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I reproduce his language, sir, in order to suggest the good-humored prurience, or gentle salaciousness, characteristic of the man: rather novel to my experience and, together with his youthfulness, attentiveness, and general personableness, agreeable, if not exactly captivating. Whatever dependency or exploitation has been my lot, I have ever felt it to be upon or at the hands, not of men, particularly, but of others, more often than not people of superior abilities whom I admired. Moreover, like Mme de Staël I have lived a life of my own in the world. So if Ambrose Mensch “had his way with me” that night, it was by persuading me to have mine with him, first then and there in my little car in the parking area at Long Wharf; next all about the flat at 24 L, where he stopped till morning (and described to me—read would be the wrong word for such wordless pages — between the aforepromised business, his trial draft of the opening of his screenplay, wherein a woman’s hands are seen opening a bundle of letters one by one with a stiletto letter-opener whilst her voice, as if iterating to itself their return addresses, announces the title, the actors’ names, and the sundry credits. And this was the draft soon after rejected by Reg Prinz as “too wordy”!).

In the same way, if his “conquest” was completed eleven days later, on his 39th birthnight, it was because, by making no further direct overtures in that period, but maintaining his low-keyed, half-earnest chaffing about sexual initiative and women’s rights, he kept fresh in my memory how agreeable had been our lovemaking. I found myself not only inviting him back to 24 L for a birthday dinner, but initiating fellatio with the hors d’oeuvres and coitus after the cognac — over which too (I mean the Martell) I showed him your letter of 23 March soliciting the story of my life for your proposed new work. He sympathised with your “perverse attraction” (his term or yours?) to literary realism. He toyed briefly with the idea of incorporating your letter into his screenplay. And he advised me to advise you to bugger off.

Now, by his own acknowledgement A’s fertility is marginal. My own, I have cause to suspect, is approaching its term. Over the last two years my menses have grown ever more erratic: not infrequently I skip a month altogether. Through the period of my connexion with “George III,” these irregularities seldom caused me more anxiety than any woman might feel at the approach of her menopause: on the occasions when His Royal Highness (who was not impotent either, only slowed by age and debilitated by his “madness,” which followed in some detail the course of his original’s), aroused by an erotic passage, say, in some Fielding or Smollett I was reading to him, achieved congress with his “Lady Pembroke,” she was properly pessaried in advance. For the same reason I was not uneasy about these latter two Noctes Ambrosianae (faithful to his promise, he has so far conducted himself with rather more discretion than I). But that rash initial coupling in my office still fretted at my peace of mind. I had only his word for it that his “motility” was low (upon a former wife he fathered a child, a retarded daughter whose custody he retains); in any case it wanted only one healthy swimmer to do the job. That infusion I’d been obliged to sit upon through our committee meeting — where we’d postponed nominating A. B. Cook by the procedural diversion of disqualifying Ambrose from the committee on the grounds of your having mentioned him for the award, and selecting his replacement, a sensible woman from the French Department — was enormous, and coincided with the mild Mittelschmerz of my ovulation time. What was more, sore experience had taught me… a lesson that will keep for another letter.

Therefore, despite the heavy odds against my impregnation, I welcomed with relief the cramps that came on me in the evening of 2 April — and Ambrose rejoiced in the coincidence of my flow with the full Pink Moon.

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