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Paul got into the car. Giving himself a code name, he said, "I am Danton."

She pulled away. "Why didn't you speak to me in the caf‚?" she said. "I saw you as soon as I walked in. You made me wait there half an hour. It's dangerous."

"I wanted to be sure this wasn't a trap."

She glanced over at him. "You heard what happened to Helicopter."

"Yes. Where's your friend who rescued him, Charenton?"

She headed south, driving fast. "He's working today."

"On Sunday? What does he do?"

"Fireman. He's on duty."

That explained that. Paul moved quickly to the real purpose of his visit. "Where's Helicopter?"

She shook her head. "No idea. My house is a cut-out. I meet people, I pass them on to Monet. I'm not supposed to know anything."

"Is Monet all right?"

"Yes. He phoned me on Thursday afternoon, checking up on Charenton."

"Not since?"

"No. But that's not unusual."

"When did you last see him?"

"In person? I've never seen him."

"Have you heard from Leopardess?"

Paul brooded as the car threaded through the suburbs. Bourgeoise really had no information for him. He would have to move to the next link in the chain.

She pulled into a courtyard alongside a tall house. "Come inside and get cleaned up," she said.

He got out of the car. Everything seemed to be in order: Bourgeoise had been at the right rendezvous and had given all the correct signals, and there had been no one following her. On the other hand, she had given him no useful information, and he still had no notion how deeply the Bollinger circuit had been penetrated, nor how much danger Flick was in. As Bourgeoise led him to the front door and opened it with her key, he touched the wooden toothbrush in his shirt pocket: it was French-made, so he had been permitted to bring it with him. Now an impulse seized him. As Bourgeoise stepped into the house, he slipped the toothbrush from his pocket and dropped it on the ground just in front of the door.

He followed her inside. "Big place," he said. It had dark, old-fashioned wallpaper and heavy furniture, quite out of character with its owner. "Have you been here long?"

"I inherited it three or four years ago. I'd like to redecorate, but you can't get the materials." She opened a door and stood aside for him to go first. "Come into the kitchen."

He stepped inside and saw two men in uniform. Both held automatic pistols. And both guns were pointed at Paul.

<p>CHAPTER 40</p>

DIETER'S CAR SUFFERED a puncture on the RN3 road between Paris and Meaux. A bent nail was stuck in the tire. The delay irritated him, and he paced the roadside restlessly, but Lieutenant Hesse jacked up the car and changed the wheel with calm efficiency, and they were on their way again within a few minutes.

Dieter had slept late, under the influence of the morphine injection Hans had given him in the early hours, and now he watched with impatience as the ugly industrial landscape east of Paris changed gradually to farming country. He wanted be in Reims. He had set a trap for Flick Clairet, and he needed to be there when she fell into it.

The big Hispano-Suiza flew along an arrow-straight road lined with poplars-a road probably built by the Romans. At the start of the war, Dieter had thought the Third Reich would be like the Roman Empire, a pan-European hegemony that would bring unprecedented peace and prosperity to all its subjects. Now he was not so sure.

He worried about his mistress. Stephanie was in danger, and he was responsible. Everyone's life was at risk now, he told himself Modern warfare put the entire population on the front line. The best way to protect Stephanie-and himself, and his family in Germany-was to defeat the invasion. But there were moments when he cursed himself for involving his lover so closely in his mission. He was playing a risky game and using her in an exposed position.

Resistance fighters did not take prisoners. Being in constant peril themselves, they had no scruples about killing French people who collaborated with the enemy.

The thought that Stephanie might be killed made his chest tighten and his breathing difficult. He could hardly contemplate life without her. The prospect seemed dismal, and he realized he must be in love with her. He had always told himself that she was just a beautiful courtesan, and he was using her the way men always used such women. Now he saw that he had been fooling himself And he wished all the more that he was already in Reims at her side.

It was Sunday afternoon, so there was little traffic on the road, and they made good progress.

The second puncture occurred when they were less than an hour from Reims. Dieter wanted to scream with frustration. It was another bent nail. Were wartime tires poor quality? he wondered. Or did French people deliberately drop their old nails on the road, knowing that nine vehicles out of ten were driven by the occupying forces?

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Захар Прилепин — прозаик, публицист, музыкант, обладатель премий «Большая книга», «Национальный бестселлер» и «Ясная Поляна». Автор романов «Обитель», «Санькя», «Патологии», «Чёрная обезьяна», сборников рассказов «Восьмёрка», «Грех», «Ботинки, полные горячей водкой» и «Семь жизней», сборников публицистики «К нам едет Пересвет», «Летучие бурлаки», «Не чужая смута», «Всё, что должно разрешиться. Письма с Донбасса», «Взвод».«И мысли не было сочинять эту книжку.Сорок раз себе пообещал: пусть всё отстоится, отлежится — что запомнится и не потеряется, то и будет самым главным.Сам себя обманул.Книжка сама рассказалась, едва перо обмакнул в чернильницу.Известны случаи, когда врачи, не теряя сознания, руководили сложными операциями, которые им делали. Или записывали свои ощущения в момент укуса ядовитого гада, получения травмы.Здесь, прости господи, жанр в чём-то схожий.…Куда делась из меня моя жизнь, моя вера, моя радость?У поэта ещё точнее: "Как страшно, ведь душа проходит, как молодость и как любовь"».Захар Прилепин

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