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  Jocundra’a movements were graceful and unhurried, and her expressions developed slowly into distant smiles and contemplative frowns, giving the impression of a calm and controlled personality. I later learned in my work with her that this impression was half a lie. Indeed, she viewed the world as a system of orderly processes through which one must maneuvre by reducing experience to its logical minimum and analyzing it; but her logical bias, her sense of orderliness, her passivity in engaging life - these traits were counterbalanced by a deep romantic strain which caused her to be high-strung and, as has been publicized, occasioned her to acts of recklessness.

  I asked Ezawa whether it was difficult to recruit therapists, and he replied that though the combination of physical beauty, lack of squeamishness, and a scientific background was uncommon, the turnover rate was low and there was a waiting list of applicants. I further asked if he had observed a general similarity of history or personality among the therapists, and he said with a trace of embarrassment that many had a history of checkered academic careers and interest in the occult. Jocundra was fairly typical in this regard. She had done undergraduate work in physics, switched to anthropology in graduate school, and had been involved in a study of voodoo cults before joining the project. Ezawa, for whom the truth appeared to consist of microbiological data, exhibited little interest in the psychological puzzles posed by our subjects, none whatsoever in the therapists, and constantly sought to downplay the mysterious aspects of the project. In light of this, I found curious his use of the term ‘zombie’ rather than the official ‘Bacterially Induced Artificial Personality’ or its acronym: it signalled some backsliding from his position of scientific rigor.

  ‘I must admit,’ he said, ‘the process has elements in common with a voodoo recipe. We do isolate the bacteria from dirt taken from the old slave graveyards, but that’s simply because of the biodegradable coffins… They permit the decomposing tissues to interact with microorganisms in the soil.’

  Once the bacteria was isolated, Ezawa explained, a DNA extract from goat’s rue was introduced into the growth medium and the bacteria was then induced to take up chromosomes and DNA fragments from the goat’s rue, thereby mediating recombination between the two types of DNA. The resultant strain was injected via a heart pump into the cerebellum and temporal lobes of a corpse less than an hour dead, whereupon the bacteria began pre-transcriptional processing of the corpse’s genetic complement, bringing the body sufficiently alive so it could begin the post-transcriptional processing. Twenty-four hours after injection the ‘zombie’ was ready for the therapist.

  An orderly entered the room beyond the mirror, pushing a pale, heavy-set man in a wheelchair: jowly, middle-aged, with receding brown hair and a five o’clock shadow. He wore a green hospital gown. The orderly assisted him onto the sofa, and the man struggled feebly to rise, kicking aside the coffee table. His name, I saw from Ezawa’s clipboard, had been Paul Pelizzarro, a vagrant, though he would soon begin to recall a different name, a different history. Random fragments of the transforming DNA in the recombinant bacteria coded for an entirely new personality, or so Ezawa expressed it. When I suggested that the personality might not be entirely new, that we might be observing wish-fulfilment on the cellular level, he gave me a startled look, as if suddenly suspecting -I was addled - or so I characterized it at the time, though in retrospect it is clear he knew far more than I about the nature of our subjects and could not possibly have been surprised by my obvious interpretation. Perhaps he was simply reacting to my perspicacity.

  Pelizzarro sat unmoving, head resting on his shoulder, eyes dull, mouth open. On being revivified they are all intractable and lax, blank slates, much like the zombies of folklore. They are told by the orderly that they have died and been brought back to life by means of an experimental process, and that he is taking them to someone who will help. It is the therapist’s job to make the ‘zombie’ want to please her - or him - by stimulating a sexual response, initiating a dependency.

  ‘Naturally,’ said Ezawa, ‘the sexual response has the side effect of increasing acetylcholine and norepenephrin production at the neuromuscular junctions… improves the motor control.’ He switched on the audio. The orderly had left, and the interview had already begun.

  Jocundra stood in front of the ‘zombie,’ swaying her hips like a starlet tempting a producer.

  ‘Why won’t you talk?’ she asked.

  He rolled his head from side to side, pushed at the cushions, still too weak to stand. When his hand impacted with the plush of the sofa, his breath came out in a soft grunt.

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Звездная месть
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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика