Читаем Middle Of Nowhere полностью

   She closed her eyes and held them shut.


   "Maria?" Boldt's heart beat faster. He repeated her name. He said, "Is it possible that your assault had something—anything—to do with, or was a result of, your police work?"


   "Yes." Then, "No." Maybe.


   "You're doing well, Maria," Boldt said. "Can we keep going?"


   "Yes."


   "Okay then." He glanced through the pages of his notebook and moved a question forward onto his list. A part of him didn't want to keep going. A part of him just wanted to leave this poor woman alone, to deal with, what for her, were more urgent problems. Why, he wondered, did he feel so pressed to squeeze something out of her right now?


   "Is it safe to say that you believe your assault may have been at the hands of a fellow officer?"


   Her eyelids fluttered shut. When they reopened, her eyes were locked onto Boldt's, and he began to feel all watery and weak inside. She wasn't going to commit to that, not yet. She was still as terrified of the idea as he was. Cop on cop. Strike or not, it seemed inconceivable.


   She wasn't looking directly at him anymore. Now her eyes were fixed below the horizon of his gaze. Something else. Lower. He looked around the room for what held her attention. Seeing nothing that made sense, he wondered about her stare. Did she just want him to stop? Had he and his questions pushed her further toward frustration? Was he just giving her another problem to handle?


   "Listen," he began. "I probably shouldn't be press ing you so hard." He continued to try to figure out what it was—if it was anything—that had caught and held her attention, but he could see that her eyes had become more frantic, jumping to make contact with him and then dropping back down, locked onto whatever it was. She's telling me something,

he realized, feeling a tension in the air, still searching. The floor. . . . The wall behind him. . . . His own right hand. . . . His keys. . . .


   Liz had pointed out that he had a nervous habit of constantly fiddling with his keys. He barely even realized he was doing it. It was just something to do. Motion. Like a smoker rolling the ash of a burning cigarette.


   He drew the keys out of the pocket and Maria's eyelids fluttered shut and opened, eyes-right. "Yes!" those eyes shouted, now focused onto him with a burning intensity.


   "What about the keys?" he asked with growing excitement.


   She didn't answer, her gaze still fixed on the keys and key chain.


   "My keys?" he asked.


   "No."


   Now her eyes seared him. His own eyes stung.


   "Your keys?"


   "Yes."


   The mechanical efforts of the respirator moved in time with her chest as it rose and fell with ungainly symmetry, its exhale a long, peaceful, artificial sigh.


   "What about your keys?" he wondered aloud, trying


to make sense of it. He held his up, until they rang like tiny chimes and sparkled in the glare of the tube lights. Again, her eyes lit up with anticipation and even fright. She didn't need to tell him anything more—keys were somehow significant in what she was trying to communicate.


   He asked her directly, "Are the keys important?"


   "Yes."


   "You left your garage. You were headed to the back door, and you had your keys."


   She closed her eyes—he thought in frustration— and held them shut. When she reopened them, they bore into him.


   "I'm off track," he whispered.


   "Yes," she answered, the effort draining her. He sensed her fatigue, which she was fighting desperately. They both knew he was losing her. She closed her eyes to rest, this time for longer.


   "Your keys," he repeated, feeling he was working her too hard.


   She struggled to open her eyes. "Yes."


   "The robberies? The burglar made copies of the keys? Something like that?" And then he thought he knew where she was headed. "Whoever did this was inside your house. He'd gotten your keys somehow—and he was inside waiting for you?"


   "No." Her frustration seethed from her eyes.


   "I'm sorry," he mumbled. The great detective can't string three useful questions together. He felt impotent. "Damn it all!" he muttered.


   Her eyes fluttered, sagged shut, and failed to reopen.


   "Maria? Maria?" he gently tested. It took him a moment to realize the interview was over. Maria had fallen asleep.



C H A P T E R



15


"I'm not sure I see the point of this," Daphne said, hurrying down the hallway toward Property. Boldt had rousted her out of her office.


   "The point is," Boldt said, pain ringing through him, "her keys are important. How, I'm not sure. You're lead on her case, which means I don't get her keys out of Property without your signature."


   She held a door for him. He said, "I'm beginning to believe my assault and hers are linked: that's what led me back to her hospital room. Now this—these keys, I've got to face facts: People don't get mugged in my neighborhood, Daffy."


   "I know that. So if they weren't muggers, who were they?"


   "Maybe we don't want to find out."


   "The cop in me doesn't want to believe any cop would do this to another cop. Not ever."


Перейти на страницу:

Все книги серии Lou Boldt and Daphne Mathews

Похожие книги

Казино смерти
Казино смерти

В нашем маленьком городке Пико Мундо только близкие друзья знают о сверхъестественном даре, даре-проклятии, которым наделила меня судьба. Ко мне являются люди, покинувшие мир живых, с мольбой о помощи или просьбой об отмщении. И я несу этот крест во имя справедливости, стараясь предотвратить еще не совершившиеся убийства и покарать за содеянное зло. Я сказал — близкие друзья…Но самый близкий друг, не ведая, что творит, проговорился о моей тайне Датуре. Красавице, ставшей воплощением Зла. Сопровождаемая послушными рабами, обуреваемая желанием постичь все тайны загробного мира, она открыла охоту на меня, прокладывая кровавый след в песках пустыни Мохаве, в лабиринтах подземных тоннелей и на заброшенных этажах разрушенного землетрясением и пожаром отеля «Панаминт». Эта вестница Смерти еще не знала, какой безумный финал ожидает ее собственное безумие…

Дин Кунц

Детективы / Триллер / Триллеры
Пепел и пыль
Пепел и пыль

Неизвестно, существуют ли небеса. Неизвестно, существует ли ад. Наверняка можно сказать лишь одно: после смерти человек попадает в Междумирье, где царствуют пепел и пыль, а у каждого предмета, мысли или чувства из нашей реальности есть свое отражение. Здесь ползают мыслеобразы, парят демоны внезапной смерти, обитает множество жутких существ, которым невозможно подобрать название, а зло стремится завладеть умершими и легко может проникнуть в мир живых, откликнувшись на чужую ненависть. Этот мир существует по своим законам, и лишь проводники, живущие в обеих реальностях, могут помочь душам уйти в иное пространство, вознестись в столбе ослепительного света. Здесь стоит крест, и на нем висит распятый монах, пронзенный терновником и обреченный на вечные муки. Монах узнал тайну действительности, а потому должен был умереть, но успел оставить завещание своему другу-проводнику, которому теперь придется узнать, как на самом деле устроено Междумирье и что находится за его пределами, ведь от этого зависят судьбы живых и мертвых.

Ярослав Гжендович

Триллер