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When you see the children of the perennially cool—on shows like Behind the Music—they look sheepish and slightly doomed, talking about their still-working rock-’n’-roller dads, as if they are the reluctant warders of some strange breed of extravagantly wrinkly and badly behaved children. Kids may not be old enough to know what cool is, but they are unerring in their ability to sense what isn’t.

No kid really wants a cool parent. “Cool” parents, when I was a kid, meant parents who let you smoke weed in the house—or allowed boyfriends to sleep over with their daughters. That would make Sarah Palin “cool.” But, as I remember, we thought those parents were kind of creepy. They were useful, sure, but what was wrong with them that they found us so entertaining? Didn’t they have their own friends? Secretly, we hated them.

Turning thirty came as a cruel surprise for me. I hadn’t really planned on making it that far. I’d taken seriously the maxims of my time—“Never trust anyone over thirty” and “Live fast, die young”—and been frankly shocked when I found that I’d lived that long. I’d done everything I could think of to ensure the opposite result, but there I was—and without a Plan B. The restaurant business provided a degree of stability in that there were usually people who expected me to get up in the morning and go somewhere—and heroin, if nothing else, was useful in giving me a sense of purpose in my daily movements. I knew what I had to do every day for most of my early thirties: get heroin.

Of my first marriage, I’ll say only that watching Gus Van Sant’s Drugstore Cowboy—particularly the relationship between Matt Dillon’s Bob and Kelly Lynch’s Dianne—inspires feelings of great softness and sentiment in me. It’s a reminder that even the worst times can be happy ones—until they aren’t.

By my late thirties, I found that I was still lingering, and I admit to a sense of disappointment, confusion—even defeat. “What do I do now?” I remember thinking. Detoxed from heroin and methadone, and having finally—finally—ended a lifelong love affair with cocaine. Where was my reward for all this self-denial? Shouldn’t I have been feeling good? If anything, all that relative sobriety pointed up a basic emptiness and dissatisfaction in my life, a hole I’d managed to fill with various chemicals for the better part of twenty-five years.

At forty-four, shortly after writing Kitchen Confidential, I found myself suddenly with a whole new life. One minute, I was standing next to a deep fryer, pan-searing pepper steaks—and the next, I was sitting on top of a dune, watching the sun set over the Sahara. I was running road blocks in Battambang; tiny feet were walking on my back in Siem Reap; I was eating at El Bulli.

Shortly before the breakup of my first marriage, I embarked on the equivalent of a massive public works project in my apartment: new shelves, furniture, carpets, appliances—all the trappings, I thought, of a “normal” and “happy” life—the kind of things I’d never really had or lived around since childhood. I wrote a crime novel around that time, in which the characters’ yearnings for a white-picket-fence kind of a life reflect my own far more truthfully than any nonfiction I’ve ever written. Shortly after that, I cruelly burned down my previous life in its entirety.

There was a period of…readjustment.

I recall the precise second when I decided that I wanted to—that I was going to be—a father.

Wanting a child is easy enough. I’d always—even in the bad old days—thought fondly of the times my father would carry me aloft on his shoulders into the waves off the Jersey Shore, saying, “Here comes a big one!” I’d remembered my own five-year-old squeals of terror and delight and thought I’d like to do that with a child someday, see that look on my own child’s face. But I knew well that I was the sort of person who shouldn’t and couldn’t be a daddy. Kids liked me fine—my niece and nephew, for instance—but it’s easy to make kids like you, especially when you’re the indulgent “evil uncle.”

I’d never lived in an environment where a child would have been a healthy fit—and I’d never felt like I was a suitably healthy person. I’d think of fatherhood from time to time, look at myself in the mirror, and think, “That guy may want a child; he’s simply not up to the job.” And, well, for most of my life I’d been way too far up my own ass to be of any use to anyone—something that only got worse after Kitchen Confidential.

I don’t know exactly when the possibility of that changing presented itself—but sometime, I guess, after having made every mistake, having already fucked up in every way a man can fuck up, having realized that I’d had enough cocaine, that no amount in the world was going to make me any happier. That a naked, oiled supermodel was not going to make everything better in my life—nor any sports car known to man. It was sometime after that.

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Военно-аналитическое исследование посвящено наступательной фазе Курской битвы – операциям Красной армии на Орловском и Белгородско-Харьковском направлениях, получившим наименования «Кутузов» и «Полководец Румянцев». Именно их ход и результаты позволяют оценить истинную значимость Курской битвы в истории Великой Отечественной и Второй мировой войн. Автором предпринята попытка по возможности более детально показать и проанализировать формирование планов наступления на обоих указанных направлениях и их особенности, а также ход операций, оперативно-тактические способы и методы ведения боевых действий противников, достигнутые сторонами оперативные и стратегические результаты. Выводы и заключения базируются на многофакторном сравнительном анализе научно-исследовательской и архивной исторической информации, включающей оценку потерь с обеих сторон. Отдельное внимание уделено личностям участников событий. Работа предназначена для широкого круга читателей, интересующихся военной историей.

Петр Евгеньевич Букейханов

Военное дело / Документальная литература