But even while he holds stil , his eyes hold Xander’s. Ky’s lips move. “Yours,” he whispers, looking at Xander.
For a split second, Xander doesn’t understand; and then at the same moment he does, I do, too.
But here is the difference between us. Xander doesn’t hesitate once he knows what Ky means. “Of course,” Xander whispers, and he reaches for his tablet container. Now that he knows what to do, he’s fast, he’s smooth, he’s Xander.
He puts his own green tablet in Em’s mouth. I don’t think she knows what’s happening; she’s shaking so much, she’s so afraid. She swal ows reflexively; I doubt she tastes anything as it goes down.
Almost immediately, her body relaxes. “Thank you,” she says to us, closing her eyes. “I’m sorry. I’ve been worrying too much about the Banquet.
I’m sorry.”
“It’s fine,” I whisper, looking at Xander and then at Ky.
Between the two of them, they’ve pul ed it off. For a moment, I wonder why Ky didn’t give Em his tablet, but then I remember. He’s an Aberration.
And Aberrations aren’t al owed to carry tablets of their own.
Does Xander know now? Did Ky just give himself away?
But I don’t think Xander guessed. Why would he? It makes as much sense for him to give Em the tablet as it would for Ky. More, even. Xander has known Em longer. He settles back in his seat, watching Em as he takes her pulse, his hand around her delicate wrist. He looks up at Ky and me and nods. “Everything’s fine now,” he says. “She’s going to be fine.”
I put my arm around Em, and close my eyes, too, listening to the music. The song the woman was singing has ended, and now it’s the Anthem of the Society, bass notes rumbling, choir coming in for the final verse. Their voices sound triumphant; they sing as one. Like us. We closed around Em in a circle to protect her from the eyes of the Officials; and none of us wil tel about the green tablet.
I am glad that al is wel , glad that I promised to let Em borrow the compact for her Banquet. For what is the point of having something lovely if you never share it?
It would be like having a poem, a beautiful wild poem that no one else has, and burning it.
After a moment, I open my eyes and glance over at Ky. He doesn’t look back, but I know he knows I’m watching. The music is soft, slow. His chest rises and fal s. His lashes are black, impossibly long, the exact color of his hair.
Ky is right. I wil never hear this song the same way again.
At work the next day, we al notice immediately when the Officials enter the room. Like dominos fal ing at a game table, head after head turns toward the door of the sorting center. The Officials in their white uniforms are here for me. Everyone knows it and I know it, so I don’t wait for them. I push my chair back and stand up, my eyes meeting theirs across the dividers that separate our slots.
It’s time for my test. They nod for me to fol ow.
So I do, heart pounding but head held high, to a smal gray room with a single chair and several smal tables.
As I sit down, Norah appears in the doorway. She seems slightly anxious but gives me a reassuring smile before she looks at the Officials. “Do you need anything?”
“No, thank you,” says an Official with gray hair, who looks significantly older than the other two. “We’ve brought everything we require.”
None of the three Officials makes smal talk as they set things in order. The Official who spoke first seems to be in charge. The others, both women, are efficient and smooth. They hook up a datatag behind my ear and one inside the neck of my shirt. I don’t say anything, not even when the gel they use stings my skin.
The two women step back and the older Official slides a smal screen across the table toward me. “Are you ready?”
“Yes,” I say, hoping my voice sounds level and clear. I straighten my shoulders and sit up a little tal er. If I act as though I’m not afraid maybe they wil believe me. Although the datatags they’ve attached to me might tel a different story, thanks to my racing pulse.
“Then you may begin.”
The first sort is a numbers one, a simple one, a warmup. They are fair. They want me to get my legs under me before they move into the hard sorts.
As I sort the numbers on the screen, making order out of chaos and detecting patterns, my heartbeat evens out. I stop trying to hold onto so many other things—the memory of Xander’s kiss, what my father has done, curiosity about Ky, worry about Em in the music hal , confusion about myself and how I am meant to be and who I am meant to love. I let it al go like a child with a handful of bal oons on her First Day at First School. They float away from me, bright and dancing on the breeze, but I don’t look up and I don’t try to grab them back. Only when I hold onto nothing can I be the best, only then can I be what they expect me to be.
“Excel ent,” the oldest Official says as he inputs the scores. “Quite excel ent. Thank you, Cassia.”