Russian stories and songs are full of allusions to the strange beings which peopled that ancient world, giant heroes, rivers which spoke and performed mighty deeds of valor, Morena, the goddess of death, the cruel Frost with ruddy nose and icy heart, the deathless Snake with fiery wings and many heads, which changed into a handsome youth and wooed earthly maidens. Then there was the Baba-Iaga, a dreadful ogress, a hideous, bony, tall old woman, with a long iron nose and sharp teeth. Her cottage was supposed to rest on a single support like a fowl's leg, and to whirl and sway in the breeze. It stood at the entrance of the forest, and was protected by a fence made of the bones of the unlucky mortals on which she fed. The posts were tipped with skulls, in whose hollow eyes at night gleamed a ghostly fire. The gates were human legs, the bolts human arms, and a mouth with bristling teeth served as a lock. In an iron mortar she sallied forth, paddling herself along with her pestle and sweeping away all traces of her frightful journey with a burning broom. The Day and the Night were her slaves; bodiless hands worked her behests. She had fire-breathing horses, seven-leagued boots, a self-cutting sword, a self-flying carpet. She fed on the bodies of the living and on the souls of the dead. When the wind bows down the tall grass or the ears of corn, the Russian peasants still frighten naughty children by saying that the Baba-Iaga is running after them to pound them in her iron churn.
A WATER-NYMPH
In the sea dwelt the sea-tsar with his thirty beautiful daughters, the swan-maidens, in a great crystal, gem-adorned palace of light and splendor. The rivers were full of Undines or naiads, sometimes mischievous, sometimes kindly disposed to men. They were beautiful maidens with slender limbs, wild eyes, and fair faces, and long, waving hair, green as grass. In June, when the wind blows and the waves plash upon the shore, the Russian even now sees their dancing feet. Little children who were drowned were changed into these merry water-nymphs.
In lakes, ponds, and swamps, and especially near mill-wheels dwelt the water-sprite, who was supposed to be a naked old man who cares for the bees. The peasants call him Little Grandfather, and stand in awe of him. These water-sprites marry young girls who drown themselves and become Undines. When the brook arises and carries away the bridge or mill, it is the mad prank of the water-sprite who is celebrating his marriage.
Here is one of the stories which the Russian peasants tell:—
"Once upon a time a girl was drowned and she lived for many a year with a water-sprite. But one day she swam to the shore and saw the red sun and the green woods and fields, she heard the humming of bees and the far-off sound of bells. Then a longing for her old life on earth came over her, and she could not resist it. So she came out from the water and went to her native village. But her relatives knew her not, her friends knew her not. Sadly she returned at eventide to the water-side and rejoined once more the water-sprite. Two days later her body drifted upon the sands while the stream roared and was wildly agitated. The remorseful water-sprite was lamenting his irrevocable loss."
The forests too were haunted by demons who sometimes appeared as peasants dressed in sheep skin garments, but ungirdled and having neither eyebrows nor eyelashes. The forest demon in his own shape had an eye like a cyclops from his head sprang branching horns; his legs were those of a goat; his head and body were covered with shaggy green hair; his fingers had sharp claws. When the Russian goes out to hunt he must offer sacrifice to the forest sprite or come back unsuccessful. The belated traveller in the woods is often frightened by his shrieks of laughter, his feigned voices of horses, cows, and dogs.
A still more important place in the belief of the people was held by the household spirit, whose home is behind the great oven in the peasant's cottage, and which jealously guards the inmates and warns them of coming good or evil. Woe befall the unlucky cow or hen, cat or dog, whose color offends the household spirit! Once a year he is believed to grow malicious, and the peasants offer him little cakes or stewed grain, or a red egg, on the midnight of the thirtieth day of March. When a Russian moves into a new house and all the furniture has been taken from the old one, the oldest woman of the family, the grandmother, or mother-in-law, lights a fire for the last time in the oven. At noon she puts the burning embers into a clean jar, covers them with a white napkin, and takes them to the door of the new abode, where the head of the family is waiting to say,—
"Welcome, grandfather, to our new home."
The jar is then broken, and buried at night under the front corner of the house, and the household-spirit is content. All these rites and ceremonies have come down from the pagan days.