Читаем I Know What I Saw полностью

‘I fell,’ I say. They know more than they are saying, but at this moment I cannot fathom what they know or how they know it.

‘Fell where?’ Blake says, her voice even and steady.

‘I don’t know,’ I say. ‘People like me fall. We fall and we get up and we fall again. East Dulwich? Camberwell, maybe. Who can say?’

‘You, Xander, you can say. In fact, you did say – to the police who took you to the hospital – that you fell in Hyde Park.’

My memory of the detail of that conversation is patchy. I could have said that to the officer, I probably did, but I can’t remember.

‘That’s it then,’ I say, hiding my fists beneath the desk.

‘Is there a reason that you didn’t remember? I mean, after all, it only happened today,’ says Conway.

‘Concussion?’ I venture.

‘Concussion?’ says Blake. ‘Not amnesia?’

‘I forgot. What can I tell you? I hurt my head. I was taken to hospital. How am I supposed to remember all these details you’re throwing at me?’ I say.

Conway shifts in his seat. ‘If we were to examine your clothes, would we find any blood belonging to the victim?’

‘No,’ I say and then repeat the answer with more confidence. There can’t be any of his blood on me. ‘No. You won’t. So, do your tests and let me go now please.’

Blake seems relieved by my answer and nods meaningfully at Conway.

‘Okay, so before we terminate the interview, you were saying something about witnessing a murder,’ he says. Whatever fight he had seems to have burned away like morning mist.

My brain is telling me to say nothing because I will end up incriminating myself. All I would do is build their case from nothing. They’ve got nothing. They don’t even know about this woman. They can’t put me at the scene. And then it occurs to me: I assumed they were arresting me for what happened to her. That simple, stupid fact has led me wildly into error. I’ve assumed that she was still alive because they didn’t arrest me for murder. But she could be dead.

If her body is found, then what? What if someone saw me? What if I left a print somewhere? They’ve now got my prints from the arrest and my blood will be everywhere at the scene from this wound – the bleeder – the cut above my eye. They are going to nail me to the wall. I know how this works. I have to say something. Besides, I am committed now. I started my interview telling them about seeing a woman being attacked and I can’t now undo that.

‘Yes,’ I say. And then before I know it, I’m telling them about the murder. I tell them about the Victorian-tiled hall and the Tiffany shades. The silk rug that I lay on. How the couple came in, she with her voice tinkling like glass. How I hid while they drank and then argued. How she looked, afterwards, broken on the carpet. How he ran. How I ran.

‘Murder?’ says Conway at one point. ‘You didn’t say it was murder at the start of the interview.’

‘No. I. I thought this was why I was here. For her. And you said grievous bodily harm and I assumed she was alive still,’ I say, stumbling over every word. ‘I’m still not certain. She could be alive, you have to check.’

‘So, she was dead? Then alive and then dead and now alive again?’ Conway says, looking sceptically at Blake.

‘No. I don’t know. When I left she looked dead, but she could be alive. You have to send an ambulance. Do something.’

‘She looked dead?’ he says.

I glare at him.

‘The address you gave, Farm Street? In Mayfair?’ Blake asks, cutting in.

‘Yes,’ I say, ‘42B. Black door.’

It’s only when they have stopped the tape that I realise I am crying. The tears have been silently streaming down my face and ponding on the table, drop by drop – cohesion and adhesion. Suddenly the exhaustion overtakes me and I collapse into the grief. Blake and Conway say nothing for a beat and then finally I hear the scrape of a chair as Conway gets up.

‘Okay, Mr Shute, we are going to continue our investigations into this assault. We’ll be following up some of what you have told us about your whereabouts at the time of Mr Squire’s stabbing and I’m authorising the sending of your items for forensic testing. Till then you’ll be released on police bail. We need a bail address.’

I look at Conway. ‘Bail address?’

‘We could always hold you here in police custody if you’d prefer, sir.’ The eyes have lost whatever kindness I thought I had detected in him.

Blake gives him a look and then softens her eyes for me.

‘Is there anyone at all you could stay with? Temporarily?’ she asks.

I think for a moment, but there’s no one.

‘No,’ I say. I am led quietly back to my cell. As the door shuts I call out to Blake, ‘How long are you going to keep me here?’

The hatch opens with a clunk. ‘Mr Shute. We need an address. If you can’t give us one, we have no way of making sure you’ll turn up when we need you to come in again.’

My heart begins to race. ‘You can’t keep me here,’ I say.

‘No. Not indefinitely. But without an address we might have to hold you and let the magistrates decide bail. And to be honest, Mr Shute, without an address I don’t fancy your chances.’

Перейти на страницу:

Похожие книги

Тайное место
Тайное место

В дорогой частной школе для девочек на доске объявлений однажды появляется снимок улыбающегося парня из соседней мужской школы. Поверх лица мальчишки надпись из вырезанных букв: Я ЗНАЮ, КТО ЕГО УБИЛ. Крис был убит уже почти год назад, его тело нашли на идиллической лужайке школы для девочек. Как он туда попал? С кем там встречался? Кто убийца? Все эти вопросы так и остались без ответа. Пока однажды в полицейском участке не появляется девушка и не вручает детективу Стивену Морану этот снимок с надписью. Стивен уже не первый год ждет своего шанса, чтобы попасть в отдел убийств дублинской полиции. И этот шанс сам приплыл ему в руки. Вместе с Антуанеттой Конвей, записной стервой отдела убийств, он отправляется в школу Святой Килды, чтобы разобраться. Они не понимают, что окажутся в настоящем осином гнезде, где юные девочки, такие невинные и милые с виду, на самом деле опаснее самых страшных преступников. Новый детектив Таны Френч, за которой закрепилась характеристика «ирландская Донна Тартт», – это большой психологический роман, выстроенный на превосходном детективном каркасе. Это и психологическая драма, и роман взросления, и, конечно, классический детектив с замкнутым кругом подозреваемых и развивающийся в странном мире частной школы.

Михаил Шуклин , Павел Волчик , Стив Трей , Тана Френч

Фантастика / Детективы / Триллер / Фэнтези / Прочие Детективы