Udland M. The Internet Is Losing Its Composure over This Dress That Might Be White and Gold or Black and Blue // Business Insider. 2015. February 26.
Ugrina L. Celebrity Biometrics: Norms, New Materialism, and the Agentic Body in Cosmetic Surgery Photography // Fashion Theory: The Journal of Dress, Body & Culture. 2014. Vol. 18.1. Pp. 27–44.
Unione Industriale Pratese Confindustria Prato. Prato Textile and Fashion Centre and the Prototype of a Manufacturing District // Evolution of the Prato Textile District. Last modified 2014.
Vainshtein O. Digital Beauties: Strategies of Self-Presentation and Resistance // Beauty: Exploring Critical Perspectives / Ed. P. Wilhelm, R. Nash. Oxford: Inter-Disciplinary Press, 2016. Pp. 81–93 [electronic book].
Van Dijk J., Poell Th. Understanding Social Media Logic // Media and Communication. 2013. 1, no. 1. Pp. 2–14.
Vanska A., Clark H. (eds) Fashion Curating: In the Museum and Beyond. London; New York: Bloomsbury, 2017.
Veblen Th. Theory of the Leisure Class. Oxford: Oxford University Press, 2007.
Veenstra M. The Australian Fashion Community // Design Online. State Library of Queensland. Published 2012. Last modified 2017.
Victoria and Albert Museum. About the Balenciaga: Shaping Fashion Exhibition // Victoria and Albert Museum. Last modified 2017.
Vinken B. Fashion Zeitgeist: Trends and Cycles in the Fashion System. Oxford; New York: Berg, 2005.
Von Drehle D. Triangle: The Fire That Changed America. New York: Grove Press, 2003.
Webneel. What’s the Secret of My Beauty? Adobe Photoshop Day Cream – 25 after before Photos.
Webster K. Global Shift: Australian Fashion’s Coming of Age // The Conversation. 2013. November 6.
Webster K. The Circular Economy. A Wealth of Flows. Cowes: Ellen MacArthur Foundation, 2017.
Weiser M. The Computer for the 21st Century // Scientific American September. 1991. Pp. 94–100.
Weller S. Fashion as Viscous Knowledge: Fashion’s Role in Shaping Transnational Garment Production // Journal of Economic Geography. 2007. 7, no. 1. Pp. 39–66.
Weller S. Beyond «Global Production Network» Metaphors: Australian Fashion Week’s Trans-sectoral Synergies // Growth and Change. 2008. 39, no. 1. Pp. 104–122.
Weller S. Consuming the City: Public Festivals and Participatory Economies in Melbourne, Australia // Urban Studies. 2013. 50, no. 14. Pp. 2855–2868.
Weller S. Creativity or Costs? Questioning New Zealand’s Fashion Success: A Methodological Intervention // Journal of Economic Geography. 2013. 14, no. 4. Pp. 721–737.
Whitelocks S. Blonde Bombshell Who Cut Off Hair to Work as Male Model Reveals How She and Her Husband Now Get Mistaken for a «Gay Couple» // The Daily Mail. 2013. October 30.
Willis-Tropea L. Glamour Photography and the Institutionalization of Celebrity // Photography & Culture. 2011. 4, no. 3. Pp. 261–276.
Willsher K. and agencies. Models in France Must Provide Doctor’s Note to Work // The Guardian AUS. 2015. December 18.
Wilson E. Adorned in Dreams: Fashion and Modernity. London: I. B. Tauris, 1985.
Wilson E. Fashion and Postmodern Body // Chic Thrills: A Fashion Reader / Ed. J. Ash, E. Wilson. Berkeley; Los Angeles: University of California Press, 1992. Pp. 3–17.
Wilson E. Now You Know: The Evolution of Donna Karan’s Seven Easy Pieces // Instyle Magazine. 2015. July.
Wisler J. C. U. S. CEOs of SBUs in Luxury Goods Organizations: A Mixed Methods Comparison of Ethical Decision-Making Profiles // Journal of Business Ethics. 2016.