Музыка боли. Образ травмы в советской и восточноевропейской музыке конца XX века

Sandle, Mark. A Triumph of Ideological Hairdressing? Intellectual Life in the Brezhnev Era Reconsidered // Brezhnev Reconsidered. Edwin Bacon and Mark Sandle (eds). New York: Palgrave Macmillan, 2002. P. 135–160.

Savenko, Svetlana. Musica Sacra of Arvo Part // “Ex Oriente…” Ten Composers from the Former USSR. Valeria Tsenova (ed.). P. 155–178. Berlin: Verlag Ernst Kuhn, 2002.

Scammell, Michael. Art as Politics and Politics in Art // Nonconformist Art: The Soviet Experience 1956–1986. Alla Rosenfeld and Norton T. Dodge (eds). New York: The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, and Thames and Hudson, 1995. P. 49–63.

Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford University Press, 1985.

Schechner, Richard. Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press, 1985.

–. The Future of Ritual: Writings on Culture and Performance. London and New York: Routledge, 1993.

–. Performance Studies: An Introduction. 2nd ed. New York: Routledge, 2006.

–. Performance Theory. London and New York: Routledge, 2003.

Schechner, Richard, and Willa AppeL By Means of Performance: Intercul-tural Studies of Theatre and Ritual. Cambridge and New York: Cambridge University Press, 1990.

Schmelz, Peter J. Andrey Volkonsky and the Beginnings of Unofficial Music in the Soviet Union // Journal of the American Musicological Society 58, no. 1 (Spring 2005): 139–207.

–. Such Freedom, If Only Musical: Unofficial Soviet Music During the Thaw. Oxford and New York: Oxford University Press, 2009.

Schnittke, Alfred. A Schnittke Reader. Alexander Ivashkin (ed.). Translated by John Goodliffe. Bloomington: Indiana University Press, 2002.

Schultz, Wolfgang-Andreas. Avant-garde und Trauma: Die Musik des 20. Jahrhunderts und die Erfahrungen der Weltkriege // Lettre International, no. 71 (2005): 92–97.

–. Avant-garde und Trauma: Die Musik des 20. Jahrhunderts und die Erfahrungen der Weltkriege // Das Orchester 55, no. 2 (2007): 31–35.

Schwarz, Boris. Music and Musical Life in Soviet Russia, Enlarged Edition 1917–1981. Bloomington: Indiana University Press, 1972. Reprint, 1983.

Schwarz, K. Robert. Part: De Profundis, Solfeggio, And One of the Pharisees,’ Cantate Domino, Summa, Seven Magnificat Anitphons, The Beatitudes, Magnificat (Christopher Bowers-Broadbent, Paul Hillier, Theater of Voices) 11 Stereo Review 62, no. 10 (October 1997): 109.

Segel, Harold B. The Columbia Literary History of Eastern Europe since 1945. New York: Columbia University Press, 2008.

Sewell, Kenneth W., and Amy M. Williams. Construing Stress: A Constructivist Therapeutic Approach to Posttraumatic Stress Reaction // Meaning Reconstruction and the Experience of Loss. Robert A. Neimeyer (ed.). Washington, D.C.: American Psychological Association, 2001. P. 293–310.

Sexton, Paul. Mournful Classical Piece Cracks U.K. Pop Top 10 // Billboard, February 27, 1993.

Shaver, Phillip R., and Caroline M. Tancredy. Emotion, Attachment, and Bereavement: A Conceptual Commentary // Handbook of Bereavement Research: Consequences, Coping, and Care. Margaret S. Stroebe, Robert

O. Hansson, Wolfgang Stroebe, and Henk Schut (eds). Washington, D.C.: American Psychological Association, 2001. P. 63–88.

Simpson, Michael A. Traumatic Bereavements and Death-Related PTSD // Death and Trauma: The Traumatology of Grieving. Charles R. Figley, Brian E. Bride, and Nicholas Mazza (ed.). Washington, D.C.: Taylor & Francis, 1997.

P. 3-16.

Sitsky, Larry. Music of the Repressed Russian Avant-Garde, 1900–1929. Westport, Conn.: Greenwood Press, 1994.

Smith, Geoff. An Interview with Arvo Part: Sources of Invention // Musical Times 140, no. 1868 (Autumn 1999): 24–25.

Smith, Kathleen E. Remembering Stalin’s Victims: Popular Memory and the End of the USSR. Ithaca, N.Y, and London: Cornell University Press, 1996.

Soames, Nicolas. Minimalism Brings Maximum Awards П Times, June 5, 1993.

Sobchack, Vivian. Carnal Thoughts: Embodiment and the Moving Image. Berkeley: University of California Press, 2004.

Sontag, Susan. Regarding the Pain of Others. New York: Farrar, Straus and Giroux, 2003.

Sorry Story II Evening Standard, June 18, 1993.

Stilwell, Robynn J. Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape // Film Music: Critical Approaches. K. J. Donnelly (ed.). P. 167–187. New York: Continuum International, 2001.

Stroebe, Margaret S., Robert O. Hansson, Henk Schut, and Wolfgang Stroebe. Bereavement Research: Contemporary Perspectives // Handbook of Bereavement Research and Practice: Advances in Theory and Intervention. Margaret S. Stroebe, Robert O. Hansson, Henk Schut, and Wolfgang Stroebe (eds). Washington, D.C.: American Psychological Association, 2008. P. 3–25.