“We will meet you there as soon as our business is finished here,” Miss Hunroe added. Then she turned her attention again to the other three women. They were all now staring at a patterned rug on the floor. “Let us go,” Miss Hunroe decided. In the next second, an astonishing thing happened. She and the women staring at the rug disappeared as instantly as blown-out flames. All that was left was their clothes—a pile of frills of cotton and silk, of wool skirts, trousers, shirts, and jackets, of old-fashioned bras and pants of varying sizes, and of nylon tights. Scattered about under the mounds of material were an odd assortment of shoes, as well as a crutch. Four cats sat on the belongings as though they owned them.
The cats stared at the floor as they adjusted to their insides. For each of them now had
The real cat characters shrank back and down like sea anemones reduced from blooming flowers to tiny balls. Miss Hunroe, Miss Teriyaki, Miss Suzette, and Miss Oakkton took control of the cats’ minds as quickly and as thoroughly as an egg cup of black ink might color a small mug of water.
The white Burmese was the most difficult of the feline creatures to take command of. And today, as was often the case, it resisted Miss Hunroe’s control. It fought hard, refusing to let its identity be squashed and replaced by Miss Hunroe’s personality. But it was no use. Miss Hunroe won the tug-of-war, and the blue-eyed cat succumbed to Miss Hunroe.
Miss Speal, sitting on a stool with her hairless sphynx in her arms, watched as the four cats before her twitched their tails and nodded to the white Burmese. Then she stood up and opened the door for her feline friends.
The cats descended a straight, steep, thirty-step staircase and came to an open fire exit onto the main roof of the museum. Nimbly they leaped out onto the slated tiles there and, in an ordered fashion, trotted along the full length of the roof down to the museum’s central towers. Here, traversing the triangular peak of the roof, they came to the front of the museum, where they negotiated a wrought-iron fire escape that descended until they were at ground-floor level. They each leaped onto a balcony and walked along a thin, granite windowsill before hopping from the head of an ugly stone gargoyle onto the bare branch of a tree in front of the museum. Soon the procession of cats had snaked its way down to the cold pavement of Brompton Road.
A big red double-decker bus stopped at the light, and all four cats sprung on board.
“Oh, my word!” exclaimed the Jamaican bus conductor.
“Ah, look at those sweet cats!” cried an eight-year-old girl on her way home from school.
A wobbly-chinned woman, surrounded by shopping bags, looked up. “How extraordinary!” she said.
“Blood clot!” the conductor gasped. “Like a bunch of witches’ cats, I’d say. Are you all right, sweetheart? Best to leave ’em alone.”
And so the bus pulled away. The people on it nervously eyed the feline passengers. The four cats—the white Burmese, the gray Siamese, the fluffy white Persian, and the huge orange cat—sat beside the stairs near the vehicle’s open back. Then, at Knightsbridge, they stood up, raised their noses to the air, and disembarked.
AH2 pulled up his collar as another gust of cold air blew through the street. He’d followed Molly Moon and the boy who looked like her brother out of the natural history museum. He had hailed a cab to tail theirs, but with the heavy late-afternoon traffic, his black taxi had lost them. With his tracking device, however, AH2 could of course deduce exactly where Molly Moon was. And so he had switched it on and made his way through the crowded pavements after her.
It was odd. Molly Moon and her accomplice were inside a smart old building that bore the sign BLACK’S CASINO, ESTABLISHED 1928. What an eleven-year-old girl could need to do inside a casino was beyond AH2. Then again, he considered, digging his hands deep into his pockets, she was