“Is that a fact, now,” Peter said. I felt a fool, then a bitch as I recalled Ambrose’s comparison of Magda to luckless Dido. He glanced at me—quizzically,
I believe you writers say. I did not score well; in my embarrassment I gushed fulsomely over the celebrated Easter egg, fetched down now by Daughter Angela on its carved wood stand: a battered, faded brummagem, nothing special to begin with, mere family junk or joking relic. I could see nothing inside.“No castle?” Ambrose demanded, I could not tell in what spirit. “No Lorelei?” I mumbled that microscopes and telescopes never worked for me either. Already in retrospect this moment seems to me a signal one. Something disquieting announced itself here: not a Fifth Stage, but (I fear) the true aspect—a
true aspect — of the Fourth. I shall return to it.Rather, proceed to it, for there is little more of pertinence to tell of my introduction to the Mensches. Magda’s dinner was a surprise: I had expected the relentlessly plain cuisine that American countryfolk take such pride in: baked ham, fried chicken, mashed white potatoes, lima beans, and ice water — your spiceless, sauceless English Protestant heritage. But La Giulianova knew her way around both Italian and German cookery: a fish soup called brodetto
was followed by an admirable Wurst-und-Spätzle dish (Himmel und Erde, I do believe), a Caesar salad, home-baked sour rye bread, and an almond sweet called confetti. Cold Soave with the soup, dark Lowenbrau with the sausage, espresso and Amaretto with dessert. My best meal since Toronto: unpretentious, perfectly done, served without fuss, and all of it delicious. No cook myself (and still overcompensating for my earlier gaffe) I rained compliments upon the chef. Peter beamed; Ambrose smiled a small smile; Magda quietly remarked that good ingredients were not easily found so far from the city. I supposed that she had learned her art from her parents and the elder Mensches? Another faux pas.“Ma never cooked worth a dime,” Peter scoffed cheerfully around his cigar. “And Mag’s mother didn’t know what good Eyetalian cooking was till Mag taught her. This here’s out of the Sunday Times
magazine, I bet.”Magda shook her head, but was pleased. Angela peered into the egg. I was smitten with jealousy; found myself (at nearly fifty!) wishing my breasts were less full, my features softer, my voice less assertive. What rot, the old female itch to be… not mastered,
God forfend, but ductile, polar to the male, intensely complemental. Lord! Am I to come off my loathing of D. H. Lawrence?The talk at dinner, between my nervous panegyrics, was of dying Andrea and the disposition of the original Menschhaus up the street, now vacant and fast deteriorating. My lover (I heard for the first time) was toying with the idea of remodelling and moving into it himself! I found that notion both appealing and appalling: out of the ménage à trois et demi,
yes, but why into a drab frame house on a dreary street in a dull provincial town (excuse me)? Why not Rome, Paris, London, New York? At least Boston, San Francisco, even Washington or Philadelphia, even Baltimore! Who ever spun the globe around and, having considered Lisbon, Venice, Montreal, Florence, Vienna, Rio de Janeiro, Amsterdam, Madrid — the list is endless! — put his finger on marshy Dorset and declared: “That’s for me”?Well, Ambrose, for one. My only comfort was the chilling one that he was not
yet after all proposing that I move in with him, if indeed he makes the move at all, and the somewhat warmer one that the measured tone of his consideration of the idea, and of Peter’s and Magda’s responses, suggested that they understood Ambrose and me to be a couple, or on the verge of becoming one, and that they accepted, if not quite embraced, the idea. Peter was full of hearty instructions to his brother and his wife: Tell her ’bout the time you got lost in the funhouse and come out with that coloured boy. Tell her how Pa used to try and cut stone with one hand and one foot. Tell her ’bout Grandma seeing Uncle Wilhelm’s naked statues. Magda quietly “expected I’d heard all that”; Ambrose quietly affirmed that I had. No one solicited counteranecdotes from me: How I Was Deflowered With a Capped Fountain Pen; My Several Abortions and Miscarriages; The Amherst Phallic Index to Major British and Continental Novelists of the Early 20th Century, With Commentary.