King Stakh's Wild Hunt

It was really an unusual company that he called “gypsies”. A most ordinary cart had rolled up to the entrance, in it there sat the strangest company I had ever seen. There were both ladies and gentlemen there, about ten of them, dressed gaudily and poorly. They were seated in the cart crowded like gypsies. And curtains were stretched on four sticks as on gypsy carts. Only the dogs running under the cart were lacking. This was the poor Hryckievič family roaming from one ball to another, feeding themselves mainly in this way. They were distant relatives of the Janoŭskis. And these were the descendants of the “crimson lord”! My God, what you punish people for!

Then there arrived some middle-aged lady in a very rich antique rather shabby velvet dress, accompanied by a young man as thin as a whip, clearly fawning upon her. This “whip” of a fellow gently pressed her elbow.

The perfume the lady used was so bad that Bierman began to sneeze as soon as she entered the hall. And it seemed to me that, together with her, someone had brought into the room a large sack of hoopoes and left it there for the people to enjoy. The lady spoke with a real French accent, an accent, as is known, that has remained in the world in two places only: in the Paris salons and in the backwaters of Kabylany near Vorša.

And the other guests were also very curious people. Faces either wrinkled or too smooth, eyes full of pleading, worried, devouring eyes, eyes with a touch of madness. One dandy had extremely large, bulging eyes like those of the salamanders in subterranean lakes. From behind the door I watched the ceremony of introductions. (Some of these close neighbours had never seen one another, and probably never would again in the future.)

Sounds reached me badly, for in the hall the orchestra was already piping away, an orchestra that consisted of eight invalids of the Battle of Poltava. I saw oily faces that gallantly smiled, saw lips that reached the mistress' hand. When they bent down, the light fell on them from the top, and their noses seemed surprisingly long while their mouths seemed to have vanished. They shuffled their feet without making a sound and bowed, spoke noiselessly, then smiled and floated off, and new ones came floating over to take their place. This was like an awful dream.

They grinned and it was as if they were apparitions from the graves, they kissed her hand (it seemed to me that they were sucking the blood out of her) and noiselessly floated on. She was so pure in her low-necked dress, but her back reddened when some newly-arriven Don Juan in close-fitting trousers showed too great an ardour as he pressed her hand. These kisses, it seemed to me, smeared her hand with something sticky and filthy.

And only now did I realize how solitary she was, not only in her own house, but also in the midst of this crowd.

“What does this remind me of?” I thought. “Aha, Pushkin's Tatyana among the monsters in the hut. Closed round her, poor girl, as round a doe during a hunt.”

Almost no pure looks to be seen here, but to make up for it what names! It seemed as if I were sitting in an archive and was reading ancient documents of some Court of Acts and Pleas.

“Mr. Sava Matfiejevič Stachoŭski and sons,” the lackey announced.

“Mrs. Ahata Jurjeŭna Falendyš-Chobaleva with her husband and friends.”

“Mr. Jakub Barbare-Haraburda.”

“Mr. Maciej Mustafavič Asanovič.”

“Mrs. Hanna Aŭramovič-Basiackaja and daughter.”

And Bierman, standing behind me, was passing remarks.

For the first time in these days I liked him, so much malice was there in his utterances, with what blazing eyes he met each newly arrived guest, and especially the young ones.

But then there was a flash in his eyes that I couldn't understand. I involuntarily looked in that direction, and my eyes nearly popped out of my head, such a strange sight did I see. Down the steps into the hall a person came rolling, that's right, “rolling”, no other word for it. The man was over two metres in height, approximately like myself, but three Andrej Biełareckis would have fitted into his clothes. A tremendous abdomen, the lower legs like the thighs, as if they were hams, an incredibly broad chest, palms like tubs. Few such giants had ever come my way. Though this was not the most surprising thing. The clothes he was wearing can be seen today only in a museum: red, high-heeled horseshoed boots (our ancestors called them “kabci”), tight-fitting trousers made of a thin cloth. The caftan made of cherrycoloured gold cloth ready to split on his chest and abdomen! This giant had pulled over it a “chuga”, an ancient Belarusian coat. The chuga hung loosely in pretty folds and the designs in it were green, gold and black, and a bright Turkish shawl was tied around it almost up to the man's arm-pits.