But now that Adam is here, I’m paralyzed. I’m scared to see him. To see his face. I’ve seen Adam cry twice. Once when we watched
I’m such a chickenshit.
I look at the clock on the wall. It’s past seven now. Shooting Star will not be opening for Bikini after all. Which is a shame. It was a huge break for them. For a second, I wonder if the rest of the band will go on without Adam. I highly doubt it, though. It’s not just that he is the lead singer and the lead guitar player. The band has this kind of code. Loyalty to feelings is important. Last summer, when Liz and Sarah broke up (for what turned out to be all of a month) and Liz was too distraught to play, they canceled their five-night tour, even though this guy Gordon who plays drums in another band offered to sub for her.
I watch Adam make his way to the hospital’s main entrance, Kim trailing behind him. Just before he comes to the covered awning and the automatic doors, he looks up into the sky. He is waiting for Kim but I also like to think he’s looking for me. His face, illuminated by the lights, is blank, like someone vacuumed away all his personality, leaving only a mask. He doesn’t look like him. But at least he’s not crying.
That gives me the guts to go to him now. Or rather to me, to the ICU, which is where I know he will want to go. Adam knows Gran and Gramps and the cousins, and I imagine he’ll join the waiting-room vigil later. But right now he’s here for me.
Back in the ICU time stands still as always. One of the surgeons who worked on me earlier—the one who sweated a lot and, when it was his turn to pick the music, blasted Weezer—is checking in on me.
The light is dim and artificial and kept to the same level all the time, but even so, the circadian rhythms win out and a nighttime hush has fallen over the place. It is less frenetic than it was during the day, like the nurses and machines are all a little tired and have reverted to power-save mode.
So when Adam’s voice reverberates from the hallway outside the ICU, it really wakes everyone up.
“What do you mean I can’t go in?” he booms.
I make my way across the ICU, standing just on the other side of the automatic doors. I hear the orderly outside explain to Adam that he is not allowed in this part of the hospital.
“This is bullshit!” Adam yells.
Inside the ward, all the nurses look toward the door, their heavy eyes wary. I am pretty sure they’re thinking:
The graying middle-aged nurse who doesn’t attend to the patients but sits by and monitors the computers and phones, gives a little nod and stands up as if accepting a nomination. She straightens her creased white pants and makes her way toward the door. She’s really not the best one to talk to him. I wish I could warn them that they ought to send Nurse Ramirez, the one who reassured my grandparents (and freaked me out). She’d be able to calm him down. But this one is only going to make it worse. I follow her through the double doors where Adam and Kim are arguing with an orderly. The orderly looks at the nurse. “I told them they’re not authorized to be up here,” he explains. The nurse dismisses him with the wave of a hand.
“Can I help you, young man?” she asks Adam. Her voice sounds irritated and impatient, like some of Dad’s tenured colleagues at school who Dad says are just counting the days till retirement.
Adam clears his throat, attempting to pull himself together. “I’d like to visit a patient,” he says, gesturing toward the doors blocking him from the ICU.
“I’m afraid that’s not possible,” she replies.
“But my girlfriend, Mia, she’s—”
“She’s being well cared for,” the nurse interrupts. She sounds tired, too tired for sympathy, too tired to be moved by young love.
“I understand that. And I’m grateful for it,” Adam says. He’s trying his best to play by her rules, to sound mature, but I hear the catch in his voice when he says: “I really need to see her.”
“I’m sorry, young man, but visitations are restricted to immediate family.”