Читаем Identity Theft and other stories (collection) полностью

I took another deep breath. “I saw her, Eminence. I saw the Holy Virgin. She appeared to float in front of me, a meter or more off the ground. And she was surrounded by spectral light, as if a rainbow had been bent to the contours of her venerable form. And she spoke to me, and I heard her voice three times over, and yet with each layer nonetheless clear and easily discernible: one in Aramaic, the language Our Lady spoke in life; a second in Latin, the tongue of our Church; and again in beautiful, cultured English. Her voice was like song, like liquid gold, like pure love, and she said unto me …”

* * *

Simply sending a message to Cardinal Pirandello wouldn’t be enough. It might conveniently get lost. Even with the reforms of Vatican III, the Church of Rome was still a bureaucracy, and still protected itself.

I took the recording wafer to the Communications Center myself, handing it to Loni Sinclair, the woman who had brought Pirandello’s original message to me.

“How would you like this sent, Father?”

“It is of some import,” I said. “What are my options?”

“Well, I can send it now, although I’ll have to bill the … um, the …”

“The parish, my child.”

She nodded, then looked at the wafer. “And you want it to go to both of these addresses? The Vatican, and CNN?”

“Yes.”

She pointed to an illuminated globe of the Earth, half embedded in the wall. “CNN headquarters is in Atlanta. I can send it to the Vatican right now, but the United States is currently on the far side of Earth. It’ll be hours before I can transmit it there.”

Of course. “No,” I said. “No, then wait. There are times when both Italy and the U.S. simultaneously face Mars, right?”

“Not all of the U.S.—but Georgia, yes. A brief period.”

“Wait till then, and send the message to both places at the same time.” “Whatever you say, Father.”

“God bless you, child.”

Loni Sinclair couldn’t quite mask her amusement at my words. “You’re welcome,” she replied.

* * *

Four years have passed. Leo XIV has passed on, and John Paul III is now pontiff. I have no idea if Jurgen Emat approves of him or not—nor do I care. Dwelling on Earthly matters is frowned upon here, after all.

Five million people a year still come to Fatima. Millions visit Lourdes and Guadalupe and La’Vang.

And then they go home—some feeling they’ve been touched by the Holy Spirit, some saying they’ve been healed.

Millions of faithful haven’t made it to Mars. Not yet; that will take time. But tens of thousands have come, and, unlike those who visited the other shrines, most of them stay. After traveling for years, the last thing they want to do is turn around and go home, especially since, by the time they’d arrived here, the propitious alignment of Earth and Mars that made their journey out take only two years has changed; it would take much longer to get home if they left shortly after arriving.

And so, they stay, and make their home here, and contribute to our community.

And come to my masses. Not out of boredom. Not out of loneliness. But out of belief. Belief that miracles do still occur, and can happen as easily off-Earth as on it.

I am fulfilled, and Mars, I honestly believe, is now a better place. This is a congregation, a flock. I beam out at its members from the pulpit, feeling their warmth, their love.

Now I only have one problem left. To lie to Cardinal Pirandello had been a violation of my oath, of the teachings of my faith. But given that I’m the only priest on all of Mars, to whom will I confess my sin?

<p>Immortality</p>

Janis Ian is a wonderfully popular folk singer, best known for “Society’s Child” and “At Seventeen.” Turns out, though, that she’s also a big science-fiction fan, and she began attending World Science Fiction Conventions in 2001. Soon, she and Mike Resnick hatched the idea of having all of Janis’s favorite SF authors write stories inspired by her song lyrics. The resulting anthology, Stars, turned out to be one of the major SF books of 2003, and I was very honored, and very proud, to be asked to contribute to it.

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Для конкурса "Триммера" главы все слиты, Пока не прогонят, комменты открыты. Прошу не молчать, – отмечайте визиты, Мой труд вы прочли. Отписались? Мы квиты! Шутка, конечно. Только читать лучше по-главно (я продолжаю работу по вычитке, только ћчищуЋ в главах: шестьсот кило текста долго грузится). Кроме того, в единый блок не вошли ћКомментарииЋ. А это уже не шутки!:( Очень краткое содержание и обоснование соответствия романа теме конкурса 'Великая цепь событий'. Книга о любви. О жизни. О 'простых' людях, которые при ближайшем рассмотрении оказались совсем не так просты, как им самим того бы хотелось. А ещё про то, как водителю грузовика, собирающему молоко по хуторам и сёлам, пришлось спасать человечество. И ситуация сложилась так, что кроме него спасать нашу расу оказалось некому. А сам он СМОГ лишь потому что когда-то подвёз 'не того' пасажира. 'Оплата за проезд' http://zhurnal.lib.ru/editors/j/jacenko_w_w/oplata_za_proezd.shtml оказалась одним из звеньев Великой Цепи, из раза в раз спасающей население нашей планеты от истребления льдами. Он был шофёром, исследователем, администратором и командиром. Но судьбе этого было мало. Он стал героем и вершителем. Это он доопределил наши конечные пункты 'рай' и 'ад'. То, ради чего, собственно, 'посев людей' и был когда-то затеян. 'Случайностей нет', – полагают герои романа. Всё, что с нами происходит 'почему-то' и 'для чего-то'. Наше прошлое и будущее – причудливое переплетение причинно-следственных связей, которые позволят нам однажды уцелеть в настоящем. Но если 'всё предопределено и наперёд задано', то от нас ничего не зависит? Зависит. Мы в любом случае исполним предначертанное. Но весь вопрос в том, КАК мы это сделаем. Приятного чтения.

Владимир Валериевич Яценко , Владимир Яценко

Фантастика / Научная Фантастика