I watched him pass, dwindling, through three patches of streetlight, biggest, bigger, big, nothing. Then I went back into the house, switched on a lamp and the porch light, and stood in the middle of the living room with my hands jammed angrily into my pockets, in the left one of which I felt a scrap of paper that, when I unfolded it, turned out to be the cocktail napkin Cleveland had left at the bar, stuck to the damp side of my beer glass, after our first encounter with Carl Punicki. As I reread absently its three words—HAVE TO THINK—I remembered Phlox’s letter, twang! but out on the front step there was now nothing but the huge whirling shadows of the moths that had come to smash their heads against the light bulb. Cleveland must have picked up the letter in the dark, when he’d reached for his book. I would call him the next morning; everything would be fine. I came back inside, walked around in circles for a long time, read part of an old newspaper, then circled the room again. Finally I reached into my pocket and flipped a quarter. Heads was Phlox, tails was Arthur. It came up heads. I called Arthur.
20
LIFE ON VENUS
WE SLEPT TOGETHER. HE would get up in the morning and rush off to work, scrabbling through piles of our mingled trousers and briefs, running his head under the sink, slamming the front door in farewell, and after he was gone I would spend the luxury of my extra hour by bathing in the Weatherwoman’s claw-foot tub and in the strangeness of it all. We lived well. Arthur cooked elaborate dinners; in the refrigerator there was always pasta in the colors of the Italian flag, a variety of weird wines, capers, kiwis, unheard-of fish with Hawaiian names, and stacks of asparagus, Arthur’s favorite food, in the rubber-banded bundles that he never failed to refer to as fagots. We sent our dirty clothes out to be cleaned and they came back as gifts, tied up in blue paper. And, as often as possible, we went to bed. I did not consider myself to be gay; I did not consider myself, as a rule. But all day long, from the white instant when I opened my eyes in the morning until my last black second of awareness of Arthur’s fading breath against my shoulder, I was always nervous, full of energy, afraid. The city was new again, and newly dangerous, and I would walk its streets quickly, eyes averted from those of passersby, like a spy in the employ of lust and happiness, carrying the secret deep within me but always on the tip of my tongue.
The rich young couple—who were due to return on the last day of July—employed a black woman to clean their house. Her name was Velva. At eight o’clock on my only Wednesday morning at the Weatherwoman House, she entered the bedroom and screamed. After a moment of keen observation, she ran from the room, shouting that she was sorry. Arthur and I separated, went soft, laughed. We lit cigarettes and discussed strategy.
“Maybe I should go downstairs,” he said.
“Put some pants on.”
“What will she do?” he said. “I don’t know her well enough to predict. Black people confuse me.”
“Pick up the extension.”
“Why?”
“Maybe she’s calling the police.”
“Or an ambulance.”
I thought of my fat friends from Boardwalk, arriving in their van to attach their electric paddles to the outraged, apopleptic cleaning lady collapsed on the living-room floor. Arthur picked up the extension, listened, set it down again.
“Dial tone,” he said. “And I’m not going downstairs. You go. Slip her a five or something.” He pushed me, and I fell out of the bed, trailing the bedclothes behind me. A tendril of cotton blanket wrapped itself around a lamp, pulled the lamp to the floor after it, and then muffled the