For about sixty seconds he felt utterly exposed—empty tarmac stretching away to a runway on his right; on his left, only crumbling asphalt, followed by a field of dry weeds for a hundred yards to the perimeter fence. Behind him lay the hangars, and way past them, the terminal. He resisted the urge to look over his shoulder. Instead, he tried to identify the planes he was approaching: a Beechcraft Bonanza, a Piper Cherokee, a Gulfstream IV—sweet. Then he was among the planes and felt the burden of exposure fade away like the remaining light.
The Cessna loomed larger with each plane he passed. It was parked at least fifty paces from the last plane. Worse, it was canted toward the terminal, toward
He stepped up to the last plane before the Cessna, putting it between himself and his target. It was a Piper Saratoga, the model that carried John F. Kennedy Jr., his wife, and his sister-in-law to the bottom of the Atlantic. He pretended to examine the nose propeller but was actually scrutinizing the Cessna. The cockpit windows were too high, the interior too dark to know whether he was being watched in return. Through the six oval port windows on this side, he caught movement, a flicker as though someone had walked past all of them. Again light flickered against them, and he realized something inside was strobing softly, a television or computer screen, or maybe a security device.
The sun had traveled beyond the horizon now, pulling the last glow of solar radiance from the sky. Twilight began its brief presentation, with the scent of night close behind. The jet appeared more ominous in this light, more like a living thing that killed to survive.
Absently keeping his hand on the prop's nose cone, Allen maneuvered to the other side of the Piper, made an insincere attempt to examine a propeller, then broke away and strode for the Cessna. He tried to appear casual—just a fellow pilot admiring a beautiful flying machine, or airport security ensuring satisfaction with the accommodations. He'd have to decide which he was if he happened to be challenged before he could tamper with the jet's entry door—thereby becoming a threat, aka the new player. He pulled the gauntlet from under his Windbreaker and held it against the side of his upper leg. He cringed at the gravel crunching loudly under his feet.
Now that he was close, he tried to appear "sneaky, malicious, and knowledgeable"—Julia's words again. He bent his knees a bit and glanced around quickly, thinking these things fell under the "sneaky" category. He hoped he'd only have to rattle the door latch and run; no problem—what ten-year-old hadn't done that? If that didn't stir whoever was inside—
He skirted around the jet's fiercely pointed nose and found himself standing in front of the closed door. He turned the latch, and the door sprang open, a portion hinging up, a section with built-in steps coming down. An air-conditioned breeze blew past him, tinged with a faint sweet fragrance—aftershave or overripe fruit. The interior was dark except for the grayish-blue strobing he'd seen through the windows. He leaned in. A galley with sink and cupboards sat opposite the door. The cockpit to the left. Leaning farther, he saw the cabin was set up like a studio apartment. He took a step up. The strobe came from a big plasma TV on the back wall. It was flashing through channel after channel, waiting for just the right show to appear, but no one was watching it. The plane was too small for hiding places. Allen knew that some pilots turned on lights or radios or other electronics when they left their unhangared planes to give the appearance of occupancy. A channel-changing plasma was something new, but he
supposed it was effective. But why would a security-minded person leave the door unlocked? Only one reason came to mind: because he had stepped out for only a moment, maybe just to the GA building for a vending machine snack or newspaper.
He backed off the step and crouched to look under the plane toward the general aviation building and terminal. No one in sight.