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to one side, tilting a question, waiting for just such a move. How could he not know she was alive? Surely he’d felt the thump of her heart. And what good would kicking be against the giant from the

pickup? He’d grab her bare feet in one hand, haul her out, and recommence choking her. Only this time he wouldn’t stop.

She lay in the rotting leaves and sluggish water, looking up at nothing from her half-lidded eyes, concentrating on playing dead. She passed into a gray fugue that was not quite unconsciousness, and

there she stayed for a length of time that felt long but probably wasn’t. When she heard a motor—his truck, surely his truck—Tess thought: I’m imagining that sound. Or dreaming it. He’s still here.

But the irregular thump of the motor first swel ed, then faded off down Stagg Road.

It’s a trick.

That was almost certainly hysteria. Even if it wasn’t, she couldn’t stay here al night. And when she raised her head (wincing at the stab of pain in her abused throat) and looked toward the mouth of the pipe, she saw only an unimpeded silver circle of moonlight. Tess started wriggling toward it, then stopped.

It’s a trick. I don’t care what you heard, he’s still here.

This time the idea was more powerful. Seeing nothing at the mouth of the culvert made it more powerful. In a suspense novel, this would be the moment of false relaxation before the big climax. Or in a scary movie. The white hand emerging from the lake in Deliverance. Alan Arkin springing out at Audrey Hepburn in Wait Until Dark. She didn’t like scary books and movies, but being raped and almost murdered seemed to have unlocked a whole vault of scary-movie memories, al the same. As if they were just there, in the air.

He could be waiting. If, for instance, he’d had an accomplice drive his truck away. He could be squatting on his hunkers beyond the mouth of the pipe in that patient way country men had.

“Get those panties down,” she whispered, then covered her mouth. What if he heard her?

Five minutes passed. It might have been five. The water was cold and she began to shiver. Soon her teeth would begin to chatter. If he was out there, he would hear.

He drove away. You heard him.

Maybe. Maybe not.

And maybe she didn’t need to leave the pipe the way she’d gone in. It was a culvert, it would go al the way under the road, and since she could feel water running under her, it wasn’t blocked. She

could crawl the length of it and look out into the deserted store’s parking lot. Make sure his old truck was gone. She stil wouldn’t be safe if there was an accomplice, but Tess felt sure, deep down where her rational mind had gone to hide, that there was no accomplice. An accomplice would have insisted on taking his turn at her. Besides, giants worked alone.

And if he is gone? What then?

She didn’t know. She couldn’t imagine her life after her afternoon in the deserted store and her evening in the pipe with rotting leaves smooshed up into the hol ow of her back, but maybe she didn’t

have to. Maybe she could concentrate on getting home to Fritzy and feeding him a packet of Fancy Feast. She could see the Fancy Feast box very clearly. It was sitting on a shelf in her peaceful pantry.

She turned over on her bel y and started to get up on her elbows, meaning to crawl the length of the pipe. Then she saw what was sharing the culvert with her. One of the corpses was not much more

than a skeleton (stretching out bony hands as if in supplication), but there was stil enough hair left on its head to make Tess al but certain it was the corpse of a woman. The other might have been a badly defaced department store mannequin, except for the bulging eyes and protruding tongue. This body was fresher, but the animals had been at it and even in the dark Tess could see the grin of the dead

woman’s teeth.

A beetle came lumbering out of the mannequin’s hair and trundled down the bridge of her nose.

Screaming hoarsely, Tess backed out of the culvert and bolted to her feet, her clothes soaked to her body from the waist up. She was naked from the waist down. And although she did not pass out

(at least she didn’t think she did), for a little while her consciousness was a queerly broken thing. Looking back on it, she would think of the next hour as a darkened stage lit by occasional spotlights. Every now and then a battered woman with a broken nose and blood on her thighs would walk into one of these spotlights. Then she would disappear back into darkness again.

- 9 -

She was in the store, in the big empty central room that had once been divided into aisles, with a frozen food case (maybe) at the back, and a beer cooler (for sure) running the length of the far wal .