Killer Move

Hunter tells him anyway. The man tries not to hear. His head feels like it’s in a vice. Every swallow is bleakly memorable. He is finding it hard to think in straight lines, relying upon stitching together moments of clarity occasioned by surges of pain from his leg. It’s been bleeding intermittently ever since Hunter dropped the cinder block, and the muscle has started to feel heavy, thickened, right up into the thigh. He hopes part of this is merely related to the low, throbbing ache present in most of his body, dehydration, and having been forced into the same position for such a long time.

It says something for the magnitude of this discomfort that the man welcomes the distraction of wrenching twists of hunger when they come. He is a man whose needs are used to being met before they have to even raise their voice. His body is becoming shrill now. His body is getting concerned. Trying to think about abstract matters is the only tactic at his disposal for muting its visceral anxiety.

He has spent all day focusing on what to do, therefore, and finally thinks he has a plan.

It formulated late. Sleeping isn’t easy when you’re strapped to a chair, and his night was rough—not least because a series of short thunderstorms kept waking him up. He zoned out for a while in the early afternoon. Remembering stuff. Some recent memories, others from way back. He has tried to think only of good times, but he has learned a lesson, a little late. When you act in the world, consider that at some point—on your deathbed, or in your death chair—you may find yourself looking back. The ratio of good to bad within your personal story is shown in a very harsh light under these circumstances. Time can flatten out, too, making your early teens seem as present as the day before yesterday.

A small group of men, standing around a woman.

That time when he and Katy hitched a ride down to Key West and got burned to crap watching the rays swim in the harbor and then watched the sun go down and he didn’t mind feeling like one of the crowd for a while.

A half-naked woman, drunk on martinis, her hand raised to a young boy.

When he nods back into full awareness, he’s already accepted that he is going to have to give someone up. Everything about Hunter and the way he is conducting himself says he isn’t about to go away. That decision’s made. Done. He’s got a choice of only three, or so he thinks at first—and given that he’d already started to move against these people himself, he could not care less. The only question is whether the selection he makes will have any influence on his own chances of survival.

But then he realized there was another option, a name he could reveal that would not appear to involve betraying decades of trust, and that might even send a message that could bring help. The idea felt like a draught of cool water flowing briefly through his mind. Even strapped to a chair, shot and dehydrated, the icicle in his soul schemed how best to provide.

He thought it through and decided the new plan was good. He’d spent his life making judgment calls. On this, his judgment said yes. So it became a matter of timing.

The how, and the when.

Back to now, in the hot, late afternoon, and Hunter is standing closer, looking down.

“I don’t want to hurt your girlfriend,” he’s saying. “Lynn, right? Partly because she’s innocent, except for the adultery. Mainly I’m just not convinced you care about her. So it could be a waste of effort. And a waste of a pretty woman, and god knows there’s little enough beauty in this world. I just dropped by her house when she wasn’t home, picked up that robe to show you I’m serious.”

The man in the chair says nothing.

“But now, time’s moving on. I don’t have any experience in this so I don’t know exactly how long you can last. I Googled it, though, and it sounds like forty-eight to seventy-two hours is when the really bad stuff starts to kick in. You look like shit already, though, to be frank, and they’re saying tomorrow’s supposed to be real hot for this time of year. So why don’t you just tell me who else I need to talk to, and we’ll see where we can go from there?”

The man in the chair remains silent. He can tell that Hunter is making an effort to keep his temper down but that he’s finding it increasingly difficult. Silence is a risk, but one he has to take. He looks up at Hunter and winks, for good measure.

Hunter takes a couple of steps toward him. “You’re beginning to piss me off.”

The man in the chair smiles.

Hunter looks at the man’s right shin. He sighs, and gives it a kick. The man in the chair takes a sharp breath, grits his teeth, and waits for the stars of white pain to fade.