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Hervey nodded. He ought perhaps to have gone that day, but the summons had carried no particular urgency. And in any case, he did not suppose that the under secretary would be at office of a May afternoon.

When they arrived at Russell Square they were admitted promptly and received by a Mr Archibald Keightley, who had sent the note. ‘I am sorry that Sir Thomas himself is not at home today, but I am his confidential agent.’

Hervey had abandoned his earlier distemper, and was now thoroughly intrigued. ‘How did you learn of my address?’

The agent showed them into a sitting room, and asked the footman to bring tea. ‘It has, I admit, been a considerable labour.’ He went on to explain how he had consulted the Army List, had written to the Horse Guards, then the Regiment at Hounslow, and then to the Cape Colony, but had lately read in The Times that there was to be an inquiry into the events at Waltham Abbey and that Colonel Hervey was returned to London to give evidence to the court. ‘It was then but a morning’s work to locate you at the United Service Club.’

Tea was brought.

Hervey inferred that the matter could not be in connection with Somervile’s aspiring commission, but could see little point in proceeding as if it were a game. ‘Well, sir, perhaps you will be good enough to inform me of the reason for such a prodigious effort to find me.’

‘Ah yes, indeed; forgive me.’ He glanced at Fairbrother. ‘It is . . . a very delicate matter.’

Hervey smiled indulgently. ‘I assure you Captain Fairbrother is capable of the utmost delicacy.’

‘What I meant to say was that it is of a very . . . personal nature.’

Hervey had a sudden, and ghastly, premonition of an outrageous jape of Kat’s. But having expressed his confidence in Fairbrother he could hardly exclude him now. ‘Proceed, sir,’ he said, cautiously.

Mr Archibald Keightley cleared his throat. ‘Very well. For some years past I have been making a catalogue of Sir Thomas’s work. You will understand that a painter of Sir Thomas’s eminence is much in demand, and has been so for two decades and more. By the very nature of portraiture individual commissions proceed at different rates, depending as much on the sitter’s availability as the artist’s. Some canvases remain only very partially finished for years.’

‘I did not know it, but I perfectly understand,’ replied Hervey, laying down his cup. ‘There is, I take it, such a canvas that is of interest to me?’

Keightley cleared his throat again. ‘I believe there may be, yes.’

The footman and another returned carrying a full-length canvas covered with a dust sheet.

‘Ah, here we have it. Colonel Hervey, rather than prolong this with explanations, I would that you first saw this uncompleted work.’ He nodded to the footman, who let drop the sheet.

Hervey gasped. He stood up, his mouth open, the colour gone from his face. ‘My God!’

Fairbrother took his arm in support, knowing instinctively who was the artist’s subject.

Keightley sighed. ‘I am sorry that it should come as so great a shock, Colonel; but I am gratified that my enquiries have not been in vain. It is, then, a true likeness?’

Hervey shook his head slowly. ‘It is the most astonishing likeness I ever saw.’

Fairbrother saw that his eyes were filled with tears.

Hervey sat down again, still transfixed by the canvas. ‘In all these years I never had her true likeness – not a miniature, not even a pencil drawing.’ (The posthumous miniature he had had done in Bath had been a poor substitute.)

In a while, when he had composed himself, he asked what was known of the commission.

Keightley opened his notebook, but scarcely needed to consult it. ‘Sir Thomas keeps very particular records of his work. The portrait was commissioned in 1816 – while Sir Thomas was waiting to travel to Vienna to paint the Congress – and there were four sittings, the fourth in February of 1817, which is why the face and hands are complete. For the rest of the portrait, as you see, there is a very serviceable drawing: Lady Henrietta was, apparently, most particular that it should be a blue riding habit of hers, which she was either unwilling or unable to leave with Sir Thomas. Which, I imagine, is the reason it was unfinished before . . . before . . .’He cleared his throat again.

‘Just so,’ said Hervey softly, nodding.

1816: it was while he was in India the first time, the year before their marriage. Henrietta intended it – evidently – as a present for him, which his return to England the following year, and the wedding, and then . . . had stood in the way of completing.

He swallowed hard. ‘But I am astonished it has remained for so long thus.’

Keightley inclined his head, with a sigh that spoke of his own regret. ‘Sir Thomas travelled to Vienna in 1818 and stayed there, and in Rome, two years. You may imagine the work awaiting his return.’

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Все книги серии Matthew Hervey

Company Of Spears
Company Of Spears

The eighth novel in the acclaimed and bestselling series finds Hervey on his way to South Africa where he is preparing to form a new body of cavalry, the Cape Mounted Rifles.All looks set fair for Major Matthew Hervey: news of a handsome legacy should allow him to purchase command of his beloved regiment, the 6th Light Dragoons. He is resolved to marry, and rather to his surprise, the object of his affections — the widow of the late Sir Ivo Lankester — has readily consented. But he has reckoned without the opportunism of a fellow officer with ready cash to hand; and before too long, he is on the lookout for a new posting. However, Hervey has always been well-served by old and loyal friends, and Eyre Somervile comes to his aid with the means of promotion: there is need of a man to help reorganize the local forces at the Cape Colony, and in particular to form a new body of horse.At the Cape, Hervey is at once thrown into frontier skirmishes with the Xhosa and Bushmen, but it is Eyre Somervile's instruction to range deep across the frontier, into the territory of the Zulus, that is his greatest test. Accompanied by the charming, cultured, but dissipated Edward Fairbrother, a black captain from the disbanded Royal African Corps and bastard son of a Jamaican planter, he makes contact with the legendary King Shaka, and thereafter warns Somervile of the danger that the expanding Zulu nation poses to the Cape Colony.The climax of the novel is the battle of Umtata River (August 1828), in which Hervey has to fight as he has never fought before, and in so doing saves the life of the nephew of one of the Duke of Wellington's closest friends.

Allan Mallinson

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