Читаем Holder of Lightning полностью

It stood before the barrow of Riata: a man's shape, long-haired and stocky, clad in a flowing cloca of a strange design which left one shoulder bare. The form shifted, wavering, as if it were formed of clear crystal and it was only the reflection of the mage-lights on its polished surface that rendered it visible. But it moved, for one hand lifted as Jenna recoiled a step, her back pressed up against the carved surface of the standing stone. There were eyes watching her in the spectral face. It spoke, and its voice was the one that had called to her. The words sounded in her head, as if the voice was inside her.

"You hold the cloch na thintri," it said, and there was a wistful yearning in its voice. Its face lifted and looked up at the mage-lights, and she could see the glow playing over the transparent features. "They have returned," it said, its voice mournful and pleased all at once. "I wondered if I would see them again. So beautiful, so cold and powerful, so tempting. ." The face regarded Jenna again. "You are not of my people," it said. "You are too fair, too tall."

"My people are called the Daoine," Jenna answered. "And how is it you know our language?"

"The dead do not use words. We lack mouth and tongue and lungs to move the air. I speak with you mind to mind, taking from you the form of the words I use. But I feel the strangeness of your language. Daoine… " It said the word slowly, rolling the syllables. "I knew no Daoines when I was alive.

. There were other tribes, we knew, in other lands, but here there were only the Bunus Muintir. My people."

"You’re Riata?" Jenna asked. She was intrigued now. The ghost, if that’s what it was, had made no threatening moves toward her, and she leaned forward, trying to see it more clearly. The ghosts and spirits of the tales she’d heard in Ballintubber were always bloody, decaying corpses or white vapors, and they cursed and terrified the living.

This, though. . the play of light over its shifting, elusive form was almost beautiful, and its voice held no threat.

"I was called that once," the specter said, sounding pleased and sad at the same time. "So that name is still known? I’m not forgotten in the time of the Daoine?"

"No, not forgotten," Jenna answered, thinking that it might be best to mollify the spirit. After all,

Tiarna Mac Ard had known of him.

"Ahh. ." it sighed. A hand stretched out toward

Jenna, and she forced herself to stand still. She

could feel the chill of its touch, like ice on her

forehead and cheek, then the hand cupped hers and

Jenna let her fingers relax. In her palm, the stone

shot light back to the glowing sky. "So young you

are, to be holding a cloch na thintri, especially this

one. But I was young, as well, the first time I held it!!

"This one?" Jenna asked. "How. .?"

"Follow me," it said. Its hand beckoned, and from fingertips to elbow the arm seemed to reflect the intricate curls and flourishes of the lights above, as if the patterns had been carved into the limb. The phantom glided backward into Riata’s tomb, its cold

touch fading.

"I can't," Jenna responded, holding back from the yawning mouth of the barrow. She glanced up at the lights playing over the valley, at the stone in her hand.

"You must," Riata replied. "The mage-lights will wait for you." Then the presence was gone, and nothing stood in front of the passage. "Come. ." whispered the voice faintly, from nowhere and everywhere.

Jenna took a step toward the barrow, then another. She put her hand on the stone lintels of the opening: they were carved with swirls and eddies not unlike the display in the sky above and on Riata's arm, along with lozenges and circles and other carved symbols. She traced them with her fingers, then walked into the passage itself.

Darkness surrounded her immediately and Jenna almost fled back outside, but as her eyes slowly adjusted, she could see in the illumination of the mage-lights and the answering glow from the cloch na thintri that the walls were drystone, covered with plaster that was now broken and shattered, the stones piled to just above the height of her head and capped with flat rocks. The passage into the burial chamber was short but claustrophobic. The walls leaned in, so that while two people could have knelt side by side at the bottom, only one standing person could walk down the corridor at a time.

Once, the walls must have been decorated-there were flecks of colored pigment clinging to the plaster and her touch caused more of the ancient paintings to crumble and fall away. Here and there were larger patches where she could see traces of what, centuries ago, must have been a mural. Jenna was glad to finally reach the relative spaciousness of the burial chamber. She glanced back: through the passage, she could see the dolmen awash in the brilliant fireworks of the mage-lights.

Перейти на страницу:

Все книги серии The Cloudmages

Похожие книги

Биология добра и зла. Как наука объясняет наши поступки
Биология добра и зла. Как наука объясняет наши поступки

Как говорит знаменитый приматолог и нейробиолог Роберт Сапольски, если вы хотите понять поведение человека и природу хорошего или плохого поступка, вам придется разобраться буквально во всем – и в том, что происходило за секунду до него, и в том, что было миллионы лет назад. В книге автор поэтапно – можно сказать, в хронологическом разрезе – и очень подробно рассматривает огромное количество факторов, влияющих на наше поведение. Как работает наш мозг? За что отвечает миндалина, а за что нам стоит благодарить лобную кору? Что «ненавидит» островок? Почему у лондонских таксистов увеличен гиппокамп? Как связаны длины указательного и безымянного пальцев и количество внутриутробного тестостерона? Чем с точки зрения нейробиологии подростки отличаются от детей и взрослых? Бывают ли «чистые» альтруисты? В чем разница между прощением и примирением? Существует ли свобода воли? Как сложные социальные связи влияют на наше поведение и принятие решений? И это лишь малая часть вопросов, рассматриваемых в масштабной работе известного ученого.

Роберт Сапольски

Научная литература / Биология / Образование и наука
Цикл космических катастроф. Катаклизмы в истории цивилизации
Цикл космических катастроф. Катаклизмы в истории цивилизации

Почему исчезли мамонты и саблезубые тигры, прекратили существование древние индейские племена и произошли резкие перепады температуры в конце ледникового периода? Авторы «Цикла космических катастроф» предоставляют новые научные свидетельства целой серии доисторических космических событий в конце эпохи великих оледенении. Эти события подтверждаются древними мифами и легендами о землетрясениях, наводнениях, пожарах и сильных изменениях климата, которые пришлось пережить нашим предкам. Находки авторов также наводят на мысль о том, что мы вступаем в тысячелетний цикл увеличивающейся опасности. Возможно, в новый цикл вымирания… всего живого?The Cycle Of Cosmic Catastrophes, Flood, Fire, And Famine In The History Of Civilization ©By Richard Firestone, Allen West, and Simon Warwick-Smith

Аллен Уэст , Ричард Фэйрстоун , Симон Уэрвик-Смит

История / Научная литература / Прочая научная литература / Образование и наука
Что знает рыба
Что знает рыба

«Рыбы – не просто живые существа: это индивидуумы, обладающие личностью и строящие отношения с другими. Они могут учиться, воспринимать информацию и изобретать новое, успокаивать друг друга и строить планы на будущее. Они способны получать удовольствие, находиться в игривом настроении, ощущать страх, боль и радость. Это не просто умные, но и сознающие, общительные, социальные, способные использовать инструменты коммуникации, добродетельные и даже беспринципные существа. Цель моей книги – позволить им высказаться так, как было невозможно в прошлом. Благодаря значительным достижениям в области этологии, социобиологии, нейробиологии и экологии мы можем лучше понять, на что похож мир для самих рыб, как они воспринимают его, чувствуют и познают на собственном опыте». (Джонатан Бэлкомб)

Джонатан Бэлкомб

Научная литература