The re-creation of the first ideas of early man, inferring his mental life from the meagre remains of crude stone tools and assorted remains, is itself an intellectual achievement of the first order by palaeontologists of our own day. The remains tell – or have been made to tell – a consistent story. At about 60,000–40,000 years ago, however, the agreement breaks down. According to one set of palaeontologists and archaeologists, at around this time we no longer need to rely on unpropitious lumps of stone and bone fragments to infer the behaviour of our ancient ancestors. In the space of a (relatively) short amount of time, we have a quite fantastic richness of material which together amply justify historian John Pfeiffer’s characterisation of this period as a ‘creative explosion’.
46In the other camp are the ‘gradualists’, who believe there was no real explosion at all but that man’s intellectual abilities steadily expanded – as is confirmed, they say, by the evidence. The most striking artefact in this debate is the so-called Berekhat Ram figurine. During excavations at Berekhat Ram in Israel, in 1981, Naama Goren-Inbar, of the Hebrew University in Jerusalem, found a small, yellowish-brown ‘pebble’ 3.5 centimetres long. The natural shape of the pebble is reminiscent of the female form but microscopic analysis by independent scholars has shown that the form of the figure has been enhanced by artificial grooves.
47 The age of the pebble has been put at 233,000 BP but its status as an art object has been seriously questioned. It was the only such object found among 6,800 artefacts excavated at the site, and sceptical archaeologists say that all it represents is some ‘doodling’ by ancient man ‘on a wet Wednesday’.48 The gradualists, on the other hand, put the Berekhat Ram figurine alongside the spears found at Schöningen (400,000 BP), a bone ‘dagger’ found at a riverside site in the Zemliki valley in Zaire, dated to 174,000–82,000 BP, some perforated and ochredThe debate has switch-backed more than once. The gradualists certainly suffered a setback in regard to one other important piece of evidence, the so-called Slovenian ‘flute’. This was unveiled in 1995, amid much fanfare, as the world’s oldest musical instrument. Dated to 54,000 years ago, it consisted of a tubular piece of bone, found at Divje Babe near Reke in western Slovenia, containing two complete holes, and two incomplete ones, in a straight line. It comprised the femur of a young bear and was the only femur among 600 found in the same cave that was pierced in this way. What drew the archaeologists’ attention was the discovery that the holes were roughly 1 centimetre across and 2.5 centimetres apart, a configuration that comfortably fits the dimensions of the human hand. According to some scholars, the instrument was capable of playing ‘the entire seven-note scale on which Western music is based’.
49 However, Francesco d’Errico and a group of colleagues at the Centre Nationale de la Recherche Scientifique (CNRS) in Bordeaux were able to show that this suggestive arrangement was in fact an entirely natural occurrence, the result of the bone being gnawed by other carnivores, possibly cave bears. Similar puncture holes were discovered on bones in several caves in the Basque region of Spain.50