Читаем London: The Biography полностью

But these attitudes were reinforced by the fact that London was becoming once more a young city. The rising birth rate and accelerating prosperity of London in the 1950s helped to create a younger society which wished to divest itself of the limitations and restrictions of the postwar capital. There was no sudden transition, in other words, to the “Swinging Sixties.” There were cafés and coffee bars and jazz-clubs in Soho; there were clothes-shops and small bistros in Chelsea some years before the efflorescence of boutiques and discothèques. London was slowly being rejuvenated, and by the mid-1960s it was suggested that 40 per cent of the general population were under twenty-five. This is approximately the condition of Roman London, when only 10 per cent of the population survived after forty-five, and we may infer a similar sexual energy. It also corresponds to the ratio of the city’s population in the sixteenth century, where all the evidence suggests an earlier resurgence of the London appetite for fashion. If the conditions are approximately the same, then urban attitudes will be repeated.


“Before the Blitz,”Rasmussen has written in London: The Unique City, “Londoners took their dingy streets as a matter of fact, an unavoidable act of fate.” But when whole terraces could be levelled with one bomb, they came to believe that even London was susceptible to destruction and could be changed. It was dirty, and seedy; it was part of the civilisation which had created two world wars. A London newspaper, the Evening Standard, asked for more dynamite. Even before the war was over a regional planner, Patrick Abercrombie, had prepared two proposals, the County of London Plan and the Greater London Plan, which would lend London “order and efficiency and beauty and spaciousness” with an end to “violent competitive passion.” It is the eternal aspiration, or delusion, that somehow the city can be forced to change its nature by getting rid of all the elements by which it had previously thrived.

Yet, in topographical terms, the Abercrombie plans were immensely influential. They required a significant shift of population within the city itself in order to “create balanced communities each comprising several neighbourhood units”; the reconstruction of bombed London would proceed on the basis of “density zones” which would disperse hitherto overcrowded neighbourhoods. There would be a balance of housing, industrial development and “open space” with key highways connecting variously integrated communities. Three examples may represent many. Much of the population of Bethnal Green was rehoused in LCC “low-density” estates such as Woodford in Essex; the bombed areas of Poplar were rebuilt as the great Lansbury Estate with a mixed style of block and single dwellings. Within inner London the Loughborough Estate rose in Brixton, its main edifices eleven storeys high. The elements of London were being redistributed, to create more light and air. The old streets, which were variously considered “obsolete” or “outworn,” “narrow” or “confined,” were erased in order to make room for modern, larger and neater estates. The advent of municipal control over large swathes of the city was not, however, without disadvantages. It altered the reality of London, damping down its natural laws of growth and change. Small businesses, the life and blood of the city, could no longer thrive. The “inner London councils” were attempting to ignore, or reverse, the natural tendencies of the city which had been in operation for almost a thousand years. It was inevitable that the old City of London would promote other ideas and in its own plan the planners suggested “the conservation wherever possible of features which are of traditional and archaeological significance” as well as maintaining “the romance and history which the very street names breathe.” But their proposals for careful redevelopment were not in accordance with the modern spirit of innovation and large-scale urban planning; they were rejected by the national administration, and the LCC was invited to redevelop areas around St. Paul’s, the Tower and the present Barbican.

Перейти на страницу:

Похожие книги

Почему они убивают. Как ФБР вычисляет серийных убийц
Почему они убивают. Как ФБР вычисляет серийных убийц

Легендарный профайлер ФБР и прототип Джека Кроуфорда из знаменитого «Молчания ягнят» Джон Дуглас исследует исток всех преступлений: мотив убийцы.Почему преступник убивает? Какие мотивы им движут? Обида? Месть? Вожделение? Жажда признания и славы? Один из родоначальников криминального профайлинга, знаменитый спецагент ФБР Джон Дуглас считает этот вопрос ключевым в понимании личности убийцы – и, соответственно, его поимке. Ответив на вопрос «Почему?», можно ответить на вопрос «Кто?» – и решить загадку.Исследуя разные мотивы и методы преступлений, Джон Дуглас рассказывает о самых распространенных типах серийных и массовых убийц. Он выделяет общие элементы в их биографиях и показывает, как эти знания могут применяться к другим видам преступлений. На примере захватывающих историй – дела Харви Ли Освальда, Унабомбера, убийства Джанни Версаче и многих других – легендарный «Охотник за разумом» погружает нас в разум насильников, отравителей, террористов, поджигателей и ассасинов. Он наглядно объясняет, почему люди идут на те или иные преступления, и учит распознавать потенциальных убийц, пока еще не стало слишком поздно…«Джон Дуглас – блестящий специалист… Он знает о серийных убийцах больше, чем кто-либо еще во всем мире». – Джонатан Демм, режиссер фильма «Молчание ягнят»«Информативная и провокационная книга, от которой невозможно оторваться… Дуглас выступает за внимание и наблюдательность, исследует криминальную мотивацию и дает ценные уроки того, как быть начеку и уберечься от маловероятных, но все равно смертельных угроз современного общества». – Kirkus Review«Потрясающая книга, полностью обоснованная научно и изобилующая информацией… Поклонники детективов и триллеров, также те, кому интересно проникнуть в криминальный ум, найдут ее точные наблюдения и поразительные выводы идеальным чтением». – Biography MagazineВ формате PDF A4 сохранён издательский дизайн.

Джон Дуглас , Марк Олшейкер

Документальная литература