Читаем L.A. Noir: The Struggle for the Soul of America's Most Seductive City полностью

In August 1947, Parker finally made inspector and was moved first to Hollywood Division and then to the San Fernando Valley bureau—far removed from the power centers in the department. But Bill Parker wasn’t entirely contained. As one of the few lawyers in the department and as the architect of Section 202, Parker was a natural choice to serve as the prosecutor for the personnel bureau in trial board hearings. It was a position that gave Parker access to some of the most sensitive information in the department. He soon ran across the name of a certain sergeant—Charlie Stoker. Stoker (along with several members of Hollywood vice) had been involved in an altercation at the Gali-Gali cocktail lounge in Hollywood. A few months later, Stoker received a call from Parker, who wanted to meet with him. Stoker knew the inspector only by reputation—“a highly ambitious man,” thought Stoker. Stoker, who was Catholic, also knew that Parker was known for looking out for Catholics on the force. So he agreed. But when the two men met, it wasn’t the Gali-Gali cocktail lounge Parker wanted to discuss. It was the Hollywood vice squad.

Stoker allowed as to how he’d seen some questionable behavior.

Parker wasn’t surprised. The entire unit was riddled with corruption, he told Stoker. He then proceeded to run down a list of specific instances of drunkenness, brutality, and extortion. Parker further informed Stoker that he intended to do everything he could to see that the current squad was dismissed. If Stoker was willing to testify to malfeasance on the squad, Parker allegedly promised he would see to it that Stoker headed the next Hollywood vice squad.

Stoker felt uneasy about betraying fellow officers, even ones who might have broken the law. Parker, Stoker concluded, “was a man compounded out of sheer ruthlessness, a man who would ride rough shod over anyone who got in the way of his becoming Chief of Police.” But he had to concede “that much of what [Parker] had told me about the vice, gambling and pay-off picture in Los Angeles was true.”

Nonetheless, he ducked the request, saying that he could not testify to anything about which he personally was not 100 percent certain, particularly if it concerned other officers. But Stoker would not stay silent for long.

The trial of “Happy” Meltzer began on May 5. Meltzer’s defense, as presented by lead defense attorney Sam Rummel, was simple: “We will prove,” declaimed Rummel, “that for a period of one and a half years before Meltzer’s arrest, Lieutenant Rudy Wellpot and Sergeant Elmer V. Jackson kept up a constant extortion of Mickey Cohen.” The Meltzer case, he charged, was “a frame-up” that resulted from Cohen’s refusal to pay off a shakedown demand. Rummel then went on to relate a lengthy and seemingly fantastical story of late-night meetings between Cohen and Jackson in the backs of cars parked off the Sunset Strip, car chases through Beverly Hills, and B-girl payoffs down on Main Street.

As sensational as it sounded, Rummel’s opening statement wasn’t particularly strong. But when Rummel announced that “sound engineer J. Arthur Vaus” had recordings that would tie Sergeant Jackson to the notorious Hollywood prostitute Brenda Allen and substantiate the defense’s charges that the police had tried to extort money from Cohen, the county grand jury took notice. It decided to open an investigation into the matter—after the upcoming mayoral elections.

Several weeks before the election, Parker called again and requested another meeting. Stoker agreed. After some throat-clearing about how they were both Catholics and both World War II veterans, Parker got to the point: What did Vaus know about the Brenda Allen investigation in Hollywood?

Stoker then told Parker his story—without, however, revealing that he had already spoken to the grand jury. According to Stoker, Parker listened encouragingly and then told the sergeant what he knew. There were several sources of corruption in the police administration, he said. One, controlled by Sgt. Guy Rudolph, Chief Horrall’s confidential aide, had the lottery and the numbers rackets. A second source of corruption was Captain Tucker, commander of the elite “Metro” division, which, according to Stoker’s account of his conversation with Parker, focused on milking Chinatown and L.A.’s prostitutes for the police department and for the city council. Finally there were Assistant Chief of Police Joe Reed, Lieutenant Wellpot, and Sergeant Jackson. Stoker claimed that Mayor Bowron was clean but also “a stupid ass, who had no idea what was going on.”

Why was Parker (allegedly) telling him this?* Stoker claimed that Parker wanted him to go to the grand jury and present his own information—and Parker’s—to them. With an election just weeks away, Parker continued, when the news leaked, Mayor Bowron would be forced to oust Chief Horrall and Assistant Chief Reed. Everyone knew “damned good and well” that he would be the logical man to step into Horrall’s shoes.

Перейти на страницу:

Похожие книги

100 рассказов о стыковке
100 рассказов о стыковке

Книга рассказывает о жизни и деятельности ее автора в космонавтике, о многих событиях, с которыми он, его товарищи и коллеги оказались связанными.В. С. Сыромятников — известный в мире конструктор механизмов и инженерных систем для космических аппаратов. Начал работать в КБ С. П. Королева, основоположника практической космонавтики, за полтора года до запуска первого спутника. Принимал активное участие во многих отечественных и международных проектах. Личный опыт и взаимодействие с главными героями описываемых событий, а также профессиональное знакомство с опубликованными и неопубликованными материалами дали ему возможность на документальной основе и в то же время нестандартно и эмоционально рассказать о развитии отечественной космонавтики и американской астронавтики с первых практических шагов до последнего времени.Часть 1 охватывает два первых десятилетия освоения космоса, от середины 50–х до 1975 года.Книга иллюстрирована фотографиями из коллекции автора и других частных коллекций.Для широких кругов читателей.

Владимир Сергеевич Сыромятников

Биографии и Мемуары
100 легенд рока. Живой звук в каждой фразе
100 легенд рока. Живой звук в каждой фразе

На споры о ценности и вредоносности рока было израсходовано не меньше типографской краски, чем ушло грима на все турне Kiss. Но как спорить о музыкальной стихии, которая избегает определений и застывших форм? Описанные в книге 100 имен и сюжетов из истории рока позволяют оценить мятежную силу музыки, над которой не властно время. Под одной обложкой и непререкаемые авторитеты уровня Элвиса Пресли, The Beatles, Led Zeppelin и Pink Floyd, и «теневые» классики, среди которых творцы гаражной психоделии The 13th Floor Elevators, культовый кантри-рокер Грэм Парсонс, признанные спустя десятилетия Big Star. В 100 историях безумств, знаковых событий и творческих прозрений — весь путь революционной музыкальной формы от наивного раннего рок-н-ролла до концептуальности прога, тяжелой поступи хард-рока, авангардных экспериментов панкподполья. Полезное дополнение — рекомендованный к каждой главе классический альбом.…

Игорь Цалер

Биографии и Мемуары / Музыка / Прочее / Документальное