Читаем L.A. Noir: The Struggle for the Soul of America's Most Seductive City полностью

Los Angeles’s civil service code still required the Police Commission to select a new chief from one of the top three scorers on the combined written/oral promotional exam, although it had been amended to provide for the possibility of an outside candidate. Rumor had it that Santa Monica police chief George Tielsch (who’d previously headed the Seattle Police Department) was Bradley’s top choice. But at the end of the examination process, Daryl Gates was number one on the eligibility list.

The Police Commission hesitated. Selecting someone other than the top-ranked candidate would be a big Political risk. As it considered its choice, police commissioner Jim Fisk asked for a private meeting with Gates.

Fisk had been one of the LAPD’s most talented new officers. Like Bradley, he had joined the department in 1940. He quickly established himself as one of the department’s bravest policemen and routinely topped the civil service examinations. However, Fisk also had a reputation as a liberal. He was passed over by Parker for a position as deputy chief in the mid-1950s. Tapped to lead the department’s community relations effort after Watts, he was passed over for the position of chief after Parker died, despite having the highest civil service score. When Reddin retired, the Police Commission again ignored Fisk’s top score to select Ed Davis as police chief. Fisk left to teach at UCLA until he was summoned back by Mayor Bradley. As a member of the Police Commission, he was supposedly one of the department’s five bosses. As a result, Fisk might well have expected that when he asked Gates to be more “flexible”—to show some willingness to take direction from the Police Commission—the assistant chief would have responded positively.

“Okay. What issue do you want me to compromise on?” Gates replied.

The Police Commission was under pressure to contain the department’s rising costs (which were increasing, in no small measure, as a result of a pay increase Gates himself had championed as assistant chief). Fisk explained that he and his fellow commissioners felt that one way to mitigate the problem would be to prune the number of upper-level positions in the department. Gates listened noncommittally. He knew that one of his rivals for the top position, deputy chief Bob Vernon, had presented the commission with a detailed plan for trimming top management. Yet when Gates appeared before the full Police Commission and was asked if he’d be willing to eliminate upper-management positions, his reply was a simple “No.”

“Why not?” Fisk asked.

“You know,” Gates replied, “you people are really amazing. On the one hand, you talk very strongly about affirmative action, about moving blacks and Hispanics and women up in the organization. At the same time you want to cut out all of these top jobs. How are you going to have vacancies to move people into when you’ve slashed all these positions from the top?”

It was a remarkably insouciant response—and vintage Gates. Instead of offering a concession that would allow the Police Commission to choose him and save face, Gates was in effect daring them to pick someone else. They didn’t have the nerve to. On March 24, 1978, Daryl Gates was named the next chief of police. He was sworn in four days later. The system that Bill Parker had created could not be broken. Chief Gates soon settled in as a chief in the Parker mold. Then came the evening of Saturday, March 2, 1991. As in Watts, it started with the California Highway Patrol.


      TIM AND MELANIE SINGER were a husband-and-wife Highway Patrol team. On the night of March 2, they were patrolling the Foothill Freeway north of Los Angeles. They were headed toward Simi Valley when, in their rearview mirror, they spotted a white Hyundai gaining on them, fast. They pulled over and watched it blow past at upward of a hundred miles per hour. They gave chase, but the car ignored the patrol car’s sirens. Instead, it accelerated. Units from the LAPD joined the chase. The Hyundai exited the freeway on Paxton Street, maintaining speeds of up to eighty-five miles per hour on residential streets, and tore through a red light at Van Nuys and Foothills, nearly causing a collision, before a pickup truck that was partially blocking the road brought the car to a stop just beyond the intersection of Osborne and Foothills, near the darkened entrance to Hansen Dam Park.

Перейти на страницу:

Похожие книги

Зеленый свет
Зеленый свет

Впервые на русском – одно из главных книжных событий 2020 года, «Зеленый свет» знаменитого Мэттью Макконахи (лауреат «Оскара» за главную мужскую роль в фильме «Далласский клуб покупателей», Раст Коул в сериале «Настоящий детектив», Микки Пирсон в «Джентльменах» Гая Ричи) – отчасти иллюстрированная автобиография, отчасти учебник жизни. Став на рубеже веков звездой романтических комедий, Макконахи решил переломить судьбу и реализоваться как серьезный драматический актер. Он рассказывает о том, чего ему стоило это решение – и другие судьбоносные решения в его жизни: уехать после школы на год в Австралию, сменить юридический факультет на институт кинематографии, три года прожить на колесах, путешествуя от одной съемочной площадки к другой на автотрейлере в компании дворняги по кличке Мисс Хад, и главное – заслужить уважение отца… Итак, слово – автору: «Тридцать пять лет я осмысливал, вспоминал, распознавал, собирал и записывал то, что меня восхищало или помогало мне на жизненном пути. Как быть честным. Как избежать стресса. Как радоваться жизни. Как не обижать людей. Как не обижаться самому. Как быть хорошим. Как добиваться желаемого. Как обрести смысл жизни. Как быть собой».Дополнительно после приобретения книга будет доступна в формате epub.Больше интересных фактов об этой книге читайте в ЛитРес: Журнале

Мэттью Макконахи

Биографии и Мемуары / Публицистика
Девочка из прошлого
Девочка из прошлого

– Папа! – слышу детский крик и оборачиваюсь.Девочка лет пяти несется ко мне.– Папочка! Наконец-то я тебя нашла, – подлетает и обнимает мои ноги.– Ты ошиблась, малышка. Я не твой папа, – присаживаюсь на корточки и поправляю съехавшую на бок шапку.– Мой-мой, я точно знаю, – порывисто обнимает меня за шею.– Как тебя зовут?– Анна Иванна. – Надо же, отчество угадала, только вот детей у меня нет, да и залетов не припоминаю. Дети – мое табу.– А маму как зовут?Вытаскивает помятую фотографию и протягивает мне.– Вот моя мама – Виктолия.Забираю снимок и смотрю на счастливые лица, запечатленные на нем. Я и Вика. Сердце срывается в бешеный галоп. Не может быть...

Адалинда Морриган , Аля Драгам , Брайан Макгиллоуэй , Сергей Гулевитский , Слава Доронина

Детективы / Биографии и Мемуары / Современные любовные романы / Классические детективы / Романы