Искусство креативного мышления

McNeal, Jeff, 1999. A candid conversation with Pixar. http://www.thebigpicturedvd.net/bigreport4.shtml

Morais, Fernando, 2010. Paulo Coelho: A Warrior’s Life – The Authorized Biography. England: HarperOne.

Ord'o~nez, Lisa D., Maurice E. Schweitzer, Adam D. Galinsky, and Max H. Bazerman, 2009. Goals Gone Wild: The Systematic Side Effects of Over-Prescribing Goal Setting. Harvard Business School.

Orenstein, Arbie (ed.), 2003. A Ravel Reader: Correspondence, Articles, Interviews. London, Dover Publications.

Ponseti, Ignacio. http://www.ponseti.info/clubfoot-and-the-ponseti-method/what-is-clubfoot/ponseti-method.html

Roylance, Brian (ed.), 2000. The Beatles Anthology. England, Weidenfeld & Nicolson.

Samuelson, Paul A., 1970. How I Became an Economist. http://www.nobelprize.org/nobel_prizes/economic-sciences/laureates/1970/samuelson-article2.html

Tharp, Twyla, 2002. The Creative Habit: Learn It and Use It for Life. London, Simon and Schuster.

Tim Rees, Jessica Salvatore, Pete Coffee, S. Alexander Haslam, Anne Sargent, Tom Dobson, 2013. Reversing downward performance spirals, Journal of Experimental Social Psychology, Volume 49, Issue 3, p. 400–403.

Tufte, Edward, 1997. Visual Explanations: Images and Quantities, Evidence and Narrative. USA: Graphics Press.

Usher, Shaun, 2014. Letters of Note: Eclectic Collection of Correspondence Deserving Wider Audience. USA, Chronicle Books.

Winslet, Kate. The impostor phenomenon – Feeling like a fraud, 2000. http://theinneractor.com/111/feeling-like-a-fraud/