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The day I met the shot-putter, I had an appointment with a woman and her brother. Their father had died and his wish was to be cremated and then have a memorial mass at one of the local Catholic churches—after which, half of him was to be buried in the diocesan cemetery and the other half scattered in the ocean. Their father had been in the Navy during the Second World War, and he wanted to be with his wife (who already was in the cemetery) as well as his mistress, the sea. Fine, that’s the beauty of cremation; many wishes can be fulfilled regarding the remains, while with a traditional burial, the person can only be interred in one place.

In talking to the mourners in my office, I learned their father had been something of a Renaissance man. Not only had he been a rough-and-tumble sailor, but he had enjoyed building ship models, taught himself to play the piano, and in his later years, took gourmet cooking classes at the local community college. Before we went into the selection room, his daughter told me, “I think we should put Dad in something that will fit his personality: masculine, yet artistic, and blue…for the sea.”

I had just the thing for her.

I took the woman and her brother into the display room to a cerulean colored cloisonné urn that sat on a shelf where the two lengths of the L-shaped room come together. I thought it was perfect for what she was describing—masculine, and yet artistic. I picked it up and handed it to the woman.

She hefted the urn, as if to weigh it. “Okay, okay,” as she turned the multi-colored enameled container around in her hands. “May I open it?”

“Go ahead,” I replied.

She twisted the lid off, peeked inside, screamed, and hurled the urn down the length of the casket display area with a prowess that would have made a shot-putter at a track meet take notice.

The urn ricocheted off a sixteen-gauge steel casket at the far end of the room with a loud bing and then partially shattered when it hit the tile floor. A small furry form shot out of the wreckage and disappeared behind a casket. The woman’s brother cringed, and the woman stood there in horror as if she couldn’t believe what she had just done.

I’m pretty unflappable, so I turned to the woman, and said, “What? Wrong color?”

She gave a short laugh, as if she didn’t hear me. “Oh my—”

I cut her off. “Mouse? They tore down that old church next door a month ago and apparently it disturbed their nest. We’ve been having a mouse problem here for a couple of weeks. Somehow, that little guy managed to get into the urn. Weird. I’m really sorry to scare you like that.”

“It’s not your fault,” she protested.

“Nice toss though.”

“Thanks, I mean—”

“We’ll pay for it,” the brother chimed in.

“No. No. Don’t worry about it,” I said, waving my hand in a dismissive way. I didn’t want this family going around saying I had a mouse problem. “It’s no big deal. We’ll pick something else out. Something without a surprise hiding in it.”

“No, no,” the woman said, dazed. “That one was perfect. That was Dad.”

“You sure?” I asked.

“I’m sure.”

I ordered a replacement urn for their father and called the exterminator back. I thought he was going to have a seizure, he was laughing so hard when I replayed what had happened, acting out the motions in the display room and everything. Apparently a mouse in an urn was a first, even for his line of business, and he’s probably seen mice in all sorts of places. He thinks the mouse must have crawled into the urn when the lid was ajar and it closed behind him; he just got lucky we picked it up before he died in there.

I still have the partially shattered urn sitting on a shelf in my office. When people ask me why it’s there, I tell them about the day I had an Olympic shot-putter in my showroom.

CHAPTER 28. Last Wishes

Contributed by a website designer

I met Claire Morgan, a woman who had founded a local hospice program, through a friend of mine. Claire was a former nurse who had lost her husband to a terminal illness at a young age. She was left with enough money that she didn’t have to work another day in her life. Instead of taking her money and moving to the Sun Belt as most people would have done, Claire decided to do something to help families going through the same thing she had gone through.

Relatively speaking, it was a small hospice—ten nurses and just under one hundred patients. Claire wanted to keep it small to maximize patient care and minimize stress on the families of the dying. It worked. Word quickly spread about this wonderful new facility, and Claire had to hire more nurses to keep the same patient/nurse ratio.

The first time I met Claire Morgan was at a Christmas party our mutual friend was hosting. She had never come before because she and her husband had always gone to his boss’s Christmas Eve party.

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