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Like You'd Understand, Anyway

Following his widely acclaimed Project X and Love and Hydrogen—"Here is the effect of these two books," wrote the Chicago Tribune: "A reader finishes them buzzing with awe"—Jim Shepard now gives us his first entirely new collection in more than a decade.Like You'd Understand, Anyway reaches from Chernobyl to Bridgeport, with a host of narrators only Shepard could bring to pitch-perfect life. Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers' attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, "is like encountering our national literature in microcosm."

Джим Шепард

Современная русская и зарубежная проза18+
<p>Jim Shepard</p><empty-line></empty-line><p>Like You'd Understand, Anyway</p>

For my brother, John

<p><strong><emphasis>Acknowledgments</emphasis></strong></p>

Without crucial contributions from the following sources, many of the stories in this book would not have existed, or would have existed in a much paltrier form: Don J. Miller's “The Alaska Earthquake of July 10, 1958” and “Giant Waves in Lituya Bay Alaska;” Howard Ulrich's and Vi Haynes' “Night of Terror;” Elliott B. Roberts' “History of a Tsunami;” Lawrence Elliott's “There's a Tidal Wave Loose in Here!;” Antoine de Baecque's Glory and Terror; Regina Janes' Losing Our Heads; Olivier Blanc's Last Letters; Peter Vansittart's Voices of the Revolution; Stanley Loomis's Paris in the Terror; Rodney Allen's Threshold of Terror; Daniel Arasse's The Guillotine and the Terror; Daniel Gerould's Guillotine: Its Legacy and Lore; Barbara Levy's Legacy of Death; Simon Schama's Citizens; J. Mills Whitham's Men and Women of the French Revolution; Bettyann Holtzmann Kevles's Almost Heaven; Rex Hall and David Shayler's The Rocket Men; Nina Lugovskaya's The Diary of a Soviet Schoolgirl; Jamie Doran and Piers Bizony's Starman; Cathy Young's Growing Up in Moscow; Philip Clark's The Soviet Manned Space Program; John Herington's Aeschylus; W K. Pritchett's The Greek State at War; James Davidson's Courtesans and Fishcakes; Victor David Hanson's The Western Way of War; Bertha Carr Rider's Ancient Greek Houses; D. J. Conacher's Aeschylus: The Earlier Plays and Related Studies; Michael M. Sage's Warfare in Ancient Greece; R. E. Wycherley's The Stones of Athens; George Sfikas's Wild Flowers of Greece; Richard Lattimore's Greek Lyrics; Anthony Pod-lecki's The Political Background of Aeschylean Tragedy; Robert Flaceliere's Daily Life in Greece at the Time of Pericles; Nicholas Sekunda's Marathon 490 B.C.; Steven Pressfield's Gates of Fire; George Derwent Thomson's Aeschylus and Athens; Robert Holmes Beck's Aeschylus: Playwright, Educator; Thomas G. Rosenmeyer's The Art of Aeschylus; and, of course, Aeschylus's surviving works, in translations by Richmond Lattimore, Seth G. Benardete, David Grene, Janet Lembke, C. J. Herington, Frederic Raphael, and Kenneth McLeish. Also: Richard C. Davis' The Central Australia Expedition 1844–1846: The Journals of Charles Sturt; Jan Kociumbas's The Oxford History of Australia 1770–1860; Bernard Smith and Alwyn Wheeler's The Art of the First Fleet and Other Early Australian Drawings; Tim Flannery's The Explorers; Ken Gelder and Jane Jacobs' Uncanny Australia; Alan Moorehead's Cooper's Creek; V. M. Chernousenko's Chernobyl, Insight from the Inside; Iurii Shcherbak's Chernobyl, A Documentary Story; Grigori Medvedev's The Truth about Chernobyl; Alla Yaroshinskaya's Chernobyl: the Forbidden Truth; Alan Bowman's Life and Letters on the Roman Frontier; Nic Fields' Hadrian's Wall A.D. 122–410; G. R. Watson's The Roman Soldier; John David Breeze's Hadrian's Wall; Mingtao Zhang's The Roof of the World; Clare Harris and Tsering Shakya's Seeing Lhasa; Reinhold Messner's My Quest for the Yeti; Michel Peissel's Tibet: The Secret Continent; and Thubten Jigme Norbu and Colin Turnbull's Tibet.

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