Читаем L.A. Noir: The Struggle for the Soul of America's Most Seductive City полностью

      FOR CHIEF PARKER, the incarceration of Mickey Cohen should have been a moment to savor. But no sooner had Cohen been locked up, than Parker found himself caught in a series of scandals that threatened his job. The first came on October 7, when a police reserve officer shot and killed an unarmed eighteen-year-old college student, James Woodson Henry, whose only apparent offense was sitting in his car late at night. Henry’s slaying and the poignant newspaper accounts of his parents’ reaction caused a public furor. Parker responded, testily, that he could hardly dispense with the reserves when he was trying to police a city of two million people with a mere 4,189 officers, nearly 2,000 officers short of the police-to-civilian ratio suggested by most policing experts. While this was probably true, the tone of Parker’s rejoinder sparked more attacks on the chief. Chastened, Parker decided to strip the reserves of their firearms. That just angered the people who had originally supported him.

L.A.’s African American community was upset with Parker too, thanks to the California Eagle’s reporting on an incident of police brutality that it claimed was “unsurpassed by the most vicious in the deep South.” The case, which had come to public attention one month earlier, involved twenty-three-year-old George Hunter. Hunter had been waiting for the last Watts car at a Pacific Electric station when a detective allegedly accosted him. After demanding to know why he was there, the detective then insisted that he was drunk. Hunter denied it, but the detective returned with uniformed backup and arrested him. The men shoved him into a small room. There, from 3 a.m. until 7:30 a.m., he was allegedly beaten and slugged unmercifully about the head, face, and body “while being cursed, berated, and reviled with obscene language.”

During the course of the beating, Hunter’s real offense came out. Wrote the Eagle reporter, “Repeatedly, the officer blurted out, ’I’ll teach you, whenever you address an officer, to say ‘sir.’”*

White parents were fearful. The black community was indignant. One major ethnic group remained to be angered—Mexican Americans. But they didn’t have to wait long. A barroom brawl between LAPD officers and a handful of young Latino men was about to explode into the greatest crisis of Chief Parker’s brief tenure.


* To bolster the impression that Bowron was in the underworld’s pocket, Mickey Cohen adorned his Cadillac with a giant sign trumpeting his support for the mayor.

* He was right. After turning state’s witness in 1978, Fratianno confessed to killing the two Tonys. (Demoris, The Last Mafioso, 54.)

* Complaints from the African American community about disrespectful stops and brutal treatment were so commonplace that the Los Angeles Tribune, the city’s other leading black paper, sarcastically teased General Worton when he first became chief for taking them seriously: “So naive is this new chief… that he veritably pounced on a police stenographer… to make a note of the complaints … as if something was going to be done about them!!!” (Los Angeles Tribune, July 14, 1949.)

16

Dragnet

“When any function of government, national or local, gets out of civilian control, it becomes totalitarian.”

—Los Angeles Daily News editorial, March 4, 1952

    THE TROUBLE ARRIVED on Christmas Eve 1951, when police received a call about several young men—possibly minors—drinking a bit too heavily at the Showboat Bar, a little joint on Riverside Drive northeast of downtown. Two officers were dispatched to respond. When they arrived, they found a group of seven young men. Five of the men were Latinos—Danny and Elias Rodela, Raymond Marquez, Manuel Hernandez, and Eddie Nora. The other two—Jack and William Wilson—were Anglos. The officers asked to see some ID. The men produced it. None were underage. Nonetheless, the two police officers asked the men to finish their drinks and disperse. That’s when the trouble started.

Exactly what touched off the brawl is unclear. One of the revelers, Jack Wilson, would later say that before he could comply with the officers’ request, he was put in a hammerlock and dragged outside. His friends followed. One accosted one of the officers; a melee broke out. Wilson’s friends would later claim that the scuffle began when they tried to prevent one of the officers from hitting a member of their party with his blackjack; the police insisted they were attacked when they asked one of the men to leave. Despite making free use of their blackjacks, the police officers got the worst of it. One officer got a black eye when one of the men got him into a headlock and punched him. The fight ended when a neighbor with a rifle broke things up. Meanwhile, someone inside the bar had called the police department for backup.

Перейти на страницу:

Похожие книги

40 градусов в тени
40 градусов в тени

«40 градусов в тени» – автобиографический роман Юрия Гинзбурга.На пике своей карьеры герой, 50-летний доктор технических наук, профессор, специалист в области автомобилей и других самоходных машин, в начале 90-х переезжает из Челябинска в Израиль – своим ходом, на старенькой «Ауди-80», в сопровождении 16-летнего сына и чистопородного добермана. После многочисленных приключений в дороге он добирается до земли обетованной, где и испытывает на себе все «прелести» эмиграции высококвалифицированного интеллигентного человека с неподходящей для страны ассимиляции специальностью. Не желая, подобно многим своим собратьям, смириться с тотальной пролетаризацией советских эмигрантов, он открывает в Израиле ряд проектов, встречается со множеством людей, работает во многих странах Америки, Европы, Азии и Африки, и об этом ему тоже есть что рассказать!Обо всём этом – о жизни и карьере в СССР, о процессе эмиграции, об истинном лице Израиля, отлакированном в книгах отказников, о трансформации идеалов в реальность, о синдроме эмигранта, об особенностях работы в разных странах, о нестандартном и спорном выходе, который в конце концов находит герой романа, – и рассказывает автор своей книге.

Юрий Владимирович Гинзбург , Юрий Гинзбург

Биографии и Мемуары / Документальное