История и культура индийского храма. Книга II. Жизнь храма

Srinivasan, Priya.Sweating Saris: Indian Dance as Transnational Labor. Temple University, Philadelphia, 2012.

Srinivasan P. R.Beginnings of the Traditions of South Indian Temple Architecture. Bulletin of the Madras Government Museum. New Series – General Section, Vol. VII, № 4. Madras, 1959.

Sruti. India’s Premier Magazine for the Performing Arts. The Transfiguration of a Traditional Dance. E – Issue 4, July 2011.

Staal, Fritz.Agni: the Vedic Ritual of the Fire Altar. Volume I. In Collaboration with C. V. Somayajipad and M. Itti Ravi Nambudiri. Asian Humanities Press. Berkeley, 1983.

–. The Economic Function of a Medieval South Indian Temple // Journal of Asian Studies, № 19 (1960).

–. The New Cambridge History of India. Vijayanagara. Cambridge University Press, New York, Port Chester, Melbourne, Sydney. 1993.

Sthapati, V. Ganapati.Indian Sculpture and Iconography: Forms and Measurements. Pondicherry. Sri Aurobindo Society, 2002.

Stiehl, Pamyla A.Bharata Natyam: A Dialogical Interrogation of Feminist Voices in Search of the Divine Dance // The Journal of Religion and Theatre, Vol. 3, No. 2, Fall 2004.

Stietencron, H. von.The Advent of Viṣṇuism in Orissa: An Outline of its History according to Archaeological and Epigraphical Sources from the Gupta Period up to 1135 A. D. // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.

–. Early Temples of Jagannātha in Orissa: The Formative Phase // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.

–. The Śaiva Component in the Early Evolution of Jagannātha // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.

–. The Jagannātha Temples in Contemporary Orissa // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.

Storm Mary. Head and Heart: Valour and Self-Sacrifice in the Art of India. Routledge. London and New York, 2013.

Subramaniam T. N.A Tamil Colony in Mediaeval China // South Indian Studies. Editor Dr. R. Nagaswamy.Madras. Society for Archaeological, Historical & Epigraphical Research, 1978.

Subramanyam, Padma.Dance Notation of Adavus // Kothari, Sunil. Bharata Natyam. With Contributions from Mulk Raj Anand, Rukmini Devi, Padma Subrahmanyam, P. Sambamurthy. Mumbai, Marg Publications, 2000.

–. History, Technique and a Notation for Adavu System in Dance // South Indian Studies. Editor Dr. R. Nagaswamy.Madras. Society for Archaeological, Historical & Epigraphical Research, 1978.

–. Paratam Kalai (Kotpadu). Chennai, Vanathi Pathippakam, 2009. (Tamil Language).

–. Some Pearls from the Fourth Chapter of Abhinavabhāratī (Karaṇas and Aṅgahāras).

Sudhanthiran, A. Velusami.An Unique Image of Somaskandamoorthy in Temple Art // Art and Architecture. The Contributions of the Tamils to Indian Culture. Vol. II. Edited by K. Bhagavathi. International Institute of Tamil Studies. Madras, 1994.

Sundaram J.Land System in Tamilnadu (c. A. D. 800 – 1200). Bharatiya Kala Prakashan. Delhi, 2009.