“Don’t worry,” Josh tells her, looking up with a quick grin. “I know which ones are mine and which are your mom’s.”
“But what are you
“I’m trying to get a visual sense of which of these were recorded at Alphaville, which ones were influenced by artists who came out of Alphaville, which ones use sessions guys who recorded
“It looks like a record store in here,” Laura says faintly.
I don’t think she’s agreeing with him, exactly, but that’s the way Josh must understand it, because he smiles at her again. “You know, some of these are worth real money.”
“Probably.” Laura’s lips thin together.
Josh looks up and finally notices the expression on her face. “I’m not saying we should sell them. I’m sorry if that seemed insensitive. It’s just the geek in me getting excited looking at all this stuff.”
“I didn’t think you were.” I think she means it, but her lips stay thin.
Josh has decided to change the subject, because the next thing he says is, “My dad was here today. We took the kids out for lunch, and afterward I was showing him everything I’ve been working on. What he responded to most was the personal side of the story—the people living in this building who’ll have to move and uproot their lives. I don’t think I’ve done enough with that part of it yet. I was thinking maybe you could help me.”
“Well, the night we met,” Josh says. “You have no idea how moving you were when you were talking about the building you grew up in, and the people you knew there. I know you all had to move when the place was condemned. You have a much better grasp on the emotional side of what these people are facing now than I do.”
Laura’s face draws even further into itself. Little bumps appear in the tops of her shoes as her toes curl up. When she speaks, her voice sounds funny. “What kinds of things do you want to hear?”
“I don’t know.” Josh gives a small shrug. “How you found out you’d have to move. How your mom and your neighbors felt about it. What it was like having to move away from your friends and all those people you’d known for years. It doesn’t necessarily have to be the bad stuff,” he adds gently. “I know you’ve been going through your mother’s things with Prudence lately. That must have jogged some good memories.”
Listening to Laura talk about her Sarah-memories has become one of my favorite things. Leaping into the nearest Sarah-box, I helpfully push something out with my nose and paws. This way Laura has something to start talking about. The plastic bag I spill onto the ground holds tiny white-and-blue ceramic cups called a “sake set” that Anise brought back from a place called Japan for Sarah to keep in her record store. They clink against each other as they roll from the bag and around the cardboard covers scattered on the floor. The floor is so many different colors now from all the covers that it’s hard to see where some of the sake-set cups end up.
“See?” Josh smiles. “Prudence thinks it’s a good idea, too.” His smile turns wistful. “You see me with my family all the time. I hardly know anything about what you and your mother were like together. I’d just love to hear you talk about it.”
They look at each other for a long moment. Then Laura says, “I have to get out of these work clothes.” As her feet-shoes click down the hall, her voice calls back to us, “Let me know when you’re ready for dinner.”
12
AT THE END OF AUGUST IS A LONG HOLIDAY WEEKEND CALLED Labor Day. Humans need holidays and calendars to tell them things cats already know—like when the summer ends, and when the air starts to smell smokier and feel cooler. After Labor Day, the littermates go back to their school and stop coming here.
It’s around then that Laura starts getting sick in the mornings. She’s been sick
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Фантастика / Домашние животные / Кулинария / Современная проза / Дом и досуг