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     The mouse looked around at what was now lying under the big spring, and thought, 'Oops . . .'

     Then its gaze went up to the black-clad figure that had faded into view by the wainscoting.

     'Squeak?' it asked.

     SQUEAK, said the Death of Rats.

     And that was it, more or less.

     Afterwards,  the  Death of  Rats looked around  with interest.  In  the nature of things his very important job tended to take him to brickyards and dark cellars and the inside of cats and all the little dank holes where rats and mice finally found  out  if there was a Promised Cheese. This  place was different.

     It was brightly decorated, for one  thing. Ivy  and mistletoe  hung  in bunches from  the bookshelves.  Brightly  coloured  streamers  festooned the walls, a feature seldom found in most holes or even quite civilized cats.

     The Death of Rats took a leap onto  a  chair and from  there on  to the table and  in fact right into a glass of amber liquid, which tipped over and broke.  A  puddle spread around four turnips  and began to soak into  a note which had been written rather awkwardly on pink writing paper.

     It read:

Dere Hogfather,

     For  Hogswatch  I would like a drum an a  dolly  an  a  teddybear  an a Gharstley Omnian Inquisision Torchure Chamber  with Wind-up Rack  and Nearly Real  Blud You Can Use Again, you can  get  it From  the toyshoppe  in Short Strete,  it  is $5.99p. I have been good an here is a glars of Sherre  an  a Pork pie for you and turnips for Gouger an Rooter an Snot Snouter. I hop the Chimney is big enough but my friend Willaim Says you are your father really.

     Yrs. Virginia Prood

     The Death  of  Rats nibbled a bit of the pork pie because when  you are the personification of the death of  small  rodents  you have  to  behave in certain ways.  He  also piddled on one  of the turnips for the same  reason, although  only metaphorically, because  when you  are a small skeleton in  a black robe there are also some things you technically cannot do.

     Then he leapt down  from the table and left sherryflavoured  footprints all  the way  to the tree that stood in a pot in the  corner.  It was really only a bare branch of oak,  but  so much shiny holly  and mistletoe had been wired onto it that it gleamed in the fight of the candles.

     There was tinsel  on  it, and  glittering ornaments,  and small bags of chocolate money.

     The Death of Rats peered at his hugely distorted reflection  in a glass ball, and then looked up at the mantelpiece.

     He reached  it in one jump, and ambled curiously through the cards that had been  ranged  along it. His grey  whiskers  twitched  at  messages  like 'Wifhin  you  Joye and all Goode Cheer at Hogswatchtime  &  All Through  The Yeare'. A couple  of  them had pictures  of a big jolly  fat man  carrying a sack. In one of them he was riding in a sledge drawn by four enormous pigs.

     The  Death of Rats sniffed at a couple of long stockings  that had been hung from the mantelpiece, over the fireplace in which a fire had  died down to a few sullen ashes.

     He was aware of a subtle tension in the  air, a feeling that here was a scene that was also a stage, a round  hole, as it were, waiting for  a round peg

     There was a scraping noise. A few lumps of soot thumped into the ashes.

     The Grim Squeaker nodded to himself.

     The scraping became louder, and was followed by a moment of silence and then a  clang as something  landed  in  the ashes and  knocked over a set of ornamental fire irons.

     The rat  watched carefully as  a red-robed figure pulled itself upright and  staggered  across  the hearthrug, rubbing  its  shin  where it had been caught by the toasting fork.

     It reached the table  and read the note. The Death of  Rats thought  he heard a groan.

     The turnips were pocketed and so, to the Death of Rats' annoyance,  was the  pork pie. He was pretty sure it was meant to be  eaten  here, not taken away.

     The figure  scanned the  dripping  note  for a moment, and  then turned around  and  approached  the mantelpiece.  The Death  of  Rats  pulled  back slightly behind 'Seafon's Greetings!'

     A  red-gloved hand took down  a stocking. There  was some creaking  and rustling and it was replaced, looking a lot fatter - the larger box sticking out  of  the top had, just visible,  the words 'Victim Figures Not Included. 3-10 yrs'.

     The Death of  Rats couldn't see much of the  donor of this munificence. The big red hood hid all the face, apart from a long white beard.

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Я думала, что уже прожила свою жизнь, но высшие силы решили иначе. И вот я — уже не семидесятилетняя бабушка, а молодая девушка, живущая в другом мире, в котором по небу летают дирижабли и драконы.Как к такому повороту относиться? Еще не решила.Для начала нужно понять, кто я теперь такая, как оказалась в гостинице не самого большого городка и куда направлялась. Наверное, все было бы проще, если бы в этот момент неподалеку не упал самый настоящий пассажирский дракон, а его хозяин с маленьким сыном не оказались ранены и доставлены в ту же гостиницу, в который живу я.Спасая мальчика, я умерла и попала в другой мир в тело молоденькой девушки. А ведь я уже настроилась на тихую старость в кругу детей и внуков. Но теперь придется разбираться с проблемами другого ребенка, чтобы понять, куда пропала его мать и продолжают пропадать все женщины его отца. Может, нужно хватать мальца и бежать без оглядки? Но почему мне кажется, что его отец ни при чем? Или мне просто хочется в это верить?

Катерина Александровна Цвик

Любовное фэнтези, любовно-фантастические романы / Детективная фантастика / Юмористическая фантастика