He was wearing an expensive, loose-fitting linen suit and dark leather shoes. He had gold-rimmed shades on, and a tan. He looked and smelt like money.
All of a sudden I didn’t want to be having this conversation.
‘I’m working for Kerr & Dexter, you know, the publishers.’
He sniffed and nodded yeah, waiting for more.
‘I’ve been a copywriter with them for about three or four years, text-books and manuals, that kind of thing, but now they’re doing a series of illustrated books on the twentieth century – you know, hoping to cash in on an early boom in the nostalgia trade – and I’ve been commissioned to do one about the design links between the Sixties and the Nineties …’
‘Interesting.’
‘ … Haight-Ashbury and Silicon Valley …’
‘
I hammered it home, ‘Lysergic acid and personal computers.’
‘
‘It’s not really. They don’t pay very well and because the books are going to be so short – only about a hundred pages, a hundred twenty – you don’t have much latitude, which actually makes it more of a challenge, because …’
I stopped.
He furrowed his brow. ‘Yeah?’
‘ … because …’ – explaining myself like this was sending unexpected stabs of embarrassment, and contempt, right through me and out the other side. I shuffled from one foot to the other. ‘ … because, well, you’re basically writing captions to the illustrations and so if you want to get any kind of angle across you have to be really on top of the material, you know.’
‘That’s great, man.’ He smiled. ‘It’s what you always wanted to be doing, am I right?’
I considered this. It was, in a way – I suppose. But not in any way
‘That must be a trip,’ he said.
Vernon had been a cocaine dealer when I knew him in the late 1980s, but back then he’d had quite a different image, lots of hair, leather jackets, big into Tao and furniture. It was all coming back to me now.
‘Actually I’m having a hard time with it,’ I said, though I don’t know why I was bothering to pursue the matter.
‘Yeah?’ he said, pulling back a little. He adjusted his shades as though he were surprised to hear what I’d said, but was nevertheless ready to start doling out advice once he’d nailed down whatever the problem might be.
‘There are so many strands, you know, and contradictions – it’s just hard to work out where to start.’ I settled my gaze on a car parked across the street, a metallic-blue Mercedes. ‘I mean you’ve got the anti-technology, back-to-nature Sixties, the
I stopped again. The only reason I’d come out with this, I suppose, was because it was on my mind and had been all day. I was just thinking out loud, thinking – what angle
Vernon clicked his tongue and looked at his watch. ‘What are you doing now, Eddie?’
‘Walking down the street. Nothing. Having a smoke. I don’t know. I can’t get any work done.’ I took a drag from my cigarette. ‘Why?’
‘I think I can help you out.’
He looked at his watch again and seemed to be calculating something for a moment.
I stared at him in disbelief and was on the verge of getting annoyed.
‘C’mon, I’ll explain what I mean,’ he said. ‘Let’s go for a drink.’ He clapped his hands. ‘
I really didn’t think my heading off with Vernon Gant was such a good idea. Apart from anything else, how could he possibly help me with the problem I’d just outlined to him? The notion was absurd.
But I hesitated.
I’d liked the sound of the second part of his proposition, the going for a drink part. There was also, I have to admit, a slight Pavlovian element to my hesitation – the idea of bumping into Vernon and heading off spontaneously to another location stirred something in my body chemistry. Hearing him say
I rubbed my nose and said, ‘OK.’
‘Good.’ He paused, and then said – like he was trying it out for size – ‘