Гомбрих, или Наука и иллюзия

Wendland U. Biographisches Handbuch deutschsprachiger Kunsthistoriker im Exil: Leben und Werk der unter dem Nationalsozialismus verfolgten und vertriebenen Wissenschaftler. München: Saur, 1999. Vol. 1. P. 221–233.

Trapp J.B. E.H. Gombrich: A Bibliography. London, 2000.

Feister P.H. Gombrich Sir Ernst Hans Joseph // Metzler Kunsthistoriker Lexikon. 2. Aufl. Stuttgart-Weimar, 2007. S. 132–135.

Snyder S. Language in Art: Gombrich’s History of Representation and the Breakdown of Visual Communication // Paper presented at XXVII International Congress for Aesthetics. Ankara, 2007. July 2.

Gombrich E.H.: A Centenary Colloquium. Warburg Institute. London, 2009. 19–20 June.

1. Peter Burke (Cambridge University). Ernst Gombrich’s search for cultural history; 2. Harry Mount (Oxford Brookes University). Gombrich and the fathers (and mothers) of art history; 3. Patrick Cavanagh (Université Paris Descartes & Harvard University). The heritage of Apelles: Gombrich’s contribution to the visual neurosciences; 4. Jeroen Stumpel (Utrecht University). Gombrich’s schema: power and poverty of a concept; 5. Paul Crossley (Courtauld Institute). Gombrich and the Middle Ages; 6. Paul Taylor (Warburg Institute) Gombrich and the idea of primitive art; 7. Robert Bagley (Princeton University). Gombrich among the Egyptians; 8. Elizabeth McGrath (Warburg Institute). Gombrich as iconographer; 9. Veronika Kopecky (Warburg Institute). Gombrich’s working method; 10. Roberto Casati (Centre National de la Recherche Scientifique). The shadow toolbox; 11. Jan Koenderink (Utrecht University). Gombrich’s “beholder’s share” and the geometry of pictorial space; 12. John Kulvicki (Dartmouth College). ‘Varieties of beholders’ shares; 13. Christopher Tyler (Smith Kettlewell Eye Institute). Gombrich’s “Vault of Perception”: do we “really” see straight lines as curved? 14. Martin Kemp (Oxford University). Gombrich and Leonardo: a natural affinity.

Kesner L. Gombrich and the problem of the Relativity of Vision // Human Affairs. 2009. Vol. 19. P. 266–273.

Wood C. S. E.H. Gombrich’s ‘Art and Illusion: A Study in the Psychology of Pictorial Representation’, 1960 // The Burlington Magazine. 2009. December. P. 836–839.

Kopecky V. Letters to and from Ernst Gombrich regarding Art and Illusion, including some comments on his notion of “schema and correction” // Journal of Art Historiography. 2010. No. 3. December.

Mitrovic B. A Defence of Light. Ernst Gombrich, the Innocent Eye and Seeing in Perspective // Journal of Art Historiography. 2010. Vol. 3. P. 1–30.

Woodfield R. Ernst Gombrich: Iconology and the ‘linguistics of the image’ // Journal of Art Historiography. 2011. No. 5. December. P. 1–25.

Dedman R. The importance of being Ernst: a reassessment of E.H. Gombrich’s relationship with psychoanalysis // Journal of Art Historiography. 2012. No. 7. December.

Mitrovic B. Visuality After Gombrich: the Innocence of the Eye and Modern Research in the Philosophy and Psychology of Perception // Zeitschrift für Kunstgeschichte. 2013. Bd. 76. S. 71–90.

Mitrovic B. Nelson Goodman’s Arguments against Perspective: a Geometrical Analysis // Nexus Network Journal. 2013. Vol. 15.

Taylor P., Hope C., Burke P., Mount H. Meditations on a Heritage: Papers on the Work and Legacy of Sir Ernst Gombrich. Paul Holberton Publishing, 2014.