Курс на худшее: Абсурд как категория текста у Д.Хармса и С.Беккета

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CROUSSY G. Beckett. Paris: Hachette, 1971.

DAVIS R.J., BATLER L. St. J. (ed.) «Make Sens Who May»: Essays on Samuel Beckett’s Later Works. Gerrards Cross, G.B.: Colin Smythe, 1989.

DEARLOVE J.E. Accommodating the Chaos: Samuel Beckett’s Nonrelational Art. Durham: Duke University press, 1982.

DELYE H. Samuel Beckett ou la philosophic de l’Absurde. Aixen-Provence: La Pensee Universitaire, 1960.

DOLL M.A. Beckett and Myth: an Archetypal Approach. Syracuse, N.Y.: Syracuse University press, 1988.

DRECHSLER U. Die Absurde Farce bei Beckett, Pinter und Ionesco. T"ubingen: G. Narr, 1988.

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FITCH B.T. Beckett and Babel: An Investigation into the Status of the Bilingual Work. Toronto, Buffalo & London: University of Toronto press, 1988.

FITCH B.T. Dimensions, structures et textualite dans la trilogie romanesque de Beckett. Paris: Lettres Modemes, 1977.

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JANVIER L. Pour Samuel Beckett. Paris: Minuit, 1966.

JULIET Ch. Rencontre avec Samuel Beckett. Paris: Fata Morgana, 1986.

KENNEDY S. Murphy’s Bed. Lewisburg, Pa.: Bucknell University press, 1971.

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KENNER H. Samuel Beckett: A Critical Study. Berkeley: University of California press, 1968.

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