Dromis had boasted he was a good swordsman, and it was so. He didn’t drop his weapon, and he managed to jump back and evade my cut. But his eyes were wide with shock. Whereas I wanted to laugh, because from this moment forward, nothing about our encounter was predestined. Now it was just another sword fight.
Having experienced the turbulent power of the stone, I’d conjectured that, while Dromis had learned to use it, the process wasn’t easy for him. For after all, he was a warrior, not a mystic, and, moreover, the artifact was damaged.
And if Dromis had to struggle mightily to swim through the time currents in the same way I had, then it stood to reason that he couldn’t navigate to a scene he wanted to witness with any extraordinary precision. He had to flounder about until he happened across it, then fight to hold his position long enough to obtain a serviceable glimpse.
So I’d called in the favor owed me by the players of the Azure Swan Theater. On the previous morning, they, Marissa, and I had thrice staged a mock duel, with actors made up to resemble Dromis, a band of his students, and Olissimal. Each time I attacked with a feint to the chest and a cut to the head, and each time my adversary dispatched me with a stab to the body. His sword was blunt, but still capable of bursting the bladder of pig’s blood concealed inside my doublet.
The idea was for Dromis’s spirit, adrift in time, to observe one of the fraudulent duels and mistake it for the real one, and I admit, I’ve hatched schemes that inspired greater confidence. Even if all my unsubstantiated guesses were correct, there was still one chance in four that my foe had watched the actual combat. But now I knew the trick had worked.
We traded attacks, neither scoring as of yet. But as the moments passed, I felt more and more in control of the action, and he had to give ground repeatedly.
I judged that if I could stop him retreating, I could finish him, and there was a marble tomb, crowned with a statue of a dove lighting on the hand of a goddess, several paces behind him. I started the process of backing him up against it.
Then Dromis used the thumb of his off hand to rotate the gold ring on his middle finger, perhaps another keepsake he’d carried away from his cult’s desecrated temple. The medallion I wore next to my skin turned icy cold, warning me of hostile magic. Unfortunately, the warning was redundant. I was able to guess that my opponent had cast a curse stored in a talisman from the way the world suddenly went black.
Acting by reflex, I parried, and steel rang as I stopped Dromis’ sword. I riposted, and felt my blade cleave flesh and stick there. When Dromis fell, his weight dragged it toward the ground.
My feat was lucky, but not, I think, pure luck. Throughout the duel, I’d studied Dromis’ fighting style and learned his favorite attack. Thus, even blind, I was able to defend. And when our blades met, it gave me a sense of his position. That made it possible to land a cut.
Much to my relief, my eyesight returned a moment after Dromis dropped. Blinking away a certain residual cloudiness, I checked to make sure he was dead, then pivoted to find Olissimal. I wanted to witness his dismay at his champion’s demise.
But in that regard, I was disappointed. Supported by his crutches, Olissimal stood shivering with his lips parted and his eyes half closed, a picture of perverse delight. He didn’t really care who’d died a bloody death, only that someone had.
I suppose no moment is perfect. But, Olissimal’s bliss notwithstanding, this one came close, and tasted sweeter still when Marissa strode up to me, a rare smile of genuine admiration on her face. “Nicely done,” she said.
“You have no idea,” I answered.
“So what happens now? We find the black stone and try to use it to prove Dromis’ duelists cheated?”
“No, because they didn’t. Not knowingly. They didn’t understand Dromis used sorcery to determine how they should fight. They just thought he was a brilliant teacher.”
“Then I guess we’re done. We can get down to the serious business of using the stone to pick winning horses.”
I was reasonably certain she was joking. But since coming to Mornedealth, I’d lost a ridiculous amount of coin wagering in the hippodrome, and I confess that, just for an instant, I was tempted.
A Dream Deferred
Kristin Schwengel’s work has appeared in the anthologies
,
, and
, among others. She and her husband live near Milwaukee, Wisconsin, where she has a full-time job that, as she puts it, “pays the bills” and allows her to pursue other interests part-time, including massage therapy, gourmet cooking, and, of course, writing.