clarinet, Schubert was one of the select composers who could occasionally
transport him to the from- tier of tears. And it was Schubert's turn in the
early evening of Wednesday, 15 July 1998, when - The Archers over a bedroom-
slippered Chief Inspector Morse was to be found in his North Oxford bachelor
flat, sitting at his ease in Zion and listening to a Lieder recital on Radio
3, an amply filled tumbler of pale Glenfiddich beside him. And why not? He
was on a few days' furlough that had so far proved quite unexpectedly
pleasurable.
Morse had never enrolled in the itchy-footed regiment of truly adventurous
souls, feeling (as he did) little temptation to explore the remoter corners
even of his native land; and this, principally, because he could now imagine
few if any places closer to his heart than Oxford the city which, though not
his natural mother, had for so many years performed the duties of a loving
foster-parent. As for foreign travel, long
faded were his boyhood dreams
that roamed the sands round Samarkand; and a lifelong pterophobia still
precluded any airline bookings to Bayreuth, Salzburg, Vienna the trio of
cities he sometimes thought he ought to see.
Vienna . . .
The city Schubert had so rarely left; the city in which he'd gained so little
recognition; where he'd died of typhoid fever - only thirty-one.
Not much of an innings, was it thirty-one?
Morse leaned back, listened, and looked semi-contentedly through the french
window. In The Ballad of Heading Gaol, Oscar Wilde had spoken of that little
patch of blue that prisoners call the sky; and Morse now contemplated that
little patch of green that owners of North Oxford flats are wont to call the
garden. Flowers had always meant something to Morse, even from his school
days Yet in truth it was more the nomenclature of the several species, and
their context in the works of the great poets, that had compelled his
imagination: fast- fading violets, the globed peonies, the fields of asphodel
. .
Indeed Morse was fully aware of the etymology and the mythological
associations of the asphodel, although quite certainly he would never have
recognized one of its kind had it flashed across a Technicolor screen.
It was still true though: as men grew older (so Morse told himself) the
delights of the natural world grew ever more important. Not just the
flowers, either. What about the birds?
Morse had reached the conclusion that if he were to be reincarnated (a
prospect which seemed to him most blessedly remote) he would register as a
part-time Quaker, and devote a sizeable quota of his leisure hours to
ornithology. This latter decision was consequent upon his realization,
however late in the day, that life would be significantly impoverished should
the birds no longer sing. And it was for this reason that, the previous
week, he had taken out a year's subscription to Birdwatching; taken out a
copy of the RSPB's Birdwatchers'Guide
from the Summertown Library; and purchased a second-hand pair of 152/lOOOm
binoculars ( 9. 90) that he'd spotted in the window of the Oxfam Shop just
down the Banbury Road. And to complete his programme he had called in at the
Summer- town Pet Store and taken home a small wired cylinder packed with
peanuts a cylinder now suspended from a branch overhanging his garden. From
the branch overhanging his garden.
He reached for the binoculars now and focused on an interesting specimen
pecking away at the grass below the peanuts: a small bird, with a greyish
crown, dark-brown bars across the dingy russet of its back, and paler
underparts. As he watched, he sought earnestly to memorize this remarkable
bird's characteristics, so as to be able to match its variegated plumage
against the appropriate illustration in the Guide.
Plenty of time for that though.
He leaned back once more and rejoiced in the radiant warmth of Schwarzkopf's
voice, following the English text that lay open on his lap: "You holy Art,
when all my hope is shaken..."
When, too, a few moments later, his mood of pleasurable melancholy was shaken
by three confident bursts on a front- door bell that to several of his
neighbours sounded consider- ably over-decibel led even for the
hard-of-hearing.
chapter Two When Napoleon's eagle eye flashed down the list of officers
proposed for promotion, he was wont to scribble in the margin against any
particular name: "Is he lucky, though?"
(Felix Kirkmarkham, The Genius of Napokon) 'not DISTURBING YOU? "
Morse made no direct reply, but his resigned look would have been
sufficiently eloquent for most people.
Most people.
He opened the door widely perforce needed so to do in order to accommodate
his unexpected visitor within the comparatively narrow entrance.
"I am disturbing you."
"No, no! It's just that.. ."
"Look, matey!" (Chief Superintendent Strange cocked an ear towards the
lounge. ) "I don't give a dam if I'm disturbing you; pity about disturbing
old Schubert, though."
For the dozenth time in their acquaintance. Morse found himself quietly