Кривое зеркало. Как на нас влияют интернет, реалити-шоу и феминизм

Shelley, Mary. Frankenstein. 1818; Dover, 1994.

Sudjic, Olivia. Sympathy. Houghton Mifflin Harcourt, 2017.

Weigel, Moira. “Pajama Rich.” Real Life, August 22, 2016.

Weiss, Emily. “The Little Wedding Black Book.” Into the Gloss, 2016.

Widdows, Heather. Perfect Me. Princeton University Press, 2018.

Wolf, Naomi. The Beauty Myth. Chatto & Windus, 1990.

Безупречные героини

Alcott, Louisa May. Little Men. Roberts Brothers, 1871.

– —. Little Women. Roberts Brothers, 1869.

Austen, Jane. Pride and Prejudice. T. Egerton, 1813.

Beauvoir, Simone de. The Second Sex. Penguin, 1949.

Blume, Judy. Starring Sally J. Freedman as Herself. Bradbury, 1978.

– —. Tiger Eyes. Bradbury, 1981.

Chopin, Kate. The Awakening. Herbert S. Stone & Co., 1899.

Collins, Suzanne. The Hunger Games. Scholastic, 2008.

Didion, Joan. Play It as It Lays. Farrar, Straus & Giroux, 1970.

Edwards, Julie Andrews. Mandy. HarperCollins, 1971.

Eliot, George. Middlemarch. William Blackwood and Sons, 1871.

Eugenides, Jeffrey. The Marriage Plot. Picador, 2011.

– —. The Virgin Suicides. Farrar, Straus & Giroux, 1993.

Ferrante, Elena. My Brilliant Friend. Europa, 2012.

– —. The Days of Abandonment. Europa, 2005.

Fitzhugh, Louise. Harriet the Spy. Harper & Row, 1964.

Flaubert, Gustave. Madame Bovary. Michel Lévy Frères, 1856.

Flynn, Gillian. Gone Girl. Crown, 2012.

Gergen, Mary. “Life Stories: Pieces of a Dream.” In Toward a New Psychology of Gender. Routledge, 1997.

Grossman, Lev. The Magicians. Viking, 2009.

Hardy, Thomas. Tess of the D’Urbervilles. James R. Osgood, 1891.

James, E. L. Fifty Shades of Grey. Vintage, 2011.

James, Henry. Portrait of a Lady. Houghton, Mifflin and Company, 1881.

Konigsburg, E. L. From the Mixed-Up Files of Ms. Basil E. Frankweiler. Atheneum, 1967.

Kraus, Chris. I Love Dick. Semiotext (e), 1997.

Larsson, Stieg. The Girl with the Dragon Tattoo. Norstedts Förlag, 2005.

Lovelace, Maud Hart. Betsy-Tacy and Tib. Thomas Y. Crowell, 1941.

Lowry, Lois. Anastasia Krupnik. Houghton Mifflin, 1979.

Meyer, Stephenie. Twilight. Little, Brown, 2005.

Milan Women’s Bookstore Collective. Sexual Difference: A Theory of Social-Symbolic Practice. Indiana University Press, 1990.

Miller, Nancy. The Heroine’s Text: Readings in the French and English Novel. Columbia University Press, 1980.

Mitchell, Margaret. Gone with the Wind. Macmillan, 1936.

Montgomery, L. M. Emily of New Moon. Frederick A. Stokes, 1923.

– —. Anne of Green Gables. L. C. Page & Co., 1908.

Naylor, Phyllis Reynolds. The Agony of Alice. Atheneum, 1985.

Offill, Jenny. Dept. of Speculation. Vintage Contemporaries, 2014.

Pascal, Francine. Double Love. Macmillan, 1983.

Plath, Sylvia. The Bell Jar. Heinemann, 1963.

Roth, Veronica. Divergent. HarperCollins, 2011.

Rowling, J. K. Harry Potter and the Prisoner of Azkaban. Scholastic, 2001.

Smith, Betty. A Tree Grows in Brooklyn. Harper & Bros., 1943.

Solnit, Rebecca. The Mother of All Questions. Haymarket, 2017.

Taylor, Sydney. All of a Kind Family. Follett, 1951.

Thackeray, William. Vanity Fair. Bradbury & Evans, 1848.

Leo Tolstoy, Anna Karenina. The Russian Herald, 1878.

Warner, Gertrude Chandler. The Boxcar Children. Albert Whitman & Co., 1942.

Об авторе

Джиа Толентино штатный автор журнала The New Yorker. Она выросла в Техасе, училась в Университете Вирджинии, работала в Корпусе мира в Кыргызстане, получила диплом писателя в Университете Мичигана. Она работает редактором в the Hairpin и помощником редактора в Jezebel. Ее статьи печатались в The New York Times, Time, Grantland, Slate, Pitchfork, Bon Appétit, Spin и Fader. Живет в Бруклине.

Блоги Джиа:

Twitter: @jiatolentino

Instagram: @jiatortellini

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