Читаем H. P. Lovecraft: The Complete Collection полностью

Just how extensive a territory we had opened up, it was impossible to guess without a trial. The close and frequent connexion of the different buildings made it likely that we might cross from one to another on bridges underneath the ice except where impeded by local collapses and geologic rifts, for very little glaciation seemed to have entered the massive constructions. Almost all the areas of transparent ice had revealed the submerged windows as tightly shuttered, as if the town had been left in that uniform state until the glacial sheet came to crystallise the lower part for all succeeding time. Indeed, one gained a curious impression that this place had been deliberately closed and deserted in some dim, bygone aeon, rather than overwhelmed by any sudden calamity or even gradual decay. Had the coming of the ice been foreseen, and had a nameless population left en masse to seek a less doomed abode? The precise physiographic conditions attending the formation of the ice-sheet at this point would have to wait for later solution. It had not, very plainly, been a grinding drive. Perhaps the pressure of accumulated snows had been responsible; and perhaps some flood from the river, or from the bursting of some ancient glacial dam in the great range, had helped to create the special state now observable. Imagination could conceive almost anything in connexion with this place.

Chapter VI

It would be cumbrous to give a detailed, consecutive account of our wanderings inside that cavernous, aeon-dead honeycomb of primal masonry; that monstrous lair of elder secrets which now echoed for the first time, after uncounted epochs, to the tread of human feet. This is especially true because so much of the horrible drama and revelation came from a mere study of the omnipresent mural carvings. Our flashlight photographs of those carvings will do much toward proving the truth of what we are now disclosing, and it is lamentable that we had not a larger film supply with us. As it was, we made crude notebook sketches of certain salient features after all our films were used up.

The building which we had entered was one of great size and elaborateness, and gave us an impressive notion of the architecture of that nameless geologic past. The inner partitions were less massive than the outer walls, but on the lower levels were excellently preserved. Labyrinthine complexity, involving curiously irregular differences in floor levels, characterised the entire arrangement; and we should certainly have been lost at the very outset but for the trail of torn paper left behind us. We decided to explore the more decrepit upper parts first of all, hence climbed aloft in the maze for a distance of some 100 feet, to where the topmost tier of chambers yawned snowily and ruinously open to the polar sky. Ascent was effected over the steep, transversely ribbed stone ramps or inclined planes which everywhere served in lieu of stairs. The rooms we encountered were of all imaginable shapes and proportions, ranging from five-pointed stars to triangles and perfect cubes. It might be safe to say that their general average was about 30 × 30 feet in floor area, and 20 feet in height; though many larger apartments existed. After thoroughly examining the upper regions and the glacial level we descended story by story into the submerged part, where indeed we soon saw we were in a continuous maze of connected chambers and passages probably leading over unlimited areas outside this particular building. The Cyclopean massiveness and giganticism of everything about us became curiously oppressive; and there was something vaguely but deeply unhuman in all the contours, dimensions, proportions, decorations, and constructional nuances of the blasphemously archaic stonework. We soon realised from what the carvings revealed that this monstrous city was many million years old.

We cannot yet explain the engineering principles used in the anomalous balancing and adjustment of the vast rock masses, though the function of the arch was clearly much relied on. The rooms we visited were wholly bare of all portable contents, a circumstance which sustained our belief in the city’s deliberate desertion. The prime decorative feature was the almost universal system of mural sculpture; which tended to run in continuous horizontal bands three feet wide and arranged from floor to ceiling in alternation with bands of equal width given over to geometrical arabesques. There were exceptions to this rule of arrangement, but its preponderance was overwhelming. Often, however, a series of smooth cartouches containing oddly patterned groups of dots would be sunk along one of the arabesque bands.

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