Something inside Julia started to crumble, like those awful images of glaciers shedding giant sections to the freezing ocean below. He had said that Sylvie was dying. Her
“Please come home,” William said.
Julia knew how to control her voice. She had been manipulating outcomes, with men in boardrooms and on dates, for decades. She was an expert at setting a goal and steering in that direction. When her voice came out confident and clear, she was pleased. She said, “I’m sorry, William, but I can’t do that.”
When Julia hung up, she noticed that her hands were shaking.
When Julia left the bathroom, she started a conversation with one of her smartest employees — an MIT grad who, Julia knew, thought she didn’t deserve her position as his boss — about a project they were working on. Julia had a hard time paying attention to the young man’s voice, though. Her attention faded in and out—
She opened and closed her desk drawers, as if she was looking for something, because she needed a few moments of blankness to reset. When her cellphone rang, Julia looked at the screen, saw it was Alice, and felt a hiccup of fear. Had her daughter sensed that she’d just spoken to her father? The fact that William and Alice
“Are we on for tonight?” Alice said. “I don’t mind either way. I have a new project, so I could work.”
The mother and daughter watched a movie or television show together once a week. Alice would come to Julia’s apartment after work, and they’d order in dinner and sit cross-legged on the couch like they had ever since Alice was tiny. Julia knew they both found the experience comforting, even though Julia also felt uncomfortable, knowing that her daughter should be
“I’m too busy. Another night would be better,” Julia said. She had the sense that today’s schedule was tipping away from her, like a plate falling off a table. She was still barefoot; some part of her resisted slipping the heels back on. Then, because the normal Julia — the one she’d been before William called — would continue the conversation, she said, “What’s the new project?”
“Oh, I’m copyediting a novel. I told Naveen that I don’t like doing novels — I prefer nonfiction — but he said fiction is good for me.”
“What’s it about?”
“It’s a modern take on
“
“Jo runs a feminist publishing company in New York,” Alice said. “Meg still marries for love, Amy is a hell-raiser, and Laurie is a woman they’re all in love with.”
Julia said, “Does Beth still die?”
“Beth dies,” Alice said. “It’s very sad.”