Dagger AwardsLionel Essrog, a.k.a. the Human Freakshow, is a victim of Tourette's syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach and stroke people. Local tough guy hires Lionel and other boys and grooms them to become the Minna Men, a detective-agency-cum-limo service."Under the guise of a detective novel, Lethem has written a more piercing tale of investigation, one revealing how the mind drives on its own 'wheels within wheels.' "– The New York Times Book Review"Who but Jonathan Lethem would attempt a half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome?… The dialogue crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist."– The Boston Globe"Part detective novel and part literary fantasia, [Motherless Brooklyn] superbly balances beautiful writing and an engrossing plot."– The Wall Street Journal"Intricately and satisfyingly plotted… Funny and dizzying and heart-breaking."– Luc Sante, Village Voice Literary Supplement"A tour de force… With one unique and well-imagined character, Jonathan Lethem has turned a genre on its ear. He doesn't just push the envelope, he gives it a swift kick."– The Denver Post"Aside from being one of the most inventive writers on the planet, Lethem is also one of the funniest."– San Francisco examiner Chronicle"In Essrog… Jonathan Lethem has fashioned a lovably strange man-child and filled his cross-wired mind with a brilliant, crashing, self-referential interior monologue that is at once laugh-out-loud funny, tender and in the honest service of a terrific story."– The Washington Post Book World"A true risk-taker… Lethem uses a familiar genre as the backdrop for his own artistic flourishes."– The Hartford Courant"Wildly inventive… Jonathan Lethem has a knack for pushing commonplace ideas to absurdly literal ends."– City Pages"Marvelous… Motherless Brooklyn is, among other things, a tale of orphans, a satire of Zen in the city and a murder mystery."– Time Out New York"Finding out whodunit is interesting enough, but it's more fun watching Lethem unravel the mysteries of his Tourettic creation."– Time"Wonderfully inventive, slightly absurdist… [Motherless Brooklyn] is funny and sly, clever, compelling and endearing."– USA Today"Utterly original and deeply moving."– Esquire"Motherless Brooklyn is a whodunit that's serious fiction… Lethem is a sort of Stanley Kubrick figure… stopping off in flat genres to do multidimensional work, blasting their hoary conventions to bits.""A pure delight."– The New York Observer"A detective story, a shrewd portrait of Brooklyn, a retold Oliver Twist and a story so baroquely voiced (the hero has Tourette's syndrome) that Philip Marlowe would blush. And tip his fedora."– Newsweek"Wildly imaginative."– Minneapolis Star Tribune"Funny, delightfully complicated and so outrageously inventive that no pitch could do it justice."– Baltimore Sun"A multi-layered novel that's fast-paced, witty and touching… Prose diatpunches its way down the page, every word loaded with energy and ready to explode."– The Oregonian"Compulsively readable… Genuinely entertaining… Improbably hilarious… Lethem is at his peak Nabokov-meets-Woody-Allen verbal frenzy."– Bookforum"Most rewarding… Delightfully oddball."– The New Yorker"Motherless Brooklyn is Lethem's finest work yet-exciting, strange, original, hilarious, human and soulful."– The Memphis Commercial Appeal"A staggering piece of writing… On the edge of genius… The accents, class distinctions, highways, neighborhoods, grocery stores, flavors, scents and, yes, car services in a certain corner of [Brooklyn] are made vividly tangible, arising from these pages as if scratch-and-sniffs were embedded in the margins."– San Jose Mercury News"Imagine the opportunities to explore language that arise when the narrator of a novel has Tourette's syndrome… Unforgettable."– Los Angeles Times
Детективы18+Jonathan Lethem
Motherless Brooklyn
WALKS INTO
Context is everything. Dress me up and see. I’m a carnival barker, an auctioneer, a downtown performance artist, a speaker in tongues, a senator drunk on filibuster.
“Eat me!” I scream.
“Maufishful,” said Gilbert Coney in response to my outburst, not even turning his head. I could barely make out the words-“My mouth is full”-both truthful and a joke, lame. Accustomed to my verbal ticcing, he didn’t usually bother to comment. Now he nudged the bag of White Castles in my direction on the car seat, crinkling the paper. “Stuffinyahole.”
Coney didn’t rate any special consideration from me. “Eatmeeatmeeatme,” I shrieked again, letting off more of the pressure in my head. Then I was able to concentrate. I helped myself to one of the tiny burgers. Unwrapping it, I lifted the top of the bun to examine the grid of holes in the patty, the slime of glistening cubed onions. This was another compulsion. I always had to look inside a White Castle, to appreciate the contrast of machine-tooled burger and nubbin of fried goo. Kaos and Control. Then I did more or less as Gilbert had suggested-pushed it into my mouth whole. The ancient slogan
Food really mellows me out.
We were putting a stakeout on 109 East Eighty-fourth Street, a lone town house pinned between giant doorman apartment buildings, in and out of the foyers of which bicycle deliverymen with bags of hot Chinese flitted like tired moths in the fading November light. It was dinner hour in Yorktown. Gilbert Coney and I had done our part to join the feast, detouring up into Spanish Harlem for the burgers. There’s only one White Castle left in Manhattan, on East 103rd. It’s not as good as some of the suburban outlets. You can’t watch them prepare your order anymore, and to tell the truth I’ve begun to wonder if they’re microwaving the buns instead of steaming them. Alas. Taking our boodle of thusly compromised sliders and fries back downtown, we double-parked in front of the target address until a spot opened up. It only took a couple of minutes, though by that time the doormen on either side had made us-made us as out-of-place and nosy anyway. We were driving the Lincoln, whe didn’t have the “T”-series license plates or stickers or anything else to identify it as a Car Service vehicle. And we were large men, me and Gilbert. They probably thought we were cops. It didn’t matter. We chowed and watched.
Not that we knew what we were doing there. Minna had sent us without saying why, which was usual enough, even if the address wasn’t. Minna Agency errands mostly stuck us in Brooklyn, rarely far from Court Street, in fact. Carroll Gardens and Cobble Hill together made a crisscrossed game board of Frank Minna’s alliances and enmities, and me and Gil Coney and the other Agency Men were the markers-like Monopoly pieces, I sometimes thought, tin automobiles or terriers (not top hats, surely)-to be moved around that game board. Here on the Upper East Side we were off our customary map,
Хаос в Ваантане нарастает, охватывая все новые и новые миры...
Александр Бирюк , Александр Сакибов , Белла Мэттьюз , Ларри Нивен , Михаил Сергеевич Ахманов , Родион Кораблев
Фантастика / Детективы / Исторические приключения / Боевая фантастика / ЛитРПГ / Попаданцы / Социально-психологическая фантастика / РПГ