Читаем L.A. Noir: The Struggle for the Soul of America's Most Seductive City полностью

      AFTER THE INTERVIEW was concluded, everyone agreed it had been an astonishing performance. Cohen had been raw, exciting, and revelatory. He had admitted on the air to killing people, to grossing anywhere from $200,000 to $650,000 a day through illegal bookmaking and gambling operations, to securing protection from someone “higher than the mayor of chief of police.” Ramrus and the other people on set were excited about having pulled off such a dramatic interview. The feeling of euphoria didn’t last long.

Mickey Cohen wasn’t the only Angeleno in New York City that May 19. It just so happened that LAPD intelligence head James Hamilton was also visiting Gotham. (Parker would later deny sending him east to shadow Cohen, insisting instead that his intelligence head was in New York on vacation.) Hamilton tuned in to the evening broadcast. What he saw appalled him. The American Broadcasting Company was allowing—no, encouraging—Mickey Cohen, a known criminal, to slander Chief Parker and himself on national television. Moreover, despite concluding the interview with a statement that Cohen’s views on the LAPD were exclusively his own, Mike Wallace had made comments that seemed to endorse Mickey Cohen’s assessment of the police. An angry Hamilton immediately called Chief Parker in Los Angeles to tell him what was happening. He also called ABC to deliver a warning: Pull the program from your Los Angeles station or prepare to be sued.

The Mike Wallace Interview was scheduled to air on the West Coast in less than three hours. ABC had only a short interval of time during which to make a decision. Executives immediately contacted Wallace producer Ted Yates, who in turn told Wallace about the problem they’d run into. Together, Yates and Wallace hurried over to Cohen’s suite at the Essex House to confer with him about Hamilton’s threats. Mickey had just stepped out of the shower. He greeted his visitors calmly, clad in nothing but a towel.

Wallace and Yates explained their problem as Cohen listened calmly. At the end of their presentation, Cohen made his pronouncement.

“Mike, Ted, forget it,” he said decisively. “Parker knows that I know so much about him, he wouldn’t dare sue.” So instead, the producers called Parker in Los Angeles and invited him to come on the show next week to defend himself. Parker indignantly refused, saying he had no intention of debating “an irresponsible character like Cohen.” He further warned ABC that if it proceeded with airing the show on the West Coast, it would open itself up to charges of criminal slander. The network disregarded this warning. Instead, a few hours later, Wallace’s interview with Cohen aired on the West Coast. At a news conference the next day, Chief Parker announced that he and Captain Hamilton were considering a lawsuit against ABC.

Cohen was unfazed. Soon after the interview with Wallace, Cohen went on the WINS radio station. There he repeated his charges and dared Parker to file suit. Executives at ABC were more worried. Unlike Mickey Cohen, ABC possessed legitimate income and assets, and Cohen’s vituperative comments looked rather shaky in the light of day. The next day ABC offered its “sincere apologies for any personal distress resulting from this telecast.” It also decided to withhold the show from the handful of stations that had not yet aired it. Parker was not mollified. He, Hamilton, and ex-mayor Fletcher Bowron responded that they would continue to explore their legal options.

A week later, ABC vice president Oliver Treyz went on the air. With a chastened Wallace standing by his side, Treyz allowed as to how something “profoundly regrettable occurred while Mr. Wallace was questioning Mickey Cohen.” ABC, he continued, “retracts and withdraws in full all statements made on last Sunday’s program concerning the Los Angeles city government, and specifically, Chief William H. Parker.”

ABC’s apology did little to assuage the anger of Parker’s supporters. From Washington, D.C., Senate investigations subcommittee staff director Robert Kennedy delivered a stinging rebuke to ABC.

“Gentlemen,” the letter began.

A week ago Sunday, I watched the Mike Wallace show and his guest, Mickey Cohen. I was deeply disturbed.

In the investigation that this Committee has been conducting, we have to work closely with police departments throughout the country. I want to say that no department has been more cooperative or has impressed us more with its efficiency, thoroughness and honesty than Mr. Parker’s in Los Angeles.

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Шантарам
Шантарам

Впервые на русском — один из самых поразительных романов начала XXI века. Эта преломленная в художественной форме исповедь человека, который сумел выбраться из бездны и уцелеть, протаранила все списки бестселлеров и заслужила восторженные сравнения с произведениями лучших писателей нового времени, от Мелвилла до Хемингуэя.Грегори Дэвид Робертс, как и герой его романа, много лет скрывался от закона. После развода с женой его лишили отцовских прав, он не мог видеться с дочерью, пристрастился к наркотикам и, добывая для этого средства, совершил ряд ограблений, за что в 1978 году был арестован и приговорен австралийским судом к девятнадцати годам заключения. В 1980 г. он перелез через стену тюрьмы строгого режима и в течение десяти лет жил в Новой Зеландии, Азии, Африке и Европе, но бόльшую часть этого времени провел в Бомбее, где организовал бесплатную клинику для жителей трущоб, был фальшивомонетчиком и контрабандистом, торговал оружием и участвовал в вооруженных столкновениях между разными группировками местной мафии. В конце концов его задержали в Германии, и ему пришлось-таки отсидеть положенный срок — сначала в европейской, затем в австралийской тюрьме. Именно там и был написан «Шантарам». В настоящее время Г. Д. Робертс живет в Мумбаи (Бомбее) и занимается писательским трудом.«Человек, которого "Шантарам" не тронет до глубины души, либо не имеет сердца, либо мертв, либо то и другое одновременно. Я уже много лет не читал ничего с таким наслаждением. "Шантарам" — "Тысяча и одна ночь" нашего века. Это бесценный подарок для всех, кто любит читать».Джонатан Кэрролл

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