely farmyard noises, the clanking of pails, the lowing of the cattle, the rough voices of the farmer and his son as they call to each other across the yard, but his ears are deaf to the echoes of that other time, when someone whistled softly from the dark belt of trees, his hands cupped to his mouth, and was swiftly answered by the thin, stooping figure crouching beneath the walls of the silent house, while above them the casement opened, and Dona watched and listened, her hands playing a little nameless melody upon the sill, her ringlets falling forward over her face.

The river flows on, the trees rustle in the summer wind, and down on the mud-flats the oyster-catchers stand at ebb-tide scanning the shallows for food, and the curlews cry, but the men and women of that other time are forgotten, their headstones encrusted with lichen and moss, their names indecipherable.

Today the cattle stamp and churn the earth over the vanished porch of Navron House, where once a man stood as the clock struck midnight, his face smiling in the dim candlelight, his drawn sword in his hand.

In spring the farmer's children gather primroses and snowdrops in the banks above the creek, their muddy boots snapping the dead twigs and the fallen leaves of a spent summer, and the creek itself, swollen with the rains of a long winter, looks desolate and grey.

The trees still crowd thick and darkly to the water's edge, and the moss is succulent and green upon the little quay where Dona built her fire and looked across the flames and laughed at her lover, but today no ship lies at anchor in the pool, with rakish masts pointing to the skies, there is no rattle of chain through the hawser, no rich tobacco smell upon the air, no echo of voices coming across the water in a lilting foreign tongue.

The solitary yachtsman who leaves his yacht in the open roadstead of Helford, and goes exploring up river in his dinghy on a night in midsummer, when the nightjars call, hesitates when he comes upon the mouth of the creek, for there is something of mystery about it even now, something of enchantment. Being a stranger, the yachtsman looks back over his shoulder to the safe yacht in the roadstead, and to the broad waters of the river, and he pauses, resting on his paddles, aware suddenly of the deep silence of the creek, of its narrow twisting channel, and he feels - for no reason known to - that he is an interloper, a trespasser in time. He ventures a little way along the left bank of the creek, the sound of the blades upon the water seeming over-loud and echoing oddly amongst the trees on the farther bank, and as he creeps forward the creek narrows, the trees crowd yet more thickly to the water's edge, and he feels a spell upon him, fascinating, strange, a thing of queer excitement not fully understood.

He is alone, and yet - can that be a whisper, in the shallows, close to the bank, and does a figure stand there, the moonlight glinting upon his buckled shoes and the cutlass in his hand, and is that a woman by his side, a cloak around her shoulders, her dark ringlets drawn back behind her ears? He is wrong, of course, those are only the shadows of the trees, and the whispers are no more than the rustle of the leaves and the stir of a sleeping bird, but he is baffled suddenly, and a little scared, he feels he must go no farther, and that the head of the creek beyond the farther bank is barred to him and must remain unvisited. And so he turns to go, heading the dinghy's nose for the roadstead, and as he pulls away the sounds and the whispers become more insistent to his ears, there comes the patter of footsteps, a call, and a cry in the night, a far faint whistle, and a curious lilting song. He strains his eyes in the darkness, and the massed shadows before him loom hard and clear like the outline of a ship. A thing of grace and beauty, born in another time, a painted phantom ship. And now his heart begins to beat, and he strains at his paddles, and the little dinghy shoots swiftly over the dark water away from enchantment, for what he has seen is not of his world, and what he has heard is beyond his understanding.

Once more he reaches the security of his own ship, and looking back for the last time to the entrance of the creek, he sees the full moon white and shining in all its summer glory rise above the tall trees, bathing the creek in loveliness and light.

A night-jar churrs from the bracken on the hills, a fish breaks the surface of the water with a little plopping sound, and slowly his ship turns to meet the incoming tide, and the creek is hidden from him.