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“Yes, Tatie.” Rosanna reached under the table and, for her aunt’s amusement, pulled out a massive straw hat that she had bought on the street the day before so that she might blend in better on the public transportation. She checked her purse for her camera and the micro tape recorder that she hoped to use to interview her relatives for details about her mother’s life. Her suitcase, a small black roller bag, was waiting by the front door and Davernis grabbed it with one hand and started dragging it away. Rosanna and Solange followed him toward the gravel driveway where the Mercedes was waiting. By the time they reached the car, Davernis was already sitting behind the wheel. Her bag, Rosanna assumed, was in the trunk.

Rosanna kissed her aunt goodbye and Solange hugged the girl tightly, as though she had just dropped her off at college or surrendered her to some young man at the altar. When their embrace grew longer, Davernis stepped out of the car and opened the door, motioning for Rosanna to step in. He waited for her to settle in the back before starting the engine. Then, before she knew it, she found herself waving goodbye to her weeping aunt as the car slowly pulled away.

The moment they left beautiful Pacot, Rosanna and a quiet Davernis entered the real Port-au-Prince. Both sides of the streets were filled with desperate vendors proclaiming in singsong the miraculous virtues of their produce. There were beggars at every intersection, their hands outstretched, pleading, “Please, give what you can! I am dying of hunger!”

Bones barely covered by skin jutted out from holes in their torn clothes. Red eyes peered out from behind the tears streaming down their faces. One of them was holding a halfnaked child in her arms, and through the glass window she bore down on Rosanna with her eyes while shouting, “For the love of God, please, help me!”

The child’s reddish hair was a sure sign that he was suffering from malnutrition. The woman continued pleading with both her eyes and words as they sat stuck in bumper-to-bumper traffic leading toward downtown Port-au-Prince.

“God who is in the sky,” the woman was saying, “look at such a beautiful young woman sitting in such a beautiful car. Wouldn’t you ask her to help? Please, God!” The child began to cry then too, and a yellowish liquid flowed from his nostrils. “Beautiful woman, please help me, please! We have no place to stay, no food to eat, and no water to drink! Please, help!” A great sadness emanated from the child’s face. His hollowed eyes touched Rosanna to the core.

“Mademoiselle, the baby hasn’t eaten for three days!” the woman shouted. “Please, help me. Throw a few pennies in my hands, I beg you, mademoiselle!”

Having spent the first twelve years of his life amidst similar poverty, Davernis was accustomed to this kind of blackmail from street beggars. Eager to drown out her voice, he yelled angrily at the woman: “Goddamn, leave us alone!”

The child was seized with fear and began to cry once more.

Rosanna intervened and said, “No, Davernis, at least have some pity for this child!” Then she took a Haitian twenty-dollar bill out of her purse, rolled down the window, and handed it to the woman. As their fingers met, Rosanna could see the layer of grime and mud on the woman’s hands. No matter how often she was part of such a transaction, it never ceased to make her feel guilty for the way she grew up. If Aunt Solange hadn’t taken her in, perhaps she too could have been on the street, hungry, begging.

Rosanna slowly rolled up the window as the woman cried out a loud and jubilant “Mèsi!” Thank you! The child, too, as if connected in every way to the woman, perked up.

“God will reward you,” added the woman, as the car in front of them finally began to crawl forward.

“Mademoiselle Rosanna,” Davernis said once they had cleared the worst of the traffic and were on their way toward Portail Léogâne, “I know you are a good person with a good heart. I’ve told you this many times before but you never want to listen. If you continue like this, people will always try to think of new ways to take money from you.”

At the Portail Léogâne bus station, Davernis lined up the Mercedes behind a swarm of vans, trucks, buses, taxis. A sea of people was waiting to board the buses for the countryside and horns were honking all over. Rosanna’s excitement at the possibilities for the trip was growing.

She waited for Davernis to step out of the car first, then took a deep breath and followed him. Thousands of people were going in all directions, buying last-minute things, corralling large animals, which would share the camion with the human cargo. Dogs were barking right and left. Goats were baying tirelessly, and if you weren’t careful, the cows roaming freely in the streets could poke you with their horns. One had to squeeze and dance like a matador around bulls to avoid being gored. Women held tightly to their handbags to elude pickpockets.

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Тара Мосс — топ-модель и один из лучших современных авторов детективных романов. Ее книги возглавляют списки бестселлеров в США, Канаде, Австралии, Новой Зеландии, Японии и Бразилии. Чтобы уверенно себя чувствовать в криминальном жанре, она прошла стажировку в Академии ФБР, полицейском управлении Лос-Анджелеса, была участницей многочисленных конференций по криминалистике и психоанализу.Благодаря своему обаянию и проницательному уму известная фотомодель Макейди смогла раскрыть серию преступлений и избежать собственной смерти. Однако ей предстоит еще одна встреча с жестоким убийцей — в зале суда. Станет ли эта встреча последней? Ведь девушка даже не подозревает, что чистосердечное признание обвиняемого лишь продуманный шаг на пути к свободе и осуществлению его преступных планов…

Александр Иванович Алтунин , Андрей Истомин , Дмитрий Давыдов , Дмитрий Иванович Живодворов , Никки Ром , Тара Мосс

Фантастика / Карьера, кадры / Детективы / Триллер / Фантастика: прочее / Криминальные детективы / Маньяки / Триллеры / Современная проза