The night clerk whom he had telephoned earlier was at the desk. Peter decided to try a conciliatory approach. He said pleasantly, "Thank you for helping me out with that problem on the fourteenth. We have Mr. Wells settled comfortably in 1410. Dr. Aarons is arranging nursing care, and the chief has fixed up oxygen."
The room clerk's face had frozen as Peter approached him. Now it relaxed.
"I hadn't realized there was anything that serious."
"It was touch and go for a while, I think. That's why I was so concerned about why he was moved into that other room."
The room clerk nodded sagely. "In that case I'll certainly pursue inquiries. Yes, you can be sure of that."
"We've had some trouble on the eleventh, too. Do you mind telling me whose name 1126-7 is in?"
The room clerk flipped through his records and produced a card. "Mr. Stanley Dixon."
"Dixon." It was one of the two names Aloysius Royce had given him when they talked briefly after leaving Marsha.
"He's the car dealer's son. Mr. Dixon senior is often in the hotel."
"Thank you." Peter nodded. "You'd better list it as a checkout, and have the cashier mail the bill." A thought occurred to him. "No, have the bill sent to me tomorrow, and I'll write a letter. There'll be a claim for damages after we've figured out what they are."
"Very well, Mr. McDermott." The change in the night clerk's attitude was most marked. "I'll tell the cashier to do as you ask.
I take it the suite is available now."
"Yes." There was no point, Peter decided, in advertising Marsha's presence in 555, and perhaps she could leave unnoticed early. The thought reminded him of his promise to telephone the Preyscott home. With a friendly "good night" to the room clerk he crossed the lobby to an unoccupied desk, used in daytime by one of the assistant managers. He found a listing for Mark Preyscott at a Garden District address and asked for the number. The ringing tone continued for some time before a woman's voice answered sleepily. Identifying himself, he announced, "I have a message for Anna from Miss Preyscott."
The voice, with a Deep South accent, said, "This is Anna. Is Miss Marsha all right?"
"She's all right, but she asked me to tell you that she will stay the night at the hotel."
The housekeeper's voice said, "Who did you say that was again?"
Peter explained patiently. "Look," he said, "if you want to check, why don't you call back? It's the St. Gregory, and ask for the assistant manager's desk in the lobby."
The woman, obviously relieved, said, "Yes, sir, I'll do that." In less than a minute they were reconnected. "It's all right," she said, "now I know who it is for sure. We worry about Miss Marsha a bit, what with her daddy being away and all."
Replacing the telephone, he found himself thinking again about Marsha Preyscott. He decided he would have a talk with her tomorrow to find out just what happened before the attempted rape occurred. The disorder in the suite, for example, posed several unanswered questions.
He was aware that Herbie Chandler had been glancing at him covertly from the bell captain's desk. Now, walking over to him, Peter said curtly, "I thought I gave instructions about checking a disturbance on the eleventh."
Chandler's weasel face framed innocent eyes. "But I went, Mr. Mac. I walked right around and everything was quiet."
And so it had been, Herbie thought. In the end he had gone nervously to the eleventh and, to his relief, whatever disturbance there might have been earlier had ended by the time he arrived. Even better, on returning to the lobby, he learned that the two call girls had left the hotel without detection.
"You couldn't have looked or listened very hard."
Herbie Chandler shook his head obstinately. "All I can say is, I did what you asked, Mr. Mac. You said to go up, and I did, even though that isn't our job."
"Very well." Though instinct told him that the bell captain knew more than he was saying, Peter decided not to press the point. "I'll be making some inquiries. Maybe I'll talk to you again."
As he recrossed the lobby and entered an elevator, he was conscious of being watched both by Herbie Chandler and the house officer, Ogilvie.
This time he rode up one floor only, to the main mezzanine.
Christine was waiting in his office. She had kicked off her shoes and curled her feet under her in the upholstered leather chair she had occupied an hour and a half before. Her eyes were closed, her thoughts far away in time and distance. She summoned them back, looking up as Peter came in.
"Don't marry a hotel man," he told her. "There's never an end to the work,
"It's a timely warning," Christine said. "I hadn't told you, but I've a crush on that new sous-chef. The one who looks like Rock Hudson." She uncurled her legs, reaching for her shoes. "Do we have more troubles?"
He grinned, finding the sight and sound of Christine immensely cheering.
"Other people's, mostly. I'll tell you as we go."
"Where to?"
"Anywhere away from the hotel. We've both had enough for one day."