Читаем L.A. Noir: The Struggle for the Soul of America's Most Seductive City полностью

There’s another more plausible version of the story. According to Davis biographer Gary Fishgall, Mickey Cohen visited Sammy in Las Vegas to deliver a warning and offer advice. The warning was that someone was about to put a contract out on his head. The advice was to dump Kim Novak and go find himself a nice black girl to marry. Panicked, Davis promptly called Sam Giancana in Chicago to plead for help. Giancana replied that there was only so much the Outfit could do on the West Coast. A fearful Davis broke off the relationship with Novak and abruptly married showgirl Loray White. Harry Cohn died one month later (of natural causes).

Whatever version is true, Sammy Davis Jr. apparently felt nothing but gratitude toward Mickey. When Cohen was hauled into court on April 4, 1958 (Good Friday), for assaulting a waiter who had annoyed him at a party for Davis at Frank Sinatra and Peter Lawford’s Villa Capri restaurant, the entertainer came forward as a witness for the defense. (He testified that the waiter had spilled coffee on Cohen and made a rude remark.) So did another guest with a long and curious relationship with Mickey Cohen, the actor Robert Mitchum. Public violence, high-profile arrests, celebrity alibis—to a recently relapsed gangster hungry for publicity, things could hardly get better. But later that night, they did. At 9:40 p.m., Cohen associate Johnny Stompanato was stabbed to death in the home of then-girlfriend Lana Turner.

Turner, thirty-eight, was one of Hollywood’s best-known (and most frequently married) actresses. According to Turner’s FBI files, she was also one of the most sexually voracious. As a result, it’s no surprise that she soon shacked up with Stompanato, thirty-two, a celebrity in his own right among adventuresome Hollywood actresses. “The most handsome man that I’ve ever known that was all man,” Cohen called him. But it wasn’t Stompanato’s good lucks that made him Hollywood’s most notorious gigolo. Rather, it was his legendary “endowment.” To Mickey, though, Stompanato was kind of like a kid brother. As soon as he heard the news of Stompanato’s death, he raced over to Turner’s house in Beverly Hills. Attorney Jerry Giesler intercepted Cohen outside.

“If Lana sees you, she’s going to fall apart altogether,” Giesler told Cohen. Instead, he sent him over to the morgue to identify Stompanato’s body.

In fact, Turner was terrified of Cohen. Wild rumors quickly spread. “LANA FEARS COHEN GANG VENGEANCE,” cried one tabloid. The identity of the supposed killer quickly emerged—Lana’s fourteen-year-old daughter, Cheryl Crane. Supposedly, she had stabbed Stompanato with a kitchen knife when she walked in on him beating her mother.

Cohen didn’t believe it. Stompanato wasn’t the toughest of Cohen’s henchmen, but he was a former Marine. Mickey couldn’t believe that a mere girl could have killed him with a knife. He suspected that Lana herself was probably the killer. Cohen wanted to see justice done.

In this, he was virtually alone. Neither prosecutors nor the public seemed upset that Johnny Stompanato was dead. The general attitude was, Good riddance. Press accounts portrayed Stompanato as a swarthy abuser who had preyed upon the fair Turner. This offended Mickey, who believed that Stompanato and Turner genuinely loved each other. Cohen resolved to set the record straight.

The day after Stompanato’s death, his apartment at the Del Capri Motel in Westwood was mysteriously sacked. A week later, love letters from Turner to Stompanato appeared in the Herald-Express, just as the trial of Cheryl Crane was beginning. The letters left little doubt of Turner’s affection for Stompanato, whom she addressed as “daddy love” in notes signed “Tu Zincarella” (your gypsy). But this time, the resurgent gangster was out of touch with the public. The publication of private letters was seen as unseemly, and the press read them for evidence that the affair was winding down.

Cohen was puzzled by this hostile reception. But he didn’t dwell on it. Perhaps he didn’t care all that much about Johnny either. Or maybe he was distracted by his latest discovery, a thrice-married, hazel-eyed Marilyn Monroe look-alike named Liz Renay.

Перейти на страницу:

Похожие книги

100 рассказов о стыковке
100 рассказов о стыковке

Книга рассказывает о жизни и деятельности ее автора в космонавтике, о многих событиях, с которыми он, его товарищи и коллеги оказались связанными.В. С. Сыромятников — известный в мире конструктор механизмов и инженерных систем для космических аппаратов. Начал работать в КБ С. П. Королева, основоположника практической космонавтики, за полтора года до запуска первого спутника. Принимал активное участие во многих отечественных и международных проектах. Личный опыт и взаимодействие с главными героями описываемых событий, а также профессиональное знакомство с опубликованными и неопубликованными материалами дали ему возможность на документальной основе и в то же время нестандартно и эмоционально рассказать о развитии отечественной космонавтики и американской астронавтики с первых практических шагов до последнего времени.Часть 1 охватывает два первых десятилетия освоения космоса, от середины 50–х до 1975 года.Книга иллюстрирована фотографиями из коллекции автора и других частных коллекций.Для широких кругов читателей.

Владимир Сергеевич Сыромятников

Биографии и Мемуары
100 легенд рока. Живой звук в каждой фразе
100 легенд рока. Живой звук в каждой фразе

На споры о ценности и вредоносности рока было израсходовано не меньше типографской краски, чем ушло грима на все турне Kiss. Но как спорить о музыкальной стихии, которая избегает определений и застывших форм? Описанные в книге 100 имен и сюжетов из истории рока позволяют оценить мятежную силу музыки, над которой не властно время. Под одной обложкой и непререкаемые авторитеты уровня Элвиса Пресли, The Beatles, Led Zeppelin и Pink Floyd, и «теневые» классики, среди которых творцы гаражной психоделии The 13th Floor Elevators, культовый кантри-рокер Грэм Парсонс, признанные спустя десятилетия Big Star. В 100 историях безумств, знаковых событий и творческих прозрений — весь путь революционной музыкальной формы от наивного раннего рок-н-ролла до концептуальности прога, тяжелой поступи хард-рока, авангардных экспериментов панкподполья. Полезное дополнение — рекомендованный к каждой главе классический альбом.…

Игорь Цалер

Биографии и Мемуары / Музыка / Прочее / Документальное