Читаем L.A. Noir: The Struggle for the Soul of America's Most Seductive City полностью

For purposes of a trip to fascist Italy, di Frasso decided to recast Bugsy as “Bart”—Sir Bart, an English baronet. This was a good idea, for when the countess arrived at her husband’s villa outside of Rome, she found that they had houseguests—Joseph Goebbels, Nazi Germany’s propaganda minister, and Hermann Goring, Luftwaffe commander and Hitler’s second in command. Although Siegel evidently had no qualms about doing business with Mussolini’s military, the Nazi houseguests rubbed him the wrong way. One night he confronted the countess.

“Look, Dottie,” he said, “I saw you talking to that fat bastard Goring. Why do you let him come into our building?”

The countess murmured something about social niceties, to which Siegel responded, “I’m going to kill him, and that dirty Goebbels, too…. It’s an easy setup the way they’re walking around here.”

Only after the countess elaborated on the problems posed by the carabiniere—and the likely consequences for her husband—did Siegel give up on the idea. The Atomite demonstration fizzled, and “Sir Bart” and Countess di Frasso left for the French Riviera. There Siegel bumped into his old friend the actor George Raft, who was pursuing the actress Norma Shearer. Despite Atomite’s inexplicable failure, Siegel seemed to be in good spirits. Raft said he was looking forward to lingering on the Riviera. Then Siegel received a cablegram from New York and his mood suddenly changed. The next day Raft noticed he was gone. The Syndicate had a problem that required Bugsy’s unique talents.

The problem was Harry “Big Greenie” Greenberg. Greenberg was a former associate of Siegel and Louis “Lepke” Buchalter, the Brooklyn-based crime lord and labor racketeer. Greenberg had been arrested and deported to his native Poland, but “Big Greenie” had no intention of going back to the old country. He jumped ship in France and made it back to Montreal. From there he sent a letter to a friend in New York, implying that if his old friends in Brooklyn didn’t send him a big bundle of cash, he might go talk to the authorities. Instead of sending cash, Buchalter associate Mendy Weiss sent two hitmen. “Big Greenie” checked out of his hotel just hours before the two assassins checked in. For a time, the trail went cold. Then, in the fall of 1939, “Big Greenie” was spotted in Hollywood. He had a new name (George Schachter), a new wife, and, given his lack of further communications, he’d evidently learned that blackmailing the Syndicate was a foolish thing to do. Nonetheless, at a meeting in New York, Siegel, Buchalter, New Jersey rackets boss Longy Zwillman, and Brooklyn crime overlord Albert Anastasia decided that “Big Greenie” had to go. Zwillman once again sent two gunmen to California. But the gunmen didn’t like the setup and returned to New York. Bugsy being Bugsy, he decided to take care of the problem himself.

The evening before Thanksgiving, on November 22, 1939, “Big Greenie” got a call to run down to the corner drugstore to pick up a package. As he eased his old Ford convertible into a parking space outside his modest house in Hollywood, triggerman Frank Carbo walked quickly out of the shadows toward the vehicle. Bugsy Siegel was waiting in a black Mercury sedan parked down the street. Al Tannenbaum was behind him, in a stolen “crash car,” ready to stop any car that pursued them. Champ Segal was parked five blocks away, ready to drive Carbo north to San Francisco where he would take a flight back to New York. From inside the Green-berg house, Ida Greenberg heard a rapid series of shots—a backfiring car, she thought, then the sound of two cars speeding down the street. When “Big Greenie” didn’t reappear, she went outside to look for him. She found him in his blood-spattered car, dead from five bullets fired at point-blank range into his head.

So much for “Big Greenie”—or so it seemed. Unfortunately for Bugsy, one of his old associates back in Brooklyn was about to start talking to the DA.

Abe “Kid Twist” Reles had a reputation as one of East Brooklyn’s nastiest thugs. “He had a round face, thick lips, a flat nose and small ears,” noted Brooklyn assistant DA Burton Turkus. “His arms had not waited for the rest of him. They dangled to his knees, completing a generally gorilla-like figure.” He also had the nasty habit of killing victims with an ice pick, which made him one of Louis Buchalter’s most feared executioners.

Перейти на страницу:

Похожие книги

Шантарам
Шантарам

Впервые на русском — один из самых поразительных романов начала XXI века. Эта преломленная в художественной форме исповедь человека, который сумел выбраться из бездны и уцелеть, протаранила все списки бестселлеров и заслужила восторженные сравнения с произведениями лучших писателей нового времени, от Мелвилла до Хемингуэя.Грегори Дэвид Робертс, как и герой его романа, много лет скрывался от закона. После развода с женой его лишили отцовских прав, он не мог видеться с дочерью, пристрастился к наркотикам и, добывая для этого средства, совершил ряд ограблений, за что в 1978 году был арестован и приговорен австралийским судом к девятнадцати годам заключения. В 1980 г. он перелез через стену тюрьмы строгого режима и в течение десяти лет жил в Новой Зеландии, Азии, Африке и Европе, но бόльшую часть этого времени провел в Бомбее, где организовал бесплатную клинику для жителей трущоб, был фальшивомонетчиком и контрабандистом, торговал оружием и участвовал в вооруженных столкновениях между разными группировками местной мафии. В конце концов его задержали в Германии, и ему пришлось-таки отсидеть положенный срок — сначала в европейской, затем в австралийской тюрьме. Именно там и был написан «Шантарам». В настоящее время Г. Д. Робертс живет в Мумбаи (Бомбее) и занимается писательским трудом.«Человек, которого "Шантарам" не тронет до глубины души, либо не имеет сердца, либо мертв, либо то и другое одновременно. Я уже много лет не читал ничего с таким наслаждением. "Шантарам" — "Тысяча и одна ночь" нашего века. Это бесценный подарок для всех, кто любит читать».Джонатан Кэрролл

Грегори Дэвид Робертс , Грегъри Дейвид Робъртс

Триллер / Биографии и Мемуары / Проза / Современная русская и зарубежная проза / Современная проза